Subverting Mainstream Narratives in the Reagan Era explores how artists, novelists, and directors were able to present narratives of strong dissent in popular culture during the Reagan Era. Using but subverting the tools of mainstream novels and films, these visionaries’ works were featured alongside other books in major bookstores and promoted alongside blockbusters in movie theatres across the country. Ashley M. Donnelly discusses how the artists accomplished this, why it is so important, and how new artists can use these techniques in today’s homogenous and mundane media.
Subverting Mainstream Narratives in the Reagan Era explores how artists, novelists, and directors were able to present narratives of strong dissent in popular culture during the Reagan Era. Using but subverting the tools of mainstream novels and films, these visionaries' works were featured alongside other books in major bookstores and promoted alongside blockbusters in movie theatres across the country. Ashley M. Donnelly discusses how the artists accomplished this, why it is so important, and how new artists can use these techniques in today's homogenous and mundane media.
What do we mean by "behavioral neuroscience?" This volume aims at providing an overview of behavioral neuroscience and deepening neuronal mechanisms and brain circuits that regulate the fundamental aspects of human behavior, such as cognitive and emotional functions. It is intended to give the reader the most up-to-date vision of how the interaction between biological mechanisms and neurocognitive processes leads to complex and highly organized behaviors.In recent years the strong impulse given to research on behavioral neuroscience has produced a large literature that documents the high level of complexity of the issue, for which it is necessary to provide a reasoned multidimensional analysis able to integrate the expertise of different disciplines.The book offers an excellent synopsis of perspectives, methods, empirical evidences, and international references. Therefore, it represents an extraordinary opportunity to target neuroscientific hot topics and to outline new horizons in the study of the relationship between brain and behavior.
This is a study of one of Hollywood's most popular and critically acclaimed directors. Films discussed include 'Blue Velvet', 'Wild at Heart', 'The Straight Story' and 'Mulholland Drive'.
Using the Star Wars missile defense program as a magnifying glass on his presidency, Pulitzer Prize-winning journalist Frances FitzGerald gives us a wholly original portrait of Ronald Reagan. Drawing on extensive research, FitzGerald shows how Reagan managed to get billions in funding for a program that was technologically impossible by exploiting the fears of the American public. The Reagan who emerges from FitzGerald's book was a gifted politician with a deep understanding of the national psyche, and an executive almost totally disengaged from the policies of his administration. Both appalling and funny, Way Out There in the Blue is the most penetrating study of Reagan's presidency to date.
In this book Elizabeth Traube argues that over the course of the 1980s, Hollywood participated in a wider move by mainstream political and social forces that attempted to absorb and contain critical cultural currents by rehabilitating images of masculine authority. At the movies we saw parallel construetions of wild, antibureaucratic warrior-heroes and smooth, seemingly rebellious tricksters adapted to the corporate order. We saw the demonization of the independent woman and the complementary formation of the nurturing father as her adversary. The author relates these representations to two cultural narratives of long duration—the American frontier myth and the myth of success, or the American dream, both of which also figured prominently in the rhetorical themes of Reagan-era politics. Utilizing structuralism, Marxism, feminist object relations psychoanalysis, and neoformalist film criticism, Traube emphasizes specific aspects of cinematic representations of gender and authority to explore the relationships between culture and politics. Unlike other feminist critics of “patriarchal Hollywood,†she stresses the multiple, competing versions of masculinity and femininity constructed in Hollywood movies and the different class positions of their primary, intended audiences. Attention to particular forms that cultural narratives assume in changing circumstances gives Traube’s film analyses a unique sociohistorical dimension, while her focus on narratives used by political elites as well as by moviemakers reveals significant variations in ideology production in different sites.
Employing thematic investigation and illustrated through case studies, Dodds explores how global politics is imagined and practised by countries such as the US and other organisations including Greenpeace, the IMF and CNN International. In addition, the author discusses how issues such as environmental degradation, terror networks, anti-globalisation protests and North-South relations challenge, consolidate and subvert the existing international political system.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
