The Age of Rembrandt
Author: Roland E. Fleischer
Publisher: Penn State Press
Published: 1988-01-01
Total Pages: 252
ISBN-13: 9780915773022
DOWNLOAD EBOOKThis is a study of seventeenth-century Dutch painting.
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Author: Roland E. Fleischer
Publisher: Penn State Press
Published: 1988-01-01
Total Pages: 252
ISBN-13: 9780915773022
DOWNLOAD EBOOKThis is a study of seventeenth-century Dutch painting.
Author: Esmée Quodbach
Publisher: Penn State University Press
Published: 2014
Total Pages: 272
ISBN-13:
DOWNLOAD EBOOKEssays by American and Dutch scholars and museum curators explore the collecting and reception of seventeenth-century Dutch painting in America, from the colonial era through the Gilded Age to today.
Author: E. de Jongh
Publisher:
Published: 1982
Total Pages: 244
ISBN-13:
DOWNLOAD EBOOKAuthor: Blaise Ducos
Publisher: Art Book Magazine Distribution
Published: 2019-03-20T00:00:00+01:00
Total Pages: 193
ISBN-13: 2821601131
DOWNLOAD EBOOKAccompanying the exhibition at Louvre Abu Dhabi, the catalogue Rembrandt, Vermeer and the Dutch Golden Age provides an image-rich overview of the artworks exhibited, complimented by four essays. The first situates The Leiden Collection within the context of the Dutch Golden Age. The second and third describe the major role that the Netherlands played on a global scale in the in the 17th century, the specificities of the Dutch Golden Age as well as the work of Rembrandt and his contemporaries, rooted in the society of that time and place. The fourth essay sheds light on the particular role that drawing played in the creative process of Dutch artists.
Author: John Berger
Publisher: Verso Books
Published: 2015-10-05
Total Pages: 676
ISBN-13: 1784781789
DOWNLOAD EBOOKJohn Berger, one of the world's most celebrated storytellers and writers on art, tells a personal history of art from the prehistoric paintings of the Chauvet caves to 21st century conceptual artists. Berger presents entirely new ways of thinking about artists both canonized and obscure, from Rembrandt to Henry Moore, Jackson Pollock to Picasso. Throughout, Berger maintains the essential connection between politics, art and the wider study of culture. The result is an illuminating walk through many centuries of visual culture, from one of the contemporary world's most incisive critical voices.
Author: Mariët Westermann
Publisher:
Published: 2001
Total Pages: 248
ISBN-13:
DOWNLOAD EBOOKThe caress of fabrics, the sheen of metal, the brittle luminosity of glass -- Dutch genre painters of the Golden Age were so skilled at mimicking the appearance of things that their largely imaginary domestic scenes are utterly convincing pictures of life as it was once lived. The contemporary viewer enters this world of make-believe as eagerly as Dorothy stepped into the land of Oz, with a complete trust in the fitness and accuracy of the illusion. Now, four eminent art historians reveal the trick behind this illusion and give us insight into the social reality that animates the deception. We learn why domestic interiors were a favorite subject for seventeenth-century Dutch artists and why buyers snatched up these paintings before their varnish dried. And we come to understand why these images of home and family, the earliest in the history of art, still speak to us three hundred years later in a voice as fresh and powerful as when they first appeared. This is the story of an art that echoed and shaped the ideals of an emerging nation -- a sensitive portrait of the painted fictions that laid the ground for our modern concept of "home" as the compass of our true selves. Book jacket.
Author: Rijksmuseum (Netherlands)
Publisher:
Published: 1999
Total Pages: 116
ISBN-13:
DOWNLOAD EBOOKThe stunning beauty and diversity of 17th-century Dutch still-life painting raises many questions about developments in style and technique. What materials did artists use to produce these works? How were they made? Did all the still-life painters of the period use the same methods and materials? Can we relate differences in materials and methods to differences in style? These questions are explored by the conservators and curators of the Amsterdam Rijksmuseum and scientists attached to the Molart project (Molecular aspect of aging in art) in an examination of paintings by Jan Brueghel, Balthasar van der Ast, Jan Davidsz de Heem, Willem Kalf, Rachel Ruysch, and Jan van Huysum.
Author: Onno Blom
Publisher: W. W. Norton & Company
Published: 2020-09-08
Total Pages: 288
ISBN-13: 0393531783
DOWNLOAD EBOOKA captivating exploration of the little-known story of Rembrandt’s formative years by a prize-winning biographer. Rembrandt van Rijn’s early years are as famously shrouded in mystery as Shakespeare’s, and his life has always been an enigma. How did a miller’s son from a provincial Dutch town become the greatest artist of his age? How in short, did Rembrandt become Rembrandt? Seeking the roots of Rembrandt’s genius, the celebrated Dutch writer Onno Blom immersed himself in Leiden, the city in which Rembrandt was born in 1606 and where he spent his first twenty-five years. It was a turbulent time, the city having only recently rebelled against the Spanish. There are almost no written records by or about Rembrandt, so Blom tracked down old maps, sought out the Rembrandt family house and mill, and walked the route that Rembrandt would have taken to school. Leiden was a bustling center of intellectual life, and Blom, a native of Leiden himself, brings to life all the places Rembrandt would have known: the university, library, botanical garden, and anatomy theater. He investigated the concerns and tensions of the era: burial rites for plague victims, the renovation of the city in the wake of the Spanish siege, the influx of immigrants to work the cloth trade. And he examined the origins and influences that led to the famous and beloved paintings that marked the beginning of Rembrandt’s celebrated career as the paramount painter of the Dutch Golden Age. Young Rembrandt is a fascinating portrait of the artist and the world that made him. Evocatively told and beautifully illustrated with more than 100 color images, it is a superb biography that captures Rembrandt for a new generation.
Author: Alan Chong
Publisher: University of Washington Press
Published: 1999
Total Pages: 324
ISBN-13:
DOWNLOAD EBOOKThis stunning book presents the very best still lifes produced in the Netherlands at the height of the genre, from the early beginnings in the 16th century, with Pieter Aertsen and Joachim Beuckelaer, to the late highlights in the 18th century, with Rachel Ruysch and Jan van Huysum. Despite the popularity and abundance of flower paintings in modern collections, the book includes a wide range of subjects and styles, from the simple to the complex, the charmingly small to the opulent and extravagant, and from flowers to hunting still lifes or objects in the corner of a painter's studio, along with an occasional trompe l'oeil. The visual delights of still-life painting have a strong historical context. Collectors and connoisseurs purchased them because of their realism, visual appeal, and relevance to their own lives. Poets praised the wonders of still-life paintings and evoked the power of painting to transcend the seasons and the passing of time. Contemporary observers lauded the expensive and elaborate objects often on display. The book therefore considers the visual achievement of the Netherlandish still life painters in the context of contemporary reactions to pictures, art theory, and issues of patronage. Numerous artists were tempted to try their hand at still life, drawn by a new and enchanting genre that allowed an artist to create independent worlds of inanimate objects on the flat surface of a picture -- imaginary realms that had an exceptional following among connoisseurs of the time. These images continue to work their magic on present-day art lovers.
Author: Harry Berger
Publisher: Fordham Univ Press
Published: 2011
Total Pages: 132
ISBN-13: 0823233138
DOWNLOAD EBOOKIt is rapacitas. Caterpillage also explores the impact of this message on the meaning of the genre's French name. We use the conventional term nature morte ("dead nature") without giving any thought to how misleading it is. Because so many portraits of still in bloom, are dying, it would be more accurate to name the genre nature mourant. The subjects of still life are plants that are still living, plants that are dying but not yet dead. --Book Jacket.