DISCLAIMER This book does not in any capacity mean to replace the original book but to serve as a vast summary of the original book. Summary of Some People Need Killing by Patricia Evangelista:A Memoir of Murder in My Country IN THIS SUMMARIZED BOOK, YOU WILL GET: Chapter astute outline of the main contents. Fast & simple understanding of the content analysis. Exceptionally summarized content that you may skip in the original book Patricia Evangelista's "journalistic masterpiece" is a detailed account of the Philippines' state-sanctioned killings of its citizens. The book, which was published by The New Yorker, is a deeply humane chronicle of the country's drug war. Evangelista, who came of age after a street revolution, documented the killings carried out by police and vigilantes under President Rodrigo Duterte's regime. The book captures the atmosphere of fear created when an elected president decides to prioritize certain lives over others. It also delves into the grammar of violence and human impulses to dominate and resist.
Some People Need Killing For more than seven months, the Philippine Daily Inquirer kept a record known as the Kill List, documenting the deceased based on reports from correspondents nationwide. Brief descriptions of the circumstances of death were provided, with entries numbered and arranged chronologically. The victims were individuals suspected of involvement in drug trafficking or listed on local drug watchlists. The means of their demise were diverse, ranging from targeted assassinations and clandestine disposal of bodies to drive-by shootings, showcasing the grim creativity of the perpetrators. These fatalities were attributed to drug-related activities, constituting extrajudicial killings, which became a prevalent term in public discourse and media coverage.
TIME’S #1 NONFICTION BOOK OF THE YEAR • A NEW YORK TIMES BOOK REVIEW TOP 10 BEST BOOK OF THE YEAR • A “riveting” (The Atlantic) account of the Philippines’ state-sanctioned killings of its citizens under President Rodrigo Duterte, hailed as “a journalistic masterpiece” (The New Yorker) “Tragic, elegant, vital . . . Evangelista risked her life to tell this story.”—Tara Westover, #1 New York Times bestselling author of Educated LONGLISTED FOR THE WOMEN’S PRIZE • A BEST BOOK OF THE YEAR: The New York Times, The New Yorker, The Economist, Chicago Public Library, CrimeReads, The Mary Sue “My job is to go to places where people die. I pack my bags, talk to the survivors, write my stories, then go home to wait for the next catastrophe. I don’t wait very long.” Journalist Patricia Evangelista came of age in the aftermath of a street revolution that forged a new future for the Philippines. Three decades later, in the face of mounting inequality, the nation discovered the fragility of its democratic institutions under the regime of strongman Rodrigo Duterte. Some People Need Killing is Evangelista’s meticulously reported and deeply human chronicle of the Philippines’ drug war. For six years, Evangelista documented the killings carried out by police and vigilantes in the name of Duterte’s war on drugs—a crusade that has led to the slaughter of thousands—immersing herself in the world of killers and survivors and capturing the atmosphere of terror created when an elected president decides that some lives are worth less than others. The book takes its title from a vigilante, whose words demonstrated the psychological accommodation many across the country had made: “I’m really not a bad guy,” he said. “I’m not all bad. Some people need killing.” A profound act of witness and a tour de force of literary journalism, Some People Need Killing is a brilliant dissection of the grammar of violence and an investigation into the human impulses to dominate and resist.
TIME’S #1 NONFICTION BOOK OF THE YEAR • A NEW YORK TIMES BOOK REVIEW TOP 10 BEST BOOK OF THE YEAR “Patricia Evangelista’s searing account is not only the definitive chronicle of a reign of terror in the Philippines, but a warning to the rest of the world about the true dangers of despotism—its nightmarish consequences and its terrible human cost.”—Patrick Radden Keefe, New York Times bestselling author of Empire of Pain “Tragic, elegant, vital . . . Evangelista risked her life to tell this story.”—Tara Westover, #1 New York Times bestselling author of Educated “A journalistic masterpiece”—David Remnick, The New Yorker For six years, journalist Patricia Evangelista documented killings carried out by police and vigilantes in the name of then president Rodrigo Duterte’s war on drugs—a crusade that led to the slaughter of thousands—immersing herself in the world of killers and survivors and capturing the atmosphere of terror created when an elected president decides that some lives are worth less than others. The book takes its title from the words of a vigilante, which demonstrated the psychological accommodation many across the country had made: “I’m really not a bad guy,” he said. “I’m not all bad. Some people need killing.” A profound act of witness and a tour de force of literary journalism, Some People Need Killing is a brilliant dissection of the grammar of violence and an investigation into the human impulses to dominate and resist. WINNER OF THE NEW YORK PUBLIC LIBRARY’S HELEN BERNSTEIN BOOK AWARD • FINALIST FOR THE CHAUTAUQUA PRIZE • LONGLISTED FOR THE WOMEN’S PRIZE AND THE MOORE PRIZE FOR HUMAN RIGHTS WRITING • A BEST BOOK OF THE YEAR: The New York Times, The New Yorker, The Economist, Chicago Public Library, CrimeReads, The Mary Sue
