This buoyant, youthful-sounding set of chamber music contains all six works in Beethoven's Op. 18: Quartet No. 1 in F major, No. 2 in G major, No. 3 in D major, No. 4 in C minor, No. 5 in A major, and Quartet No. 6 in B-flat major. Ideal for study in the classroom, at home, or in the concert hall, this affordable new miniature-score edition offers music lovers, performers, and students an opportunity to study Beethoven's early quartets in an accessible, convenient format.
This beautiful collection for orchestra or string quartet is ideal for students, amateurs, and professionals. Useful in school, church, at the mall, and in the concert hall. Titles are: * Opus 6, No. 9 in F Major * Opus 6, No. 7 in B-flat Major * Opus 6, No. 1 in G Major * Opus 6, No. 2 in F Major * Opus 6, No. 3 in E Minor * Opus 6, No. 10 in D Minor * Opus 6, No. 6 in B-flat Major.
Nineteenth Century Chamber Music proceeds chronologically by composer, beginning with the majestic works of Beethoven, and continuing through Schubert, Spohr and Weber, Mendelssohn, Schumann, Brahms, the French composers, Smetana and Dvorák, and the end-of-the-century pre-modernists. Each chapter is written by a noted authority in the field. The book serves as a general introduction to Romantic chamber music, and would be ideal for a seminar course on the subject or as an adjunct text for Introduction to Romantic Music courses. Plus, musicologists and students of 19th century music will find this to be an invaluable resource.
"As a composer of chamber music Mendelssohn claims greatness almost without qualification. . . . He had a complete mastery of his medium . . . and an intensity of interest in pure music that renders his quartets, in particular, works of integrity in thought and statement." -- "Grove's "These masterpieces in the chamber music repertoire are works perennially popular with players and listeners. All of them have been recorded and many appear frequently on chamber music programs. They have been reproduced directly from the famous and scholarly Breitkopf & Hartel series, an eminently readable edition, and contain all of Mendelssohn's chamber music for strings, excluding only those pieces with piano. The following works are included: Octet in E-flat Major, Op. 20Quintet No. 1 in A Major, Op. 18Quintet No. 2 in B-flat Major, Op. 87Quartet No. 1 in E-flat Major, Op. 12Quartet No. 2 in A Major, Op. 13 Quartet No. 3 in D Major, Op. 44, No. 1Quartet No. 4 in E Minor, Op. 44, No. 2Quartet No. 5 in E-flat Major, Op. 44, No. 3Quartet No. 6 in F Minor, Op. 80Four Pieces for String Quartet, Op. 81The music has been reproduced in a size large enough to be read easily, and there is ample space between staves and in the margins for any notes, harmonic analyses, fingerings or annotations that you may want to record on the score. The edition is practical for almost any use, whether as a study guide, a reference, or just a companion for your greater musical enjoyment. Unabridged (1978) republication of Series 5 and 6 of "Felix Mendelssohn Bartholdy's Werke, " 1874-1877.
Building on the renaissance in Mendelssohn scholarship of the last two decades, Rethinking Mendelssohn critically engages with the composer's music and aesthetics, as well as the interpretation of his works in relation to contemporaneous culture.
"We do not understand music--it understands us." This aphorism by Theodor W. Adorno expresses the quandary and the fascination many listeners have felt in approaching Beethoven's late quartets. No group of compositions occupies a more central position in chamber music, yet the meaning of these works continues to stimulate debate. William Kinderman's The String Quartets of Beethoven stands as the most detailed and comprehensive exploration of the subject. It collects new work by leading international scholars who draw on a variety of historical sources and analytical approaches to offer fresh insights into the aesthetics of the quartets, probing expressive and structural features that have hitherto received little attention. This volume also includes an appendix with updated information on the chronology and sources of the quartets and a detailed bibliography.
This Festschrift celebrates the great Mendelssohn scholar R. Larry Todd, Arts & Sciences Professor at Duke University, whose dedication to, study of, and mentorship in 19th-century music has shaped two generations of musicological study. Encompassing former/current students and colleagues, the contributing authors to this book investigate the life and work of the Mendelssohns, their circle, and issues of reception history; Beethoven and piano-related studies; and special musical relationships. The book's title references a famous quote by Felix Mendelssohn: "The essence of the beautiful is unity in variety." It also acknowledges the thematic diversity of this volume and the unifying effect that Todd's outstanding monographs on Felix and Fanny have had on a variety of musicians and scholars.
While the Beethoven string quartets are to chamber music what the plays of Shakespeare are to drama, even seasoned concertgoers will welcome guidance with these personal and sometimes enigmatic works. This collection offers Beethoven lovers both detailed notes on the listening experience of each quartet and a stimulating range of more general perspectives: Who has the quartets' audience been? How were the quartets performed before the era of sound recordings? What is the relationship between "classical" and "romantic" in the quartets? How was their reception affected by social and economic history? What sorts of interpretive decisions are made by performers today? The Companion brings together a matchless group of Beethoven experts. Joseph Kerman is perhaps the world's most renowned Beethoven scholar. Robert Winter, an authority on sketches for the late quartets, has created interactive programs regarded as milestones in multimedia publishing. Maynard Solomon has written an acclaimed biography of Beethoven. Leon Botstein is the conductor of the American Symphony Orchestra as well as a distinguished social historian and college president. Robert Martin writes from his experience as cellist of the Sequoia Quartet. And the book is anchored by the program notes of Michael Steinberg, who has served as Artistic Advisor of the San Francisco Symphony and the Minnesota Orchestra.
