Based on authenticated incidents, gathered from around the world, this look at the supernatural argues that human beings live in circumstances beyond rational or scientific explanation. Reprint.
Don’t Miss Poorly Drawn Lines on Cake, airing on FX and streaming on FX on Hulu! Absurd comics for our absurd times, from the artist behind the wildly popular webcomic Poorly Drawn Lines—the perfect gift for comic book fans! In his follow up to the New York Times bestselling Poorly Drawn Lines, beloved webcomic artist Reza Farazmand returns with a collection of comics that hilariously skewers our modern age. Comics for a Strange World takes readers through time, space, and alternate realities, reuniting fans with favorite characters and presenting them with even more bizarre scenarios. A child is arrested for plagiarism. A squirrel adapts to human society by purchasing a cell phone—and a gun. And an old man shares memories of the Internet with his granddaughter (“A vast network of millions of idiots. Together, the idiots created endless shitty ideas. It was a true renaissance of shit.”). In the world of Poorly Drawn Lines, nothing is too weird or too outlandish for parody.
“Oddly charming, deeply intelligent. . . . Anyone asking questions about their own place in the world might be drawn to these portrayals of ordinary life from almost 500 years ago—scenes of human beings who work and return home, who carry their kids and tend to chores, who nap, play, eat, drink and do other, less decorous things. And, with the author’s help, we look at them more closely than before." — Washington Post “Graceful, transcendent even.” — Los Angeles Times “Captivating . . . a vibrant portrait of the artist’s work and world…. A profusely illustrated, deeply thoughtful meditation.” — Kirkus “Thought-provoking. . . . [Ferris] blends memoir with philosophic meditation on art criticism in his thoughtful debut.” — Publishers Weekly
In 1948 a young Al Williamson accepted his first commercial assignment--for an issue of Famous Funnies comics, which launched his career as a professional in the field. Developing an elegant and illustrative style, he soon gained prominence in the highly influential EC Comics line of the 1950s. Over the next few decades, his exquisite art also illuminated many Atlas comics, various incarnations of Flash Gordon and the comic strips Secret Agent Corrigan and Star Wars, as well as a host of other titles and properties. This extraordinary body of superior work cemented Williamson's longstanding popularity. By the end of his career in the early 2000s, he had become one of the most highly regarded comic and strip artists in the industry, especially noted for the graceful ink line that he spent a lifetime pursuing. This first compendium in a new series is the perfect introduction to Al Williamson's work. You will find samples that span his fifty-year career along with anecdotes and historical details salted throughout. Cover art, interior pages, drawings and sketches--plus photographs of Al and his friends posing as reference for his sequential art--are included. This volume contains a mixture of both his most-obscure and best-known works, all meticulously reproduced from the original art. Until now, this captivating original artwork has only been seen by those fortunate enough to visit the Williamson studio in person. For the first time, readers will be able to view the artist's most-cherished works. Williamson's love of 1920s and 1930s adventure, fantasy and science-fiction pop culture--and his admiration of artists such as Flash Gordon creator Alex Raymond--grounded his drawing technique and storytelling, which evolved throughout his life. He was able to take these inspirations and carry on the legacy of the past masters while becoming a unique icon in the industry. In this collection, readers will be able to witness Williamson's development as an artist.
Shortlisted for the 2019 Booker Prize Named a Best Book of the Year by Bookpage, NPR, Washington Post, and The Economist A moving novel on the power of friendship in our darkest times, from internationally renowned writer and speaker Elif Shafak. In the pulsating moments after she has been murdered and left in a dumpster outside Istanbul, Tequila Leila enters a state of heightened awareness. Her heart has stopped beating but her brain is still active-for 10 minutes 38 seconds. While the Turkish sun rises and her friends sleep soundly nearby, she remembers her life-and the lives of others, outcasts like her. Tequila Leila's memories bring us back to her childhood in the provinces, a highly oppressive milieu with religion and traditions, shaped by a polygamous family with two mothers and an increasingly authoritarian father. Escaping to Istanbul, Leila makes her way into the sordid industry of sex trafficking, finding a home in the city's historic Street of Brothels. This is a dark, violent world, but Leila is tough and open to beauty, light, and the essential bonds of friendship. In Tequila Leila's death, the secrets and wonders of modern Istanbul come to life, painted vividly by the captivating tales of how Leila came to know and be loved by her friends. As her epic journey to the afterlife comes to an end, it is her chosen family who brings her story to a buoyant and breathtaking conclusion.
“It is the bitter lesson of history that society cannot rely on the scruples of a powerful ruler to restrain him from exercising his power over the lives of his subjects. The only safeguard of liberty is the restraint of power itself.”~G. Warren Nutter Economist G. Warren Nutter provided one of the lone dissenting voices to challenge what had become a matter of conventional wisdom among Sovietologists. Whereas others perceived vibrancy and vitality in the socialist society’s industrial growth, Nutter recognized its long-term economic decline concealed behind a politically crafted veneer of propaganda about socialist industrial prowess. From 1956 until its first publication in 1969, he labored on providing a statistical corrective that painted a picture of a society gradually succumbing to the weight of its own central planning in The Strange World of Ivan Ivanov. Though generally well-received in the Cold War environment of its publication, Ivan Ivanov, drifted from memory along with its own Soviet subject matter. In this new edition, the text is accessible again—both as a record of the daily personal hardships experienced under an actual Marxian-socialist state and a warning for a time when socialism’s reputation has become detached from its own track record. The poverty, fear, and coerced subordination of Ivan Ivanov’s life were not aberrations of a socialist revolution gone astray—they were the entirely predictable results of that same socialist system. And as its human toll stretches from the Eastern Bloc to China to Cuba to Venezuela, they continue to repeat with alarming certainty whenever and wherever socialism is attempted. The American Institute for Economic Research in Great Barrington, Massachusetts, was founded in 1933 as the first independent voice for sound economics in the United States. Today it publishes ongoing research, hosts educational programs, publishes books, sponsors interns and scholars, and is home to the world-renowned Bastiat Society and the highly respected Sound Money Project. The American Institute for Economic Research is a 501c3 public charity.
Thomas Harris is the great melodramatist of our time, author of the definitive thrillers of the last 20 years. The Silence of the Lambs alone has sold more than 12 million copies worldwide. And yet Harris's phenomenal success has been achieved without any personal publicity whatsoever. He has never given an interview. In this gripping - and sometimes chilling - profile, David Sexton exploits every possible source to get to the bottom of Harris's monstrous genius: who really is the man behind Hannibal Lecter?