Maria A Ressa has been interviewed by The Wall Street Journal ( High-Profile Journalist Reshapes Her Role in Terrorism Fight )The two most wanted terrorists in Southeast Asia OCo a Malaysian and a Singaporean OCo are on the run in the Philippines, but they manage to keep their friends and family updated on Facebook. Filipinos connect with al-Qaeda-linked groups in Somalia and Yemen. The black flag OCo embedded in al-Qaeda lore OCo pops up on websites and Facebook pages from around the world, including the Philippines, Indonesia, the Middle East, Afghanistan, Australia, and North Africa. The black flag is believed to herald an apocalypse that brings Islam's triumph. These are a few of the signs that define terrorism's new battleground: the Internet and social media.In this groundbreaking work of investigative journalism, Maria Ressa traces the spread of terrorism from the training camps of Afghanistan to Southeast Asia and the Philippines. Through research done at the International Center for Political Violence & Terrorism Research in Singapore and sociograms created by the CORE Lab at the Naval Postgraduate School, the book examines the social networks which spread the virulent ideology that powered terrorist attacks in the past 10 years.Many of the stories here have never been told before, including details about the 10 days during which Ressa led the crisis team in the Ces Drilon kidnapping case by the Abu Sayyaf in 2008. The book forms the powerful narrative that glues together the social networks OCo both physical and virtual OCo which spread the jihadi virus from bin Laden to Facebook.
Introduction by Amal Clooney From the recipient of the 2021 Nobel Peace Prize, an impassioned and inspiring memoir of a career spent holding power to account. Maria Ressa is one of the most renowned international journalists of our time. For decades, she challenged corruption and malfeasance in her native country, the Philippines, on its rocky path from an authoritarian state to a democracy. As a reporter from CNN, she transformed news coverage in her region, which led her in 2012 to create a new and innovative online news organization, Rappler. Harnessing the emerging power of social media, Rappler crowdsourced breaking news, found pivotal sources and tips, harnessed collective action for climate change, and helped increase voter knowledge and participation in elections. But by their fifth year of existence, Rappler had gone from being lauded for its ideas to being targeted by the new Philippine government, and made Ressa an enemy of her country’s most powerful man: President Duterte. Still, she did not let up, tracking government seeded disinformation networks which spread lies to its own citizens laced with anger and hate. Hounded by the state and its allies using the legal system to silence her, accused of numerous crimes, and charged with cyberlibel for which she was found guilty, Ressa faces years in prison and thousands in fines. There is another adversary Ressa is battling. How to Stand Up to a Dictator is also the story of how the creep towards authoritarianism, in the Philippines and around the world, has been aided and abetted by the social media companies. Ressa exposes how they have allowed their platforms to spread a virus of lies that infect each of us, pitting us against one another, igniting, even creating, our fears, anger, and hate, and how this has accelerated the rise of authoritarians and dictators around the world. She maps a network of disinformation—a heinous web of cause and effect—that has netted the globe: from Duterte’s drug wars to America's Capitol Hill; Britain’s Brexit to Russian and Chinese cyber-warfare; Facebook and Silicon Valley to our own clicks and votes. Democracy is fragile. How to Stand Up to a Dictator is an urgent cry for Western readers to recognize and understand the dangers to our freedoms before it is too late. It is a book for anyone who might take democracy for granted, written by someone who never would. And in telling her dramatic and turbulent and courageous story, Ressa forces readers to ask themselves the same question she and her colleagues ask every day: What are you willing to sacrifice for the truth?
A young man's journey through the Philippines' most unlikely obsession: basketball. In Pacific Rims, Rafe Bartholemew, journalist, New Yorker, and veteran baller, ventures through the Philippines to investigate the country's love of basketball. From street corners where diehards fashion hoops out of old car parts to the professional league where politicians exploit team loyalties to win elections, Pacific Rims gets the story-and gets in the game.
The first biography of Rodrigo Duterte, the murderous, unpredictable president of the Philippines, whose war on drugs has seen thousands of people killed in cold blood. Rodrigo Duterte was elected President of the Philippines in 2016. In his first 18 months in office, 12,000 people were murdered on the streets, gunned down by police officers and vigilante citizens — all with his encouragement. Duterte is a serial womaniser and a self-confessed killer, who has called both Barack Obama and Pope Francis ‘sons of whores’. He is on record as saying he does not ‘give a shit’ about human rights. Yet he is beloved of the 16.6 million Filipinos who voted for him, seen as vulgar but honest, a breath of fresh air, and an iconoclastic, anti-imperialist rebel. In this revelatory biography, Channel 4 News’ Asia Correspondent Jonathan Miller charts Duterte’s rise, and shows how this fascinating, fearsome man can be seen as the embodiment of populism in our time.
