When newly widowed Lisa Browning discovers her late-husband has fathered a child with another woman, she abandons that vat of ice cream with her name on it and flies off to Florida for a job interview with hopes of a new life. Lured by the sunset and lulled by the sound of the waves, she becomes the focus of a sexy photographer on and off camera. He's the perfect substitute for her vat of ice cream...until her heart gets in the way. Freelance photographer Garrett Kline is looking for the perfect subject for his latest job. When he spots the sensual siren on the beach, he’s found what he is looking for...and then some. His inner playboy is good with a short-term fling, but something about Lisa makes him want more than being just strangers at sunset.
Vacation can be a killer. Dr. Kate Hampton, a respected psychiatrist, gathers with a group of strangers at her favorite travel spot, Sunset Villa in Jamaica. Included in the mix are friends of the owners, a businessman with dubious credentials, and a couple who won the trip from a TV game show. It is January 2013, following the aftermath of Hurricane Sandy. The luxury resort is struggling, not from the storm, but due to a scathing review from caustic travel writer, Matthew Kane. The owners have invited him back with hopes he will pen a more favorable review to restore their reputation. Even though she is haunted by her own demons, Kate feels compelled to help. She sets out to discover the motivation behind Kane's vitriol. Used to getting what he wants, has the reviewer met his match in Kate? Or has she met hers? Stranger at Sunset is a slow-burning mystery/thriller as seen through the eyes of different narrators, each with their own murky sense of justice. As Kate's own psychological past begins to unravel, a mysterious stranger at Sunset may be the only one who can save her.
From the USA TODAY bestselling author of Sweet Thing and Nowhere But Here comes a love story about a Craigslist “missed connection” post that gives two people a second chance at love fifteen years after they were separated in New York City. To the Green-eyed Lovebird: We met fifteen years ago, almost to the day, when I moved my stuff into the NYU dorm room next to yours at Senior House. You called us fast friends. I like to think it was more. We lived on nothing but the excitement of finding ourselves through music (you were obsessed with Jeff Buckley), photography (I couldn’t stop taking pictures of you), hanging out in Washington Square Park, and all the weird things we did to make money. I learned more about myself that year than any other. Yet, somehow, it all fell apart. We lost touch the summer after graduation when I went to South America to work for National Geographic. When I came back, you were gone. A part of me still wonders if I pushed you too hard after the wedding… I didn’t see you again until a month ago. It was a Wednesday. You were rocking back on your heels, balancing on that thick yellow line that runs along the subway platform, waiting for the F train. I didn’t know it was you until it was too late, and then you were gone. Again. You said my name; I saw it on your lips. I tried to will the train to stop, just so I could say hello. After seeing you, all of the youthful feelings and memories came flooding back to me, and now I’ve spent the better part of a month wondering what your life is like. I might be totally out of my mind, but would you like to get a drink with me and catch up on the last decade and a half? M
How to get someone, somewhere, to do something. The job is using words, pictures, stories, and music to seduce strangers. In the industrial, mass-media, consumer economy of the past, the job was called advertising, and “Mad Men” did it. In today’s service-based, social media-focused, information economy, the job is called life, and everyone does it. Here’s how you can do it. And do it better.
Discusses the spinning of the Earth, the progress of day into night, and the reasons for the spectacular colors and shadows that accompany sunrise and sunset.
What does it mean to live in the modern world? How different is that world from those that preceded it, and when did we become modern? In Distant Strangers, James Vernon argues that the world was made modern not by revolution, industrialization, or the Enlightenment. Instead, he shows how in Britain, a place long held to be the crucible of modernity, a new and distinctly modern social condition emerged by the middle of the nineteenth century. Rapid and sustained population growth, combined with increasing mobility of people over greater distances and concentrations of people in cities, created a society of strangers. Vernon explores how individuals in modern societies adapted to live among strangers by forging more abstract and anonymous economic, social, and political relations, as well as by reanimating the local and the personal.
