This book examines many of the strange events and actions in Acts in the context of the Hellenistic world and from that perspective. These events and actions include the ascension of Jesus, direction by the Spirit, visions, angelophanies, prison escapes and resuscitations of the dead. Many of these events are either avoided in scholarship or are investigated with an agenda other than to understand them for themselves. The book constructs an ancient audience to be one that has a close familiarity with the Septuagint and with other Greek and Latin writings. The culturally-strange events are then interpreted through the lens of these texts.
"Strange snow falls on two young Vietnam veterans as they reunite for a fishing trip to make good on a long lost promise to an old friend. Megs shows up at his buddy David's house only to encounter David's shy, plain sister Martha. Megs's larger-than-life nature coaxes Martha out of her shell and into his heart. His mere presence, however, brings up painful memories of Vietnam for David, whose method of coping so far has been to drink too much and talk as little as possible." --www.doollee.com. This play was made into a 1989 movie entitled "Jacknife."
The 'anti-group' is a major conceptual addition to the theory and practice of group psychotherapy. It comprises the negative, disruptive elements, which threaten to undermine and even destroy the group, but when contained, have the potential to mobilise the group's creative processes. Understanding the 'anti-group' gives therapists new perspectives on the nature of relationships and alternative strategies for managing destructive behaviour.
A monumental, genre-defying novel that David Mitchell calls "Michel Faber’s second masterpiece," The Book of Strange New Things is a masterwork from a writer in full command of his many talents. It begins with Peter, a devoted man of faith, as he is called to the mission of a lifetime, one that takes him galaxies away from his wife, Bea. Peter becomes immersed in the mysteries of an astonishing new environment, overseen by an enigmatic corporation known only as USIC. His work introduces him to a seemingly friendly native population struggling with a dangerous illness and hungry for Peter’s teachings—his Bible is their “book of strange new things.” But Peter is rattled when Bea’s letters from home become increasingly desperate: typhoons and earthquakes are devastating whole countries, and governments are crumbling. Bea’s faith, once the guiding light of their lives, begins to falter. Suddenly, a separation measured by an otherworldly distance, and defined both by one newly discovered world and another in a state of collapse, is threatened by an ever-widening gulf that is much less quantifiable. While Peter is reconciling the needs of his congregation with the desires of his strange employer, Bea is struggling for survival. Their trials lay bare a profound meditation on faith, love tested beyond endurance, and our responsibility to those closest to us. Marked by the same bravura storytelling and precise language that made The Crimson Petal and the White such an international success, The Book of Strange New Things is extraordinary, mesmerizing, and replete with emotional complexity and genuine pathos.
What’s that Scripture mean? Ever asked yourself this question when you’re reading through the Bible? We all have. Whether we’ve been saved a long time or are just beginning to follow Christ, there are portions of Scripture that go over our heads. They’re puzzling. Odd. Complicated. Strange. What’s baptism on behalf of the dead? (1 Corinthians 15:29) Wasn’t it rude for Jesus to call a woman a dog? (Mark 7:27) If Jesus is eternal, why is he called the firstborn? (Colossians 1:15) How can we do greater works than Christ? (John 14:12) Scriptures like these are not preached from the pulpit as commonly as our favorite texts. You rarely hear about them in your small group Bible study. And it’s definitely not easy to explain what they mean. Think of it like this: if the Bible were an apple orchard, the Scriptures we’re most familiar with are like the luscious Honeycrisp. They’re our favorites. Like, “I can do all things through Christ who strengthens me” and “Love never fails.” But strange Scriptures are more like an unripe Granny Smith. There’s juice in it, all right, but if you want meaning and life application, you have to do a whole lot more squeezing. That’s where Strange Scriptures comes in. Within each short study, author Chris Palmer has aimed to represent scholarship, Greek exegesis, and life application to bring forth a full-bodied study to nourish your soul.
"This big book of lists highlights the weird and wacky stuff found in the Bible and invites kids to get curious and engage with the Bible in a whole new way"--
What happens in the relationship between audience and performer? What choices are made in the space of performance about how we attend to others? A Strange Proximity examines stage presence as key to thinking about performance and ethics. It is the first phenomenological account of ethics generated from, rather than applied to, contemporary theatrical productions. The ethical possibilities of the stage, argues Jon Foley Sherman, rest not so much in its objects—the performers and the show itself—as in the “how” of attending to others. A Strange Proximity is a unique perspective on the implications of attention in performance.
NOMINATED FOR THE H.R.F. KEATING AWARD, 2022. 'My New Year's Eve Toast: to all the devils, lusts, passions, greeds, envies, loves, hates, strange desires, enemies ghostly and real, the army of memories, with which I do battle – may they never give me peace' – Patricia Highsmith (New Year's Eve, 1947). Made famous by the great success of her psychological thrillers, The Talented Mr Ripley and Strangers on a Train, Patricia Highsmith is renowned as one of the most influential and celebrated modern writers. However, there has never been a clear picture of the woman behind the books. The relationship between Highsmith's lesbianism, her fraught personality – by parts self-destructive and malicious – and her fiction, has been largely ignored by biographers in the past. As an openly homosexual writer, she wrote the seminal lesbian love story Carol for which she would be venerated, in modern times, as a radical exponent of the LGBTQ+ community. Alas, her status as an LGBTQ+ icon is undermined by her excessive cruelty towards and exploitation of her friends and many lovers. In this biography, Richard Bradford brings his sharp and incisive style to one of the greatest and most controversial writers of the twentieth century. He considers Highsmith's bestsellers in the context of her troubled personal life; her alcoholism, licentious sex life, racism, anti-Semitism, misogyny and abundant self-loathing.
David Bergelson (1884–1952) emerged as a major literary figure who wrote in Yiddish before WWI. He was one of the founders of the Kiev Kultur-Lige and his work was at the center of the Yiddish-speaking world of the time. He was well known for creating characters who often felt the painful after-effects of the past and the clumsiness of bodies stumbling through the actions of daily life as their familiar worlds crumbled around them. In this contemporary assessment of Bergelson and his fiction, Harriet Murav focuses on untimeliness, anachronism, and warped temporality as an emotional, sensory, existential, and historical background to Bergleson's work and world. Murav grapples with the great modern theorists of time and memory, especially Henri Bergson, Sigmund Freud, and Walter Benjamin, to present Bergelson as an integral part of the philosophical and artistic experiments, political and technological changes, and cultural context of Russian and Yiddish modernism that marked his age. As a comparative and interdisciplinary study of Yiddish literature and Jewish culture, this work adds a new, ethnic dimension to understandings of the turbulent birth of modernism.