Chosen as a Best Book of 2017 by Publishers Weekly! Harrowing personal narratives describing how Mexican authorities disappeared, killed, and injured scores of students and others in a still-unsolved crime. "Journalist Gibler's investigative prowess yields a book that uses a chorus of voices—eyewitness accounts of the students and others at the scene—to add depth and clarity to the Sept. 26, 2014, massacre of students in the city of Iguala, Mexico, that left six people dead, 40 wounded, and 43 students missing who have yet to be seen since. It's an unforgettable reconstruction of a national tragedy."—Publishers Weekly, Best of 2017, Nonfiction "After nine months of intensive research for a book on the case of the forty-three, Gibler decided that 'what needs to be shared, urgently, are both the words and the storytelling of the people who lived through the attacks.' . . . The testimonies in I Couldn't Even Imagine That They Would Kill Us offer stunning evidence again and again that members of the army, as well as local and state police, helped carry out the attack."—The New York Review of Books " . . . valuable oral history . . ."—London Review of Books "In Mexico, John Gibler's book has been recognized as a journalistic masterpiece, an instant classic, and the most powerful indictment available of the devastating state crime committed against the 43 disappeared Ayotzinapa students in Iguala. This meticulous, choral recreation of the events of that night is brilliantly vivid and alive, it will terrify and inspire you and shatter your heart."—Francisco Goldman, writer for The New Yorker, author of The Interior Circuit: A Mexico City Chronicle On September 26, 2014, police in Iguala, Mexico attacked five busloads of students and a soccer team, killing six people and abducting forty-three students—now known as the Iguala 43—who have not been seen since. In a coordinated cover-up of the government's role in the massacre and forced disappearance, Mexican authorities tampered with evidence, tortured detainees, and thwarted international investigations. Within days of the atrocities, John Gibler traveled to the region and began reporting from the scene. Here he weaves the stories of survivors, eyewitnesses, and the parents of the disappeared into a tour de force of journalism, a heartbreaking account of events that reads with the momentum of a novel. A vital counter-narrative to state violence and impunity, the stories also offer a testament of hope from people who continue to demand accountability and justice. John Gibler lives and writes in Mexico. He is the author of Torn from the World, Mexico Unconquered: Chronicles of Power and Revolt, To Die in Mexico: Dispatches From Inside the Drug War, 20 poemas para ser leídos en una balacera, Tzompaxtle: La fuga de un guerrillero. His work on Ayotzinapa has been published in California Sunday Magazine, featured on NPR's "All Things Considered," and praised by The New Yorker.
“Brilliant . . . Miguel Syjuco is his country’s most original and unflinching literary voice.” —Salman Rushdie "It’s a rare novel that leaves you reeling simultaneously with admiration, exhaustion, amazement at its author’s reach and skill, and desolation at the world it spreads out before you . . . [A] raging protest of a book.” —James Lasdun, The New York Times Book Review (Editors' Choice) From Miguel Syjuco, the winner of the Man Asian Literary Prize for Ilustrado, I Was the President's Mistress!! is an unflinching satire about power, corruption, sex, and all the other topics you were told never to discuss in polite company. First came the Sexy-Sexygate scandal. Then an impeachment trial. Finally, a battle royale for the presidency. At the center of this political typhoon is Vita Nova, the most famous movie star in the Philippines and a former paramour of the country’s most powerful man. Now, for the first time ever, she bares herself completely in a tell-all memoir that puts the sensational in sensationalistic. The setting: a sweating, heaving country. The time: right now. The plot: a drug war rages, an assassin brandishes a pistol, a damsel rises from ashes to power, and a government teeters on the brink. Among the players: a dreamer who boxed and acted his way to the presidency, his Koran-toting nemesis in the senate, a horny bishop, a cowboy turned warlord, a poor little rich boy dying with his dynasty, a washed-up reporter redeemed by one last scoop, a high-school sweetheart driven mad by decades of disappointment, and an American naval officer tempting our heroine with a way out. As Vita warns, viewer discretion is advised. In this masterful and audacious novel, Miguel Syjuco’s signature style—hilarious, insightful, playful, provocative—animates thirteen indelible voices whose stories present a cross-section of a complicated society. I Was the President’s Mistress!! hurtles headlong into love, politics, faith, history, memory, and the ongoing war over who will tell the stories the world shall know as truth.
