I have come to terms with the future. From this day onward I will walk easy on the earth. Plant trees. Kill no living things. Live in harmony with all creatures. I will restore the earth where I am. Use no more of it’s resources than I need. And listen, listen to what it is telling me. This was written by Mary Oliver. I know it by heart. The words, the quotes are all about nature, insects, trees, and even a wayward frog with a black eye from a butterfly. They all speak to me. There are fairies, damsels and princes turned from a frog by a kiss. Fishes alone finding love. A forest queen providing safe havens for her creatures. Enjoy the comedy laugh with a fly, ride a camel...but most of all remember to dream, and fly with the fairies when they visit you in the deep nights where darkness gives you voice & wings!
National Sylvan Theatre, Washington Monument grounds, The Community Center and Playgrounds Department and the Office of National Capital Parks present the ninth summer festival program of the 1941 season, the Washington Players in William Shakespeare's "A Midsummer Night's Dream," produced by Bess Davis Schreiner, directed by Denis E. Connell, the music by Mendelssohn is played by the Washington Civic Orchestra conducted by Jean Manganaro, the setting and lights Harold Snyder, costumes Mary Davis.
Solariad of Surazeus - Guidance of Solaria presents 114,920 lines of verse in 1,660 poems, lyrics, ballads, sonnets, dramatic monologues, eulogies, hymns, and epigrams written by Surazeus 2006 to 2011.
First published in 1931, this book presents the text of Thomas Purcell's opera The Fairy Queen, which was performed in this form as an acted adaptation at the New Theatre, Cambridge from 10-14 February 1931. Purcell based his opera on A Midsummer Night's Dream and this version was altered to incorporate more dialogue from Shakespeare's play in place of changes made by an anonymous librettist in 1692. This book will be of value to anyone with an interest in Purcell and Shakespeare.
This book contains 25 enchanting fantasy poems tailored for young children. Originally crafted for my 4-year-old daughter, I have now decided to share it with other children to spark joy and inspire magical dreams.
"My American Harp" presents 1,169 poems written 2010-2014 by Surazeus that explore what it means to be an American in the modern world of an interconnected global civilization.
On the surface in the Epic World, green Mirror Cores started to appear on Humans Continent, Fairies Continent, and Phantom Continent. The location differed every time it happened. Meanwhile, the center was pouring out little guarding monsters. In 24 hours, the green core would turn red and release energy of Reversal Impact in radius of one kilometer, to turn back the time. The energy released would bring even more powerful monsters, together with the supreme core monster. One Mirror Core would cause one Reversal Impact which would turn animals or monsters around berserk as well. The Mirror Cores emerged one after another, with the intervals of three to seven days. Currently, there was no way to destroy it. Once a Reversal Impact took places, the time within the range would be turned back, as well as the lives and scenery would be restored to the previous condition. In other words, people might become younger, but those who haven’t outlived the time reversed would disappear. Things would be restored to normal once they leave the range. When Reversal Impact happened, not only time was turned back, but plenty of monsters would pour in to protect the core. People that once lived in the time that was reversed would be brought back as well, but appeared like a reanimated corpse without a soul. Yet for others who still remembered them, it would be a moment to look forward to. Since the time reversed could not be estimated, no one dared to risk inside the range and fight against the monsters. When the Reversal Impact took place, whoever was inside the range could do nothing but evacuate as soon as possible. On the surface of the Epic World, the Fairies were the only ones that were invulnerable to Reversal Impact, which also explained why the Mirror Core would not be found on the Fairies Continent. The Fairies were shielded from the danger of the Reversal Impact. We were not entirely sure of the reason why the Fairies were protected, but they did not hold the power to destroy the core. The only solution the Fairies could propose was to seal the core, to stop the monsters from flooding in our world. Delegated by Oudelos, the Fairies King, Asaku, as the Seal Priest from the Light race, led his partners to explore the world. With the Compass of No Return, which could locate the Mirror Core and calculate the time turned back, Asaku would seal the core to stop Reversal Impact and the inundation of monsters.
Based on Shakespeare's A Midsummer Night's Dream and reproduced from an early authoritative score, this work features all the fine qualities of this great English composer — wonderful invention, keen dramatic instinct, and lively characterizations.
