Falling in love is the greatest feeling that you will feel. This makes you feel lively and happy. At the same time, it can make you feel isolated from anywhere else in the world because everything around you is time and nothing else except this particular person. In fact, thinking about this person may be the only idea that fills your mind by giving you a feeling of excitement. When this happens, you will feel scared and ready to face everything. We all grow up fantasizing about love and things it means. Well, some of us are able to discover true love while rest look for various ways of expression of their grief. Some choose poetry. Some choose to express pain with pen and some choose other ways .There are times when we have strong romantic feelings towards someone in the first sight.This book tells us about those unsaid feelings which is always buried in those people’s heart who can’t express those feelings to their loved ones.Feel their pain, grief, regrets and all those gifts of love as it all starts with person only with this beautiful anthology.
Anchored to the bed, Minerva picked up the black leather bound diary. She wasnt reading anymore, she was watching Harts words and listening to his thoughts Minerva is a schizophrenic. Locked up in The Lighthouse for a diabolic crime that she committed ten years ago, she is visited by a mysteriously intriguing therapist Daniel Hart who transforms her mere existence into a magical journey and makes her do things she had never imagined in her entire fenced life. All for a reason he could not explain.. till his own funeral.
When individuals read or listen to prose they try to understand what it means. This is quite obvious. However, the cognitive mechanisms that participate in prose comprehension are far from obvious. Even simple stories involve com plexities that have stymied many cognitive scientists. Why is prose comprehen sion so difficult to study? Perhaps because comprehension is guided by so many domains of knowledge. Perhaps because some critical mysteries of prose comprehension reside between the lines-in the mind of the comprehender. Ten years ago very few psychologists were willing to dig beyond the surface of explicit code in their studies of discourse processing. Tacit knowledge, world knowledge, inferences, and expectations were slippery notions that experimental psychologists managed to circumvent rather than understand. In many scientific circles it was taboo to investigate mechanisms and phenomena that are not directly governed by the physical stimulus. Fortunately, times have changed. Cognitive scientists are now vigorously exploring the puzzles of comprehension that lie beyond the word. The study of discourse processing is currently growing at a frenetic pace.
Fairy tales are just the beginning. The Masked Man is on the loose in the Land of Stories, and it's up to Alex and Conner Bailey to stop him...except Alex has been thrown off the Fairy Council, and no one will believe they're in danger. With only the help of the ragtag group of Goldilocks, Jack, Red Riding Hood, and Mother Goose and her gander, Lester, the Bailey twins discover the Masked Man's secret scheme: He possesses a powerful magic potion that turns every book it touches into a portal, and he is recruiting an army of literature's greatest villains! So begins a race through the magical Land of Oz, the fantastical world of Neverland, the madness of Wonderland, and beyond. Can Alex and Conner catch up to the Masked Man, or will they be one step behind until it's too late? Fairy tales and classic stories collide in the fourth adventure in the bestselling Land of Stories series as the twins travel beyond the kingdoms!
This collection of essays seeks to redefine the discussion of Calvinism's impact on the visual arts through an exploration of Reformed artistic influences in England, France, Switzerland, Germany, Hungary, the Netherlands, and America. 200+ illustrations, many in color.
This is a book about reading, or rather about the moment when the usual frames of interpretation no longer apply. That is where the Othering Excursion begins. Through disruptive forms of rhetoric, writers discard the structures and norms of the cultural system and use the disorders thus created to suggest what lies beyond it. Cultivating distortion, conceptual blocks and chaotic constructions, their texts flout normal processes of interpretation. Whereas traditional approaches often overlook these disorders or treat them as a form of informational noise, in this study they become the basis of critical reflection. Harding and Martin elaborate a critical concept and a range of reading methods to deal with what seem to be zones of obscurity in literary texts. Cutting across boundaries of race, ethnicity and gender, they treat a wide range of poetry and short fiction that challenges traditional interpretations. Giving new readings of canonical texts, the book examines works by American authors that are widely read and taught, like Elizabeth Bishop, A.R. Ammons, Don DeLillo, Leslie Marmon Silko, or Sandra Cisneros. At the same time, it includes studies of emerging writers like Kate Braverman, Dan Chaon, or Chase Twichell. "There is something deeply moving in witnessing the birth of a new concept. And indeed Wendy Harding and Jacky Martin’s concept of “Othering” is a welcome addition to an already crowded field, where concepts like “difference”, “alterity” or “hybridity” are firmly established. But the new concept is more than an addition, it is more in the nature of a substitution, as it aims to replace the now exhausted concepts, allows the authors to avoid the trivialities of a criticism based on gender and race, and, by focusing on form and language (or style), to recapture the now