Virginia Woolf began writing reviews for the Guardian 'to make a few pence' from her father's death in 1904, and continued until the last decade of her life. The result is a phenomenal collection of articles, of which this selection offers a fascinating glimpse, which display the gifts of a dazzling social and literary critic as well as the development of a brilliant and influential novelist. From reflections on class and education, to slyly ironic reviews, musings on the lives of great men and 'Street Haunting', a superlative tour of her London neighbourhood, this is Woolf at her most thoughtful and entertaining.
Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith. 'The hour should be evening and the season winter, for in winter the champagne brightness of the air and the sociability of the streets are grateful'. In such conditions, Virginia Woolf takes to London's streets in search of a pencil. The account of her journey - the people, the places, the pleasure - soon becomes one of the great paeans to city life. This collection also includes other wonderful essays, such as 'How Should One Read a Book?' and 'The Sun and the Fish'. 'One of the great writers of the twentieth century' Guardian
Edited collection from acclaimed contemporary Woolf scholars, focusing on urban issues. These include addressing the ethical and political implications of Virginia Woolf’s work, a move that suggests new insights into Woolf as a “real world” social critic.
A family-run haunted hotel’s livelihood is threatened when a bigger haunted hotel opens nearby in this hilarious, spooky story Twelve-year-old Willow Ivan’s family has run the Hotel Ivan for four hundred years. Through thick and thin, they’ve held on tight to their title as the Best Haunted Hotel on Mercer Street. That is, until the Hauntery—a corporate chain of haunted hotels—moves in down the street. As the Ivan’s business fades, so do their ghostly staff. And Willow begins to worry that The Ivan’s days are numbered. Then Willow meets Evie, a Hauntery ghost who’s forced to play the part of a Spooky Little Girl even though she longs to be a Terrifying Phantasm. So when Willow offers her a job at The Ivan, Evie accepts—but she doesn’t tell Willow that she’s still working for The Ivan’s competition, for fear of losing her new job and friend. Together, the girls come up with a plan to save The Ivan. But with The Ivan ghosts already fading and Evie’s secret threatening to come out, will it be too late?
"Markham Street" is more than a story about systemic racism, police violence, or brutal murder, although it is all of those. Above all, it is the story of one man's enduring love for his lost brother and his devotion to his grieving parents, who kept silent for two and half decades to protect their seven surviving children. Through the lens of his then-thriving Black community of Menifee, Ronnie Williams vividly describes the suffocating misery and debasement of Black families who worked in the cotton fields or as domestic help for white families and businesses. He shares in loving detail how his parents made ends meet through constant work and resourcefulness and raised eight children, six of whom became educators like himself. He also shares his memories of the night his brother died, a night when a literal tornado tore apart his home, while only miles away, a tornado of rage and hate tore apart his family. Most of all, he writes poignantly about his brother Marvin - a prodigy who graduated from high school at the age of 15, Marvin desperately tried to escape the grinding poverty of field labor. He joined the Navy and later the Army, where he became a respected U.S. Paratrooper. At age 20, he was a beloved son, husband, and father. He had a good job, a second child on the way, and a bright future - until the night he was unlawfully arrested on Markham Street and bludgeoned to death by police. The book resounds with the author's unresolved grief over his brother's terrible death, his righteous determination to get justice for Marvin, and his own remarkable, ground-breaking career in the same city where his brother was killed.
A woman of limited means and even less experience must confront a vengeful spirit in this haunting novel from the New York Times bestselling author of The Broken Girls and The Sun Down Motel. 1920s England. Sarah Piper’s lonely, threadbare existence changes when her temporary agency sends her to assist an obsessed ghost hunter. Alistair Gellis—rich, handsome, and scarred by World War I—has been summoned to investigate the spirit of the nineteen-year-old maid Maddy Clare, who is said to haunt the barn where she committed suicide. Maddy hated men in life, and she will not speak to them in death. But Sarah is unprepared to confront an angry ghost—real or imagined—on her own. She’s even less prepared for the arrival of Alistair’s associate, rough, unsettling Matthew Ryder, also a veteran of the trenches, whose scars go deeper than Sarah can reach. Soon, Sarah is caught up in a desperate struggle. For Maddy’s ghost is no hoax—she’s real, she’s angry, and she has powers that defy all reason. Now, Sarah and Matthew must discover who Maddy was, where she came from, and what is driving her desire for vengeance—before she destroys them all....
Derek Stone realizes that to stop the undead Legion army from preying on those around him he must close the Rift, which allows the dead to enter the world of the living.
From the phantom pig at the Minnesota State Fair to the ghostly gangsters of the Wabasha Street Caves, St. Paul bristles with haunted history. Let the spectral usher of the Mounds Theatre show you to your seat as Chad Lewis reveals why the bits of St. Paul's past that insist on intruding on the present deserve to have their stories told. By the time the lights come back on, you will be convinced that sometimes the strangest things have happened in the dorm room upstairs...or the table next to you at your favorite restaurant...or even in your own backyard.
In this unprecedented work, the story of the 1974 Bridgeport, Connecticut poltergeist is at last revealed. A crowd of more than 2,000 onlookers gathered. National media reported jumping furniture, floating refrigerators, and attacking entities. Decades after the publicity quieted, more than 40 hours of never-before-released interviews with police officers, firefighters, and others tell the story as it actually unfolded: Relive the experience, the terror, the rampant emotions, and the unexplainable events that took place in that house as they happened. Have access to revealing excerpts from actual interviews, police reports, and rare documents. Access unreleased audio, poltergeist sounds, and an old radio broadcast. Return to 1974 and feel the Lindley Street experience from the inside. Find out why it is deemed the haunting that should have brought the paranormal into mainstream science.
Preliminary Material --Introduction: The Swarming Streets: Twentieth-Century Literary Representations of London /Lawrence Phillips --A Risky Business: Going Out in the Fiction of Virginia Woolf and Dorothy Richardson /Nadine Attewell --"A Filmless London": Flânerie and Urban Culture in Dorothy Richardson's Articles for Close Up --Virgina Woolf's London and the Archaeology of Character /Vicki Tromanhauser --Treasure Seekers in the City: London in the Novels of E. Nesbit /Jenny Bavidge --"Thou art full of Stirs, a Tumultuous City": Storm Jameson and London in the 1920s /Chiara Briganti --"A Network of Inscrutable Canyons": Wartime London's Sensory Landscapes /Sara Wasson --Tales from the Crypt: Wartime London in Graham Swift's Shuttlecock /Ingrid Gunby --My Doingthings: London According to B. S. Johnson /Philip Tew --Cheerleading and Charting the Cosmopolis: London as Linear Narrative and Contested Space /Rob Burton --Shades of the Eighties: The Colour of Memory /Joe Brooker --Julian Barnes and the Marginalisation of Metropolitanism: The Suburban Centre in Metroland and Letters from London /Keith Wilson --"This Patron of the Spurned, this Perambulator of Margins, this Witness": Iain Sinclair as Rag-picker /Samantha Skinner --Images of London in African Literature: Ama Ata Aidoo's Our Sister Killjoy and Dambudzo Marechera's The Black Insider /Kwadwo Jnr Osei-Nyame --Andrea Levy's London Novels /Susan Alice Fischer --Notes on Contributors /Lawrence Phillips --Index /Lawrence Phillips.
