In Stories without Borders, Julia Sonnevend considers the ways in which we recount and remember news stories of historic significance. Focusing on the Berlin Wall and on subsequent retellings of the event in a variety of ways - from Legoland reenactments to slabs of the Berlin Wall installed in global cities - Sonnevend discusses how certain events become built up into global iconic events.
Across half a century, from the division of Germany through the end of the Cold War, a cohort of thirty women from the small German town of Schönebeck in what used to be the GDR circulated among themselves a remarkable collective archive of their lives: a Rundbrief, or bulletin, containing hundreds of letters and photographs. This book draws on that unprecedented resource, complemented by a set of interviews, to paint a rich portrait of “ordinary” life in postwar Germany. It shows how these women—whether reflecting on their experiences as Nazi-era schoolchildren or witnessing reunification—were united by their complex interactions with official power and their commitment to sustaining a shared German identity as they made the most of their everyday lives in both the GDR and the Federal Republic.
The twenty-first century has opened with a rapidly changing map of Christianity. While its influence is waning in some of its traditional Western strongholds, it is growing at a phenomenal pace in the global South. And yet this story has largely eluded the corporate news brokers of the West. Layered as it is with countless personal and corporate stories of remarkable faith and witness, it nevertheless lies ghostlike behind the newsprint and webpages of our print media, outside the camera's vision on the network evening news. Miriam Adeney has lived, traveled and ministered widely. She has walked with Christians in and from the far reaches of the globe. As she pulls back the veil on real Christians--their faith, their hardships, their triumphs and, yes, their failures--an inspiring and challenging story of a kingdom that knows no borders takes shape. This is a book that coaxes us out of our comfortable lives. It beckons us to expand our vision and experience of the possibilities and promise of a faith that continues to shape lives, communities and nations.
Refugees by status, chefs by calling. The Kitchen Without Borders is a special kind of cookbook. In it, chefs from around the world – all part of Eat Offbeat, a catering company staffed by immigrants and refugees who have found a new home and new hope through cooking- offer up to 70 authentic, surprising, nourishing recipes. The food has roots that run as deep as its flavors, celebrating the culinary traditions of Syria, Iran, Eritrea, Venezuela, and more. Discover Iraqi Biryani, a rice dish combining vegetables and plump dried fruits with warming spices. Chari Bari, hand formed meatballs simmered in Nepali- spiced tomato and cashew sauce. Iranian rice with garbanzos, Sri Lankan curry dhal, and Manchurian cauliflower straight from the Himalayas. More than a collection of delicious foods from around the world, this inspiring cookbook- with its intimate chef profiles and photographic portraits-offers a glimpse into the journey of displaced people and highlights the profound link between food and home. *From March 1, 2021, to March 1, 2022, (including any preordered copies that ship during this period), Workman Publishing will donate 2% of the cover price for every copy of The Kitchen without Borders cookbook sold in the United States and its territories, the United Kingdom, Canada, Australia and European Union member states, to the IRC, a not-for-profit organization dedicated to providing humanitarian aid, relief and resettlement to refugees and other victims of oppression, conflict, or disaster with a minimum contribution of $25,000 USD. For more information, visit rescue.org/cookbook and https://www.workman.com/kwob. No portion of the purchase price is tax-deductible. For additional information about the IRC, see rescue.org.
From a celebrated documentary artist, twelve portraits from the front lines of migration form an intimate record of why people leave behind the places they call home. It is an unusual feeling to walk into a place that everyone is leaving . . . Resisting his own urge to walk away, award-winning artist George Butler took his sketchbook and made, over the course of a decade, a series of remarkable pen-and-ink and watercolor portraits in war zones, refugee camps, and on the move. While he worked, his subjects—migrants and refugees in the Middle East, Europe, Africa, and Asia—shared their stories. Theirs are the human stories behind the headlines that tell of fleeing poverty, disaster, and war, and of venturing into the unknown in search of jobs, education, and security. Whether sketching by the hospital bed of a ten-year-old Syrian boy who survived an airstrike, drawing the doll of a little Palestinian girl with big questions, or talking with a Masai herdsman forced to abandon his rural Kenyan home for the Kibera slums, George Butler turns reflective art and sensitive reportage into an eloquent cry for understanding and empathy. Taken together and elegantly packaged, his beautiful portraits form a moving testament to our shared humanity—and the universal urge for safety and a better life.
A COUNTRY WITHOUT BORDERS, POEMS AND STORIES OF KASHMIR is the debut collection of Lalita Pandit Hogan, an expatriate Kashmiri scholar and poet who shares with readers the loss of identity and home, culture, migration, womanhood, otherness and exile. Blooming with intense lyricism and fertile imagery, these full-blooded poems are elegant, mythic, and intricately woven, evoking a home no longer accessible. A COUNTRY WITHOUT BORDERS is an invaluable collection for all who are interested in cultural remembrance and meditations that reflect postcolonial poetry, and to students reading South Asian literature and culture.
A collection of stories and poems by contemporary writers from Iran, Iraq, North Korea, and other countries the United States considers enemies that have been translated into English.
A Pulitzer Prize–winning historian’s "breathtakingly original" (Junot Diaz) reinterpretation of the eight decades surrounding the Civil War. "Capatious [and] buzzing with ideas." --The Boston Globe Volume 3 in the Penguin History of the United States, edited by Eric Foner In this ambitious story of American imperial conquest and capitalist development, Pulitzer Prize–winning historian Steven Hahn takes on the conventional histories of the nineteenth century and offers a perspective that promises to be as enduring as it is controversial. It begins and ends in Mexico and, throughout, is internationalist in orientation. It challenges the political narrative of “sectionalism,” emphasizing the national footing of slavery and the struggle between the northeast and Mississippi Valley for continental supremacy. It places the Civil War in the context of many domestic rebellions against state authority, including those of Native Americans. It fully incorporates the trans-Mississippi west, suggesting the importance of the Pacific to the imperial vision of political leaders and of the west as a proving ground for later imperial projects overseas. It reconfigures the history of capitalism, insisting on the centrality of state formation and slave emancipation to its consolidation. And it identifies a sweeping era of “reconstructions” in the late-nineteenth and early twentieth centuries that simultaneously laid the foundations for corporate liberalism and social democracy. The era from 1830 to 1910 witnessed massive transformations in how people lived, worked, thought about themselves, and struggled to thrive. It also witnessed the birth of economic and political institutions that still shape our world. From an agricultural society with a weak central government, the United States became an urban and industrial society in which government assumed a greater and greater role in the framing of social and economic life. As the book ends, the United States, now a global economic and political power, encounters massive warfare between imperial powers in Europe and a massive revolution on its southern border―the remarkable Mexican Revolution―which together brought the nineteenth century to a close while marking the important themes of the twentieth.
After living in El Salvador and witnessing the cost of the political violence and economic hardship there, Mark and Louise Zwick founded Casa Juan Diego. Mercy Without Borders tells the story of the beginnings of the Catholic Worker in Houston, a city that has become a destination for waves of refugees from Mexico and Central America. Over the years, they have received the poor, the weary, and the destitute, seeing only the face of Christ regardless of immigration status. In addition to sharing their stories of Casa Juan Diego and many of its guests, the Zwicks analyze some of the causes of the economic imbalances that result in destitution south of the U.S. border, in countries where people toil in factories for little or nothing, only to see the fruits of their labor shipped to the affluent north. Why would these victims of injustice not seek a better life for themselves and their children? Book jacket.
