No collection of philosophy or theology is complete without this classic work of Thomas Aquinas. Designed for study, this edition makes the Summa Theologiae accessible to everyone.
"The Summa Theologica is the best-known work of Italian philosopher, scholar, and Dominican friar SAINT THOMAS AQUINAS (1225 1274), widely considered the Catholic Church s greatest theologian. Famously consulted (immediately after the Bible) on religious questions at the Council of Trent, Aquinas s masterpiece has been considered a summary of official Church philosophy ever since. Aquinas considers approximately 10,000 questions on Church doctrine covering the roles and nature of God, man, and Jesus, then lays out objections to Church teachings and systematically confronts each, using Biblical verses, theologians, and philosophers to bolster his arguments. In Volume I, Aquinas addresses: the existence and perfection of God the justice and mercy of God predestination the cause of evil the union of body and soul free will and fate and much more. This massive work of scholarship, spanning five volumes, addresses just about every possible query or argument that any believer or atheist could have, and remains essential, more than seven hundred years after it was written, for clergy, religious historians, and serious students of Catholic thought."
When Leo XIII promulgated Aeterni Patris in 1879, he stipulated that the "Leonine," or official, edition of the Summa should always be printed in conjunction with Cajetan's Commentary. For five hundred years they were studied together. Generations were trained by reading through the Summa article by article with Cajetan's commentaries in hand. Early printed editions of the Summa typically included them in a Talmudic arrangement, as marginal text running around each article by Aquinas. This edition imitates that example. Recently, serious thinkers of all denominations-and none-have found new reasons to be interested in St. Thomas. His text is deceptively simple, yet important issues are handled in every article, sometimes below the surface. Cajetan extracts these hidden issues, and explains and elaborates on them with remarkable affinity to modern analytical philosophy. Part of that affinity lies in the use of modal logic, a tool whose importance was overlooked between the Renaissance and the twentieth century. The time is ripe for an analytically-inspired translation of Thomas: hence this volume. Never until now has Cajetan's Commentary been put into English in its entirety. William Marshner's translation is consistent with fidelity to the technical force of the original. The translator's footnotes acknowledge what empirical science has made obsolete in the work of St. Thomas, and also make clear how much today's science would have saved Thomas useless labor. This volume will, for the first time, make Cajetan's help available to the modern reader.
The book is divided into three parts. Part One provides a thematic analysis and exegetical commentary on all the relevant biblical and cognate literature, including Josephus, Philo and the Mishnah. Part Two investigates the thinking of key Christian theologians on the Holy Spirit, from the Apostolic Fathers to eighteenth century authors such as John Wesley and Jonathan Edwards. Part Three examines more recent writings on the Spirit, from the nineteenth century onwards, including major systematic theologians such as Schleiermacher, Barth and Moltmann, as well as biblical scholars such as James D G Dunn, Gordon Fee and Gerd Theissen. Thiselton concludes the entire study by identifying seven fundamental themes, and calling for greater dialogue between mainstream scholarship and contemporary leaders of the Pentecostal and Renewal movements.
Anthony J. Lisska presents a new analysis of Thomas Aquinas's theory of perception. Approaching the subject from contemporary analytic philosophy, Lisska argues for the importance of inner sense, and suggests a modest 'innate' or 'structured' interpretation for the role of the crucial faculty of vis cogitativa.
Expertly arranged String Concerto for Bass and Piano by Serge Koussevitzky from the Kalmus Edition series. This is from the 20th Century and Romantic eras.
In The Religious Concordance: Nicholas of Cusa and Christian-Muslim Dialogue, Joshua Hollmann examines Nicholas of Cusa’s unique Christocentric approach to Islam. While many late medieval Christians responded to the fall of Constantinople with polemic, Nicholas of Cusa wrote a peaceful dialogue (De pace fidei) between Christians and Muslims as synthesis of religious concordance through the person and work of Jesus Christ. Nicholas of Cusa’s Christ-centered dialogue with Muslims sheds further light on his broader Christ centered theology over his entire career as philosopher and theologian. Drawing upon Nicholas of Cusa’s philosophical foundations for religious dialogue and peace, Joshua Hollmann convincingly proves that Cusa constructively understands religious diversity through the concordance of religion as centred in Christ.