When her mother and father pass away, the little queen must figure out how to be a little queen. And so she begins her adventures, journeying away from her palace and into the world. THE LITTLE QUEEN is a magical exploration of self-discovery, vocation, community, and home.
In 'A Little Queen of Hearts' by Ruth Ogden, the reader is transported to the Victorian era through the eyes of a precocious young girl named Alice. The book is written in a charming and whimsical style, reminiscent of Lewis Carroll's 'Alice's Adventures in Wonderland'. Ogden expertly weaves a tale of fantasy and adventure, exploring themes of innocence, imagination, and the journey to self-discovery. The rich descriptions and vivid imagery make the story come alive in a way that is both captivating and thought-provoking. This book is a delightful addition to the genre of children's literature, offering a fresh perspective on classic themes. Ruth Ogden's storytelling prowess is evident in every page, making this a must-read for fans of fantasy and whimsical fiction. 'A Little Queen of Hearts' is a timeless tale that will appeal to readers of all ages, offering a glimpse into the magical world of childhood and the power of imagination.
Celluloid Symphonies is a unique sourcebook of writings on music for film, bringing together fifty-three critical documents, many previously inaccessible. It includes essays by those who created the music—Max Steiner, Erich Korngold, Jerry Goldsmith, Elmer Bernstein and Howard Shore—and outlines the major trends, aesthetic choices, technological innovations, and commercial pressures that have shaped the relationship between music and film from 1896 to the present. Julie Hubbert’s introductory essays offer a stimulating overview of film history as well as critical context for the close study of these primary documents. In identifying documents that form a written and aesthetic history for film music, Celluloid Symphonies provides an astonishing resource for both film and music scholars and for students.