Famously referred to as the "cradle of globalization," the Indian Ocean has received increasing attention from scholars. However, few have examined the 'human' dimensions of the ocean. In this volume, historians, geographers, anthropologists and literary analysts each address a specific human factor in Indian Ocean exchanges.
Since first contact, Natives and newcomers have been involved in an increasingly complex struggle over power and identity. Modern “Indian wars” are fought over land and treaty rights, artistic appropriation, and academic analysis, while Native communities struggle among themselves over membership, money, and cultural meaning. In cultural and political arenas across North America, Natives enact and newcomers protest issues of traditionalism, sovereignty, and self-determination. In these struggles over domination and resistance, over different ideologies and Indian identities, neither Natives nor other North Americans recognize the significance of being rooted together in history and culture, or how representations of “Indianness” set them in opposition to each other. In Indian Country: Essays on Contemporary Native Culture, Gail Guthrie Valaskakis uses a cultural studies approach to offer a unique perspective on Native political struggle and cultural conflict in both Canada and the United States. She reflects on treaty rights and traditionalism, media warriors, Indian princesses, powwow, museums, art, and nationhood. According to Valaskakis, Native and non-Native people construct both who they are and their relations with each other in narratives that circulate through art, anthropological method, cultural appropriation, and Native reappropriation. For Native peoples and Others, untangling the past—personal, political, and cultural—can help to make sense of current struggles over power and identity that define the Native experience today. Grounded in theory and threaded with Native voices and evocative descriptions of “Indian” experience (including the author’s), the essays interweave historical and political process, personal narrative, and cultural critique. This book is an important contribution to Native studies that will appeal to anyone interested in First Nations’ experience and popular culture.
Asking what Indian readers chose to read and why, In Another Country shows how readers of the English novel transformed the literary and cultural influences of empire. She further demonstrates how Indian novelists writing in English, from Krupa Satthianadhan to Salman Rushdie, took an alien form in an alien language and used it to address local needs. Taken together in this manner, reading and writing reveal the complex ways in which culture is continually translated and transformed in a colonial and postcolonial context.
Hunter-gatherer research has experienced enormous expansion over the past three decades. In the late 1950s less than a score of anthropologists were actively engaged in issue-oriented studies of foraging populations. Since then, the number of active researchers has grown into the hundreds.This book offers the most up-to-date anthology of papers on hunter-gatherer research and contains possibly the most comprehensive bibliography on hunter-gatherers ever published. It will be essential reading for all students of hunter-gatherer societies.
This book explores the social and cultural histories of India, focusing on cultural encounters and representations of subaltern communities from the seventeenth to the twenty-first century. Examining cultural encounters between Europeans and Indians during the precolonial and colonial periods, the book analyzes European, especially English, efforts to exoticize or investigate the social practices of the Other. It also presents the culturally conditioned Indian subject's perspective on Europe and the imperial society. The book engages with narratives of suppressed movements of tribals and dalits, of erosion of the culture and history of ancient communities, and recovers the local narratives of marginalized groups in Andaman and Malabar, which get superseded by the larger narrative of nation-building. Often relying on oral history instead of printed material and sociological fieldwork, the alternate histories are presented through unconventional, literary or semi-literary genres like travel narratives, fiction, films, and songs, thus presenting an alternative interpretation to the central narrative of the progress of mainstream India. Representing cultural history and the view from below, the book shifts its focus from the conventional historiography associated with political history and will be of interest to academics working in the field of cultural studies, the historiography of India, South Asian Studies and an interdisciplinary audience in history, sociology, literature, media, and English studies.
In the early modern world, the Safavid, Ottoman, and Mughal empires sprawled across a vast swath of the earth, stretching from the Himalayas to the Indian Ocean to the Mediterranean Sea. The diverse and overlapping literate communities that flourished in these three empires left a lasting legacy on the political, religious, and cultural landscape of the Near East and India. This volume is a comprehensive sourcebook of newly translated texts that shed light on the intertwined histories and cultures of these communities, presenting a wide range of source material spanning literature, philosophy, religion, politics, mysticism, and visual art in thematically organized chapters. Scholarly essays by leading researchers provide historical context for closer analyses of a lesser-known era and a framework for further research and debate. The volume aims to provide a new model for the study and teaching of the region’s early modern history that stands in contrast to the prevailing trend of examining this interconnected past in isolation.