A vicar is disbelieving when two teenagers in his parish claim to have been given a message by the archangel Gabriel, but gradually changes his mind and decides he must do something about it.
When former Green Beret Paul Kavanagh gets an offer to steal a shipment of tactical nuclear weapons from the U.S. government, he finds himself a partner with the cold eyes of a trained killer who's just as dangerous--if not more so--than Kavanagh.
“An outstanding debut...If you’re a fan of Jack Reacher or Lisbeth Salander, you are gonna love Nikki Griffin.” —New York Times bestselling author Douglas Preston “Action packed and razor sharp - Jack Reacher would love Nikki Griffin.” —Lee Child, #1 New York Times bestselling author of Past Tense Nikki Griffin isn't your typical private investigator. In her office above her bookstore’s shelves and stacks, where she luxuriates in books and the comfort they provide, she also tracks certain men. Dangerous men. Men who have hurt the women they claim to love. And Nikki likes to teach those men a lesson, to teach them what it feels like to be hurt and helpless, so she can be sure that their victims are safe from them forever. When a regular PI job tailing Karen, a tech company's disgruntled employee who might be selling secrets, turns ugly and Karen's life is threatened, Nikki has to break cover and intervene. Karen tells Nikki that there are people after her. Dangerous men. She says she'll tell Nikki what's really going on. But then something goes wrong, and suddenly Nikki is no longer just solving a case—she's trying hard to stay alive. Part Lisbeth Salander, part Jack Reacher, part Jessica Jones, Nikki Griffin is a kickass character who readers will root for as she seeks to right the world's wrongs. S.A. Lelchuk’s Save Me From Dangerous Men marks the beginning of a gripping new series and the launch of a fabulous new character.
This book brings together research from medical and film archives to illustrate the cultural impact of film and literature in its relationship to the discourse of plastic surgery in the 1920s. This different take on reading the body after the First World War enables students of multiple disciplines, and readers interested in both Hollywood and post-war culture, to understand some of the complexities of medical interventions gained after the First World War and the way in which they filtered into the world of Hollywood film making. It also allows readers who may not be familiar with these two 1920s stars to access the films of Lon Chaney and the books and films of Elinor Glyn and gain new insights into 1920s visual culture. For ease of readership, the book is organised so that each of the main chapters focuses on a particular film (either Lon Chaney or Elinor Glyn). This is particularly useful for use in the classroom or for online education. Readers can refer to the film directly, aided by illustrations of frames from the films. This book tells the story of how two stars of Hollywood film transformed their character’s faces on screen through a close reading of three films in the 1920s. It reveals how they applied their embodied knowledge of surgery and surgical procedures to broaden their audience’s emotional and intellectual understanding of the treatment of deformity and disability.
This savvy, straightforward book pairs real women's stories with research and the expertise of a domestic violence counselor to help women of all ages identify Dangerous Men -- before they become too involved. Brown describes eight types of Dangerous Men, their specific traits and characteristics. In separate chapters, she explores victim’s stories that tell how they came in contact with this type of Dangerous Man and their outcome. Brown then shows readers how to develop a Defense Strategy -- how to spot, avoid, or rid themselves of this type of Dangerous Man. Brown explains women's innate "red flag" systems -- how they work to signal impending danger, and why many women learn to ignore them. With red flags in hand, Brown then guides readers through their own personal experiences to develop a personalized "Do Not Date" list. With these tools, Brown shows women how they can spot and avoid patterns of engagement with Dangerous Men.
Shakespeare's 400-year-old language can be tough to understand...but, with Shakespeare Retold, it's easy! Written line-by-line in the same iambic pentameter versification of the originals, it offers a contemporary interpretation of the Bard's lines in the same form and pacing that everyone can understand. Quickly learn each character motive, each plot twist, each convoluted phrase, each befuddling reference. Never get stuck on Shakespeare's language again! A perfect guide for actors, students, and the curious, Shakespeare Retold breathes new life into the most intoxicating, beguiling and often frustrating words in the English language. PRAISE FOR SHAKESPEARE RETOLD "Schools and colleges will stamp and cheer with unrestrained gratitude and delight." – STEPHEN FRY “Tackling Hamlet for The Royal Shakespeare Company is arguably the most daunting role for any actor. For me, learning the words was the easy part; interpreting the nuances of the language and breathing life into the performance was brutally tough. James Anthony’s Shakespeare, Retold would have helped me immensely. For every line, I’d have had a lyrically identical modern-day translation that I precisely understood, helping reveal the emphasis and punch of each moment of my stage performance. Every actor would benefit from this compelling translation.” – PAAPA ESSIEDU