Deft, spare, and full of artful tension, The Sunset Limited is a beautifully crafted play from the legendary Cormac McCarthy, author of No Country for Old Men and Blood Meridian. 'The Sunset Limited grips from the very first page' – Financial Times A startling encounter on a New York subway platform leads two strangers to a run-down tenement where a life or death decision must be made. In that small apartment the two men, known as 'Black' and 'White', begin a conversatino that leads each back through his own history. White is a professor whose seemingly enviable existence of relative ease has left him nonetheless in despair. Black, an ex-con in recovery for drug addiction, is the more hopeful of the men. He is, however, desperate to convince White of the power of faith – while White is desperate to deny it. Between them, they hope to discover the meaning of life itself. Praise for Cormac McCarthy: ‘McCarthy worked close to some religious impulse, his books were terrifying and absolute’ – Anne Enright, author of The Green Road and The Wren, The Wren 'His prose takes on an almost biblical quality, hallucinatory in its effect and evangelical in its power' – Stephen King, author of The Shining and the Dark Tower series '[I]n presenting the darker human impulses in his rich prose, [McCarthy] showed readers the necessity of facing up to existence' – Annie Proulx, author of Brokeback Mountain
After something crucial goes missing from the strange old house on Linden Street, 11-year-old Olive and her friends must decide how to get it backNput their faith in a strange and dangerous magic, their odd new neighbors, or someone more uncertain and terrifying than both.
Wealthy hotel heiress Torie Bergstrom comes to Jekyll Island certain her friend Lisbeth's death wasn't an accident—but Torie gets more than she bargained for when the killer begins to play mind games with her in this gripping new novel from USA TODAY bestselling author Colleen Coble. Even though Torie Bergstrom hasn’t been back to Georgia since she was ten, she was happy to arrange a job for her best friend at one of the family properties on Jekyll Island. But when Torie learns that Lisbeth has drowned, she knows it is more than a tragic accident: Lisbeth was terrified of water and wouldn’t have gone swimming by choice. Torie goes to the hotel under an alias, desperate to find answers. When she meets Joe Abbott and his daughter while they are rescuing baby sea turtles, she can only hope they are as trustworthy as they seem. And when someone begins to play mind games with her, proving they know her real identity, Torie couldn’t be more grateful to have an ally. The more Torie and Joe dig, the more elusive the truth seems. But one thing is clear: someone will risk anything—even another murder—to keep their secrets buried. Full-length, stand-alone romantic suspense Also by Colleen Coble: Edge of Dusk, One Little Lie, Two Reasons to Run, Three Missing Days, Strands of Truth, Tidewater Inn Includes discussion questions for book clubs
Home is where your people are. But who are your people? Adelaide has lived her whole life in rural Ethiopia as the white American daughter of an anthropologist. Then her family moves to South Carolina, in 1964. Adelaide vows to find her way back to Ethiopia, marry Maicaah, and become part of the village for real. But until she turns eighteen, Adelaide must adjust to this strange, white place that everyone tells her is home. Then Adelaide becomes friends with the five African-American students who sued for admission into the white high school. Even as she navigates her family's expectations and her mother's depression, Adelaide starts to enjoy her new friendships, the chance to learn new things, and the time she spends with a blond football player. Life in Greenville becomes interesting, and home becomes a much more complex equation. Adelaide must finally choose where she belongs: the Ethiopian village where she grew up, to which she promised to return? Or this place where she's become part of something bigger than herself? "The Means That Make Us Strangers is a beautifully written coming-of-age story that will satisfy experienced readers as well as younger ones. Christine Kindberg treats all of these characters graciously and with deep generosity. The result is a gorgeous meditation on growing up, experiencing love, and finding home.” —Pinckney Benedict, three-time winner of the Pushcart Prize, author of Dogs of God and Miracle Boy and Other Stories "Christine Kindberg's fiction explores the complexity of identity, love, and faith with extraordinary intimacy and skill. Her bracing prose draws you into the lives of characters who live and breathe upon the page." —Naeem Murr, author of The Perfect Man (long-listed for the Man Booker Prize)