largely lost intuitions of close reading. This combination of close reading and a firm grasp of theory is one of the attractions of the book. I am impressed by their mastery of the intricacies of theory and the range of their literary corpus (in terms both of genres and texts). I have no doubt that their book will be a major contribution to the renewal of the study of contemporary American literature." —Professor Jean-Jacques Lecercle, University of Nanterre, Paris In Beyond Words, Wendy Harding and Jacky Martin offer “a new attitude to reading” that approaches true diversity by ignoring trends toward traditional groupings of authors by race and gender and instead examining, democratically, recent American literature in terms of its unique and peculiar achievements. In choosing texts that employ “the rhetoric of the inexpressible,” the authors have identified “Othering” as the common thread running through short fiction and poetry by authors as varied as Allen Ginsberg, Raymond Carver, Sandra Cisneros, Adrienne Rich, and Li-Young Lee. In transliterating the language of the ineffable and unspoken, Beyond Words employs its superbly original methodology toward unfolding previously inaccessible layers of meaning and provoking a fuller understanding of the creative process and its cultural milieu. —Michael Waters, Professor of English at Salisbury University, USA "A germinal study from an "other" (in this case, European) perspective of an at once idiosyncratic and indicative range of American texts with a view of how they, themselves, encounter the unexamined and unexpected." —Marilyn Hacker, Professor at City College of New York and CUNY Graduate Center "Invigorating and original, Beyond Words: The Othering Excursion in Contemporary American Literature challenges conventional ways of approaching literary texts. Eschewing binaries, Wendy Harding and Jacky Martin propose a new approach to reading and analyzing the heterogeneity of recent American literature. By juxtaposing both well-known and less-familiar poetry and short fiction by authors as various as Gayl Jones, John Ashbery, Russell Banks, and Marilyn Nelson, Harding and Martin consider a stimulating variety of texts that cross aesthetic, generic, canonical and political boundaries. Harding and Martin’s polysemous approach to literary texts, a procedure they call “othering,” is groundbreaking and enlightening. Beyond Words provides rich insights for scholars and general readers alike. Harding and Martin’s new mapping of American literature is a remarkable achievement, certain to provoke dialogue for decades to come." —Sue Standing, Jane Ruby Professor of English, Wheaton College, Norton, Massachusetts "In this new book with the apt title Beyond Words: the Othering Excursion in Contemporary American Literature, Wendy Harding and Jacky Martin promise to generate intense conversation about their conceptual approach to reading canonical, as well as newer texts in late twentieth century American literature. Beyond Words favors a shift in thinking about all texts that defy conventional analysis, and it resists the cleavages that it finds in unsatisfactory terms like “alterity” and “hybridity” conceived to account for differences in gender-racial, ethnic, and class contexts. Re-conceiving Othering as a corroborative and complementary methodology rather than a splintered one, Beyond Words invites an illuminating, comprehensive analysis of literary production in late twentieth century American texts." —Helena Woodard, Associate Professor of English, Department of English, University of Texas at Austin, USA
Beyond the Story: American Literary Fiction and the Limits of Materialism argues that theology is crucial to understanding the power of contemporary American stories. By drawing on the theories of M. M. Bakhtin, Christian personalism, and contemporary phenomenology, Lake argues that literary fiction activates an irreducibly personal intersubjectivity between author, reader, and characters. Stories depend on a dignity-granting valuation of the particular lives of ordinary people, which is best described as an act of love that mirrors the love of the divine. Through original readings of the fiction of Philip Roth, Cormac McCarthy, Lydia Davis, Toni Morrison, and others, Lake enters into a dialogue with postsecular theory and cognitive literary studies to reveal the limits of sociobiology’s approach to culture. The result is a book that will remind readers how storytelling continually reaffirms the transcendent value of human beings in an inherently personal cosmos. This book will be of interest to students and scholars of theology and literary studies, as well as a broad audience of readers seeking to engage on a deeper level with contemporary literature.
Much attention has been paid by experts to the raw creative process. But, says Bonni Goldberg, to be fulfilled as a writer, you have to do more than write. How do you get ideas? How do you shape those ideas as creatively as possible? And how can you share your work with others once you've created it? The answers to these questions can be found in three key aspects of writing that often get short shrift: * Percolation: what takes place before a first draft is written; * Revision: the writer's role after the initial draft; and * Going Public: the writer's mission once the writing is done. In Beyond the Words, Goldberg presents anecdotes, essays, examples, and exercises to help writers realize and maintain balance, flow, and health in their work by being mindful of the whole writing process. Supplying tools for invoking maximum creativity through and beyond a first draft, she offers motives, options, and encouragement to help writers become more passionate and grounded in their writing lives.
