Fictionalized autobiography of Jacky S., a middle-aged stockbroker, his obsession with the daughter of a friend, her reciprocation of his amours, and the many ways they please one another before breaking down, as it were, the virgin door. An essay by Richard Manton in the New Evergreen Review makes the case for this book as a work of literature, as well as a classic publication by Charles Carrington.
The first comprehensive architectural and cultural history of condominium and cooperative housing in twentieth-century America. Today, one in five homeowners in American cities and suburbs lives in a multifamily home rather than a single-family house. As the American dream evolves, precipitated by rising real estate prices and a renewed interest in urban living, many predict that condos will become the predominant form of housing in the twenty-first century. In this unprecedented study, Matthew Gordon Lasner explores the history of co-owned multifamily housing in the United States, from New York City’s first co-op, in 1881, to contemporary condominium and townhouse complexes coast to coast. Lasner explains the complicated social, economic, and political factors that have increased demand for this way of living, situating the trend within the larger housing market and broad shifts in residential architecture and family life. He contrasts the prevalence and popularity of condos, townhouses, and other privately governed communities with their ambiguous economic, legal, and social standing, as well as their striking absence from urban and architectural history.
Against the vibrant and liberated backdrop of 1970's San Francisco, a husband and wife-both Jewish immigrants indelibly traumatized by their childhoods in Nazi Germany-face the turbulence of an increasingly sterile marriage. Saul, an emotionally withdrawn scientist, escapes into New Age mysticism with Shivaya, a self-styled clairvoyant Danish healer. Gerda drifts in and out of psychiatric care as her loosening grip on reality leaves its mark on their teenage daughter, Hannah. In this unflinching portrait of a woman's downward spiral into the nightmare of modern domesticity, Maria Espinosa weaves a deceptively simple tale about the terror of abandonment and the mysterious nature of suffering.
A riveting firsthand account of one man’s mission to investigate and document some of the most astonishing phenomena of our time—children who speak of past life memory and reincarnation. All across the globe, small children spontaneously speak of previous lives, beg to be taken “home,” pine for mothers and husbands and mistresses from another life, and know things that there seems to be no normal way for them to know. From the moment these children can talk, they speak of people and events from the past—not vague stories of centuries ago, but details of specific, identifiable individuals who may have died just months, weeks, or even hours before the birth of the child in question. For thirty-seven years, Dr. Ian Stevenson has traveled the world from Lebanon to suburban Virginia investigating and documenting more than two thousand of these past life memory cases. Now, his essentially unknown work is being brought to the mainstream by Tom Shroder, the first journalist to have the privilege of accompanying Dr. Stevenson in his fieldwork. Shroder follows Stevenson into the lives of children and families touched by this phenomenon, changing from skeptic to believer as he comes face-to-face with concrete evidence he cannot discount in this spellbinding and true story.
Takes a critical look at the spiritually corrosive influence of suburbia and suburban life, identifying eight toxic elements in the suburban lifestyle and introducing eight corresponding disciplines designed to nurture one's spiritual life.
*A finalist for the Edgar Award for Best First Novel* *A finalist for the Shamus Award for Best First P.I. Novel* From the cocreator of Deadpool comes a highly entertaining debut featuring two unlikely and unforgettable amateur sleuths. An engrossing murder mystery full of skewering social commentary, Suburban Dicks examines the racial tensions exposed in a New Jersey suburb after the murder of a gas station attendant. Andie Stern thought she'd solved her final homicide. Once a budding FBI profiler, she gave up her career to raise her four (soon to be five) children in West Windsor, New Jersey. But one day, between soccer games, recitals, and trips to the local pool, a very pregnant Andie pulls into a gas station--and stumbles across a murder scene. An attendant has been killed, and the local cops are in over their heads. Suddenly, Andie is obsessed with the case, and back on the trail of a killer, this time with kids in tow. She soon crosses paths with disgraced local journalist Kenneth Lee, who also has everything to prove in solving the case. A string of unusual occurrences--and, eventually, body parts--surface around town, and Andie and Kenneth uncover simmering racial tensions and a decades-old conspiracy. Hilarious, insightful, and a killer whodunit, Suburban Dicks is the one-of-a-kind mystery that readers will not be able to stop talking about.
This work offers bibliographical descriptions of all printings of erotic fiction in English issued clandestinely during the period 1800-1930. By 'clandestine' is meant books whose publishers and printers attempt to hide their identities, usually by offering title pages whose misleading places and dates of publication may shock and amuse, but which always aim to mystify. Using internal and external evidence, an attempt is made to establish who were the printers, booksellers and publishers, English and Continental, involved in this trade. The printing families or 'groups' into which a large percentage of the material falls are classified, accompanied by illustrations which identify the main printing characteristics ('house styles') of the groups. Bibliographical descriptions follow a checklist of clandestine catalogues; these provide valuable evidence for dating, pricing and 'sales pitch' and information on items of which no copies can now be traced. The work concludes with a series of appendices which provide significant external evidence, and three indexes: of themes, titles and names. Peter Mendes' original research builds on and significantly extends the essential pioneer work of the Victorian collector and bibliographer H.S. Ashbee ('Pisanus Fraxi').
