As Simon Raikes restores a fifteenth-century Venetian masterpiece, he becomes obsessed with the sculpture, becoming involved in a crime as he reconstructs the past and is drawn into the mysteries of love, betrayal, and violence.
Winner of the Macmillan Prize for African Adult Fiction An uncompromising novel by one of Africa's premiere writers, detailing the horrors of civil war in luminous, haunting prose In 1980, after decades of guerilla war against colonial rule, Rhodesia earned its hard-fought-for independence from Britain. Less than two years thereafter when Mugabe rose to power in the new Zimbabwe, it signaled the begining of brutal civil unrest that would last nearly a half decade more. With The Stone Virgins Yvonne Vera examines the dissident movement from the perspective of two sisters living in a small township outside of Bulawayo. In a portrait painted in successive impressions of life before and after the liberation, Vera explores the quest for dignity and a centered existence against a backdrop of unimaginable violence; the twin instincts of survival and love; the rival pulls of township and city life; and mankind's capacity for terror, beauty, and sacrifice. One sister will find a reason for hope. One will not make it through alive. Weaving historical fact within a story of grand passions and striking endurance, Vera has gifted us with a powerful and provocative testament to the resilience of the Zimbabwean people.
Even monsters lock their doors at night. When society itself goes insane, when the priorities of civilization turn upside down and a violent revolution sweeps across the Empire, it becomes a lot harder to face your own inner dark side. But Norman Baynes, a human outnumbered in this wacky world of vampires and magical beasts, has been facing his second personality, Hansel Baynes, for as long as he can remember. And he's more than a little "away with the fairies". He's Norman by day. He's Hansel by night. He's absolutely sick! He's a notorious serial killer on a mission: write beautiful poetry and leave something good behind before it's too late. Will he be able to hold it together and evade capture long enough to finish his epic masterpiece?
Enchanted Objects investigates the relationship between visual art and contemporary fiction, addressing the problems that arise when paintings, deluxe books, porcelains, or statues are represented in contemporary novels. The distinction between objects and art objects depends on aesthetics. While some objects are authenticated through museum exhibits, others are hidden, broken, neglected, coveted, hoarded, or salvaged. Allan Hepburn asks four broad questions about aesthetics and value: What is a detail in visual art? Is all art ornamental? Does the value of an object increase because it is fragile? What defines ugliness? Contemporary novels, such as Tracy Chevalier's Girl with a Pearl Earring, Barry Unsworth's Stone Virgin, and Bruce Chatwin's Utz offer implicit answers to these questions while critiquing museums and the determination to invest objects with value through display. Addressing current debates in museum studies, cultural studies, art history, and literary criticism, Enchanted Objects develops an extensive theory of how contemporary literature engages with and relates to aesthetic objects.
Margaret Plant presents a wide-ranging cultural history of the city from the fall of the Republic in 1797, until 1997, showing how it has changed and adapted and how perceptions of it have shaped its reality.
* Jesus Loves Me, Calvin Miller's most recent novel, was published by Warner Faith in 4/02. His previous book, Into the Depths of God (Bethany House, 4/01), sold 38,000 copies and was chosen as a Featured Main Selection by Insight for Living. * Calvin Miller has more than 30 published books to his credit. His first fiction series, The Singer Trilogy, sold over one million copies and was a bestseller. With Wings Like Eagles, (Thomas Nelson, 1998), which he wrote with Thomas Kinkade, was also a bestseller, selling over 85,000 copies. * A pastor, poet, theologian, and painter, Calvin Miller currently serves as a professor of preaching and pastoral ministries at Beeson Divinity School in Alabama.