Stravinsky and the Russian Period

Stravinsky and the Russian Period

Author: Pieter C. van den Toorn

Publisher: Cambridge University Press

Published: 2012-05-10

Total Pages: 337

ISBN-13: 1107021006

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A fresh look at Stravinsky's musical style, from a variety of analytical, critical and aesthetic angles.


Stravinsky and the Russian Traditions, Volume One

Stravinsky and the Russian Traditions, Volume One

Author: Richard Taruskin

Publisher: Univ of California Press

Published: 2016-04-27

Total Pages: 992

ISBN-13: 0520293487

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This book undoes 50 years of mythmaking about Stravinsky's life in music. During his spectacular career, Igor Stravinsky underplayed his Russian past in favor of a European cosmopolitanism. Richard Taruskin has refused to take the composer at his word. In this long-awaited study, he defines Stravinsky's relationship to the musical and artistic traditions of his native land and gives us a dramatically new picture of one of the major figures in the history of music. Taruskin draws directly on newly accessible archives and on a wealth of Russian documents. In Volume One, he sets the historical scene: the St. Petersburg musical press, the arts journals, and the writings of anthropologists, folklorists, philosophers, and poets. Volume Two addresses the masterpieces of Stravinsky's early maturityÑPetrushka, The Rite of Spring, and Les Noces. Taruskin investigates the composer's collaborations with Diaghilev to illuminate the relationship between folklore and modernity. He elucidates the Silver Age ideal of "neonationalism"Ñthe professional appropriation of motifs and style characteristics from folk artÑand how Stravinsky realized this ideal in his music. Taruskin demonstrates how Stravinsky achieved his modernist technique by combining what was most characteristically Russian in his musical training with stylistic elements abstracted from Russian folklore. The stylistic synthesis thus achieved formed Stravinsky as a composer for life, whatever the aesthetic allegiances he later professed. Written with Taruskin's characteristic mixture of in-depth research and stylistic verve, this book will be mandatory reading for all those seriously interested in the life and work of Stravinsky.


Defining Russia Musically

Defining Russia Musically

Author: Richard Taruskin

Publisher: Princeton University Press

Published: 2000-09-25

Total Pages: 600

ISBN-13: 9780691070650

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with an air of alterity--sensed, exploited, bemoaned, reveled in, traded on, and defended against both from within and from without." The author's goal is to explore this assumption of otherness in an all-encompassing work that re-creates the cultural contexts of the folksong anthologies of the 1700s, the operas, symphonies, and ballets of the 1800s, the modernist masterpieces of the 1900s, and the hugely fraught but ambiguous products of the Soviet period. Taruskin begins by showing how enlightened aristocrats, reactionary romantics, and the theorists and victims of totalitarianism have variously fashioned their vision of Russian society in musical terms. He then examines how Russia as a whole shaped its identity in contrast to an "East" during the age of its imperialist expansion, and in contrast to two different musical "Wests," Germany and Italy, during the formative years of its national consciousness.


Confronting Stravinsky

Confronting Stravinsky

Author: Jann Pasler

Publisher: Univ of California Press

Published: 2023-12-22

Total Pages: 433

ISBN-13: 0520332466

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This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1986. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived


Stravinsky's Piano

Stravinsky's Piano

Author: Graham Griffiths

Publisher: Cambridge University Press

Published: 2013-02-21

Total Pages: 355

ISBN-13: 0521191785

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An unprecedented exploration of Stravinsky's use of the piano as the genesis of all his music - Russian, neoclassical and serial.


Petrushka

Petrushka

Author: Andrew Wachtel

Publisher: Northwestern University Press

Published: 1998-05-13

Total Pages: 188

ISBN-13: 0810115662

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In this groundbreaking book, four distinguished scholars offer a detailed exploration of the ballet Petrushka, which premiered in Paris in 1911 and became one of the most important and influential theatrical works of the modernist period. The first book to study every level of a complex theatrical production, this is a work unlike any other in Russian or theater studies. "The book is a joy to read." --Slavic Review


The Stravinsky Legacy

The Stravinsky Legacy

Author: Jonathan Cross

Publisher: Cambridge University Press

Published: 1998-12-10

Total Pages: 312

ISBN-13: 9780521563659

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This book explores the technical and aesthetic legacy of Igor Stravinsky.


Stravinsky in Context

Stravinsky in Context

Author: Graham Griffiths

Publisher: Cambridge University Press

Published: 2022-11-10

Total Pages: 0

ISBN-13: 9781108434720

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Stravinsky in Context offers an alternative to chronological biography. Thirty-five short, specially commissioned essays explore the eventful life-tapestry from which Stravinsky's compositions emerged. The opening chapters draw on new research into the composer's childhood in St. Petersburg. Stravinsky's early, often traumatic upbringing is examined in depth, particularly in the context of his brother Roman's death, and religious sensibilities within the family. Further essays consider Stravinsky's years in exile at the centre of dynamic and ever-evolving cultural environments, the composer constantly refining his idiom and re-defining his aesthetics against a backdrop of world events and personal tragedy. The closing chapters review new material regarding Stravinsky's complicated relationship with the Soviet Union, whilst also anticipating his legacy from the varied perspectives of publishing, research and even - in the iconic example of The Rite of Spring - space exploration. The book includes previously unpublished images of the composer and his family.


Stravinsky and the Russian Traditions, Volume One

Stravinsky and the Russian Traditions, Volume One

Author: Richard Taruskin

Publisher: Univ of California Press

Published: 2023-09-01

Total Pages: 992

ISBN-13: 0520342720

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This book undoes 50 years of mythmaking about Stravinsky's life in music. During his spectacular career, Igor Stravinsky underplayed his Russian past in favor of a European cosmopolitanism. Richard Taruskin has refused to take the composer at his word. In this long-awaited study, he defines Stravinsky's relationship to the musical and artistic traditions of his native land and gives us a dramatically new picture of one of the major figures in the history of music. Taruskin draws directly on newly accessible archives and on a wealth of Russian documents. In Volume One, he sets the historical scene: the St. Petersburg musical press, the arts journals, and the writings of anthropologists, folklorists, philosophers, and poets. Volume Two addresses the masterpieces of Stravinsky's early maturity—Petrushka, The Rite of Spring, and Les Noces. Taruskin investigates the composer's collaborations with Diaghilev to illuminate the relationship between folklore and modernity. He elucidates the Silver Age ideal of "neonationalism"—the professional appropriation of motifs and style characteristics from folk art—and how Stravinsky realized this ideal in his music. Taruskin demonstrates how Stravinsky achieved his modernist technique by combining what was most characteristically Russian in his musical training with stylistic elements abstracted from Russian folklore. The stylistic synthesis thus achieved formed Stravinsky as a composer for life, whatever the aesthetic allegiances he later professed. Written with Taruskin's characteristic mixture of in-depth research and stylistic verve, this book will be mandatory reading for all those seriously interested in the life and work of Stravinsky.