Bakhtin and Theatre

Bakhtin and Theatre

Author: Dick Mccaw

Publisher: Routledge

Published: 2015-07-30

Total Pages: 264

ISBN-13: 1317486595

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What did Bakhtin think about the theatre? That it was outdated? That is ‘stopped being a serious genre’ after Shakespeare? Could a thinker to whose work ideas of theatricality, visuality, and embodied activity were so central really have nothing to say about theatrical practice? Bakhtin and Theatre is the first book to explore the relation between Bakhtin’s ideas and the theatre practice of his time. In that time, Stanislavsky co-founded the Moscow Art Theatre in 1898 and continued to develop his ideas about theatre until his death in 1938. Stanislavsky’s pupil Meyerhold embraced the Russian Revolution and created some stunningly revolutionary productions in the 1920s, breaking with the realism of his former teacher. Less than twenty years after Stanislavsky’s death and Meyerhold’s assassination, a young student called Grotowski was studying in Moscow, soon to break the mould with his Poor Theatre. All three directors challenged the prevailing notion of theatre, drawing on, disagreeing with and challenging each other’s ideas. Bakhtin’s early writings about action, character and authorship provide a revealing framework for understanding this dialogue between these three masters of Twentieth Century theatre.


Stanislavsky and Meyerhold

Stanislavsky and Meyerhold

Author: Robert Leach

Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften

Published: 2003

Total Pages: 0

ISBN-13: 9783906769790

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Robert Leach traces the parallel careers of the two greatest 20th century theatre practitioners, the Russian masters Konstantin Stanislavsky and Vsevolod Meyerhold. He focuses particularly upon their two contradictory and yet complementary acting methods.


Vsevolod Meyerhold

Vsevolod Meyerhold

Author: Robert Leach

Publisher: Cambridge University Press

Published: 1989

Total Pages: 244

ISBN-13: 9780521318433

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This book traces the career of the Russian revolutionary theatre director, Vsevolod Meyerhold, from his early years as a founding member of the Moscow Art Theatre with Stanislavsky and Nemirovich-Danchenko, through his Symbolist period, his experiments with commedia dell'arte and other popular forms, to his demise in the Stalin era. Leach describes in detail Meyerhold's 'system' of theatre: his attitude to the audience, the place of the fore stage, 'biomechanics' and actor training, and the importance of the mise-en-scène. Finally, Leach explores Meyerhold's legacy, which can be detected in the work of Brecht, Eisenstein, Peter Brook and others.


Science and the Stanislavsky Tradition of Acting

Science and the Stanislavsky Tradition of Acting

Author: Jonathan Pitches

Publisher: Routledge

Published: 2005-09-21

Total Pages: 413

ISBN-13: 1134332327

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The Russian tradition is a major area of theatre studies Uses a range of historical and archival material, including previously unpublished material from the Michael Chekov archives International market - UK, America. Potential interest in Russia and France


Acting Through Mask

Acting Through Mask

Author:

Publisher: Psychology Press

Published: 1998

Total Pages: 102

ISBN-13: 9783718657131

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In the first volume of his "Mask: A Release of Acting Resources" David Griffiths examines the present state of actor-training, and surveys past experiments and styles developed by Stanislavsky, Meyerhold, Grotowski and Brecht. He recommends a way in which the standards of performance skills in theatre may parallel those already established in other performing arts such as music and dance. The author's philosophy as a theatre practitioner is the mask and here he explains the special skills required to animate it, helping the reader by extensive and cogent use of his own illustrations.


Meyerhold on Theatre

Meyerhold on Theatre

Author: Vsevolod Ėmilʹevich Meĭerkholʹd

Publisher:

Published: 2018

Total Pages: 432

ISBN-13: 9781474230230

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Meyerhold was one of the foremost Russian directors of the stage and was considered by many to be the equal of Stanislavski. With a critical commentary by the editor these writings are essential reading for anyone studying Russian drama and culture.


The Routledge Companion to Vsevolod Meyerhold

The Routledge Companion to Vsevolod Meyerhold

Author: Jonathan Pitches

Publisher: Taylor & Francis

Published: 2022-11-09

Total Pages: 681

ISBN-13: 1000764567

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The Routledge Companion to Vsevolod Meyerhold brings together a wealth of scholarship on one of the foremost innovators in European theatre. It presents a detailed picture of the Russian director’s work from when it first emerged on the modern stage to its multifarious present-day manifestations. By combining an historical focus with the latest contemporary research from an international range of perspectives and authors, this collection marks an important moment in Meyerhold studies as well as offering a new assessment of his relation to today's theatre-making. Its dynamic blend of research is presented in five sections: Histories enlarges on more conventional subjects like the grotesque and Biomechanics, to overlooked topics such as Meyerhold's ‘failed’ projects and his work in film; Collaborations and Connections extends understandings of Meyerhold’s well-known collaborative capacities to consider new cultural influences and lesser known working relationships; Sources engages with hitherto untapped material in Meyerhold’s oeuvre by reproducing and contextualising previously untranslated primary sources on his work; Practitioner Voices offer lively, on the ground, testimony of the contemporary impact of Meyerhold's practice; Meyerhold in New Contexts maps the routes of his practice across continents and examines ways in which his work is being applied in a number of contemporary scenarios, such as motion capture, computer-based 3D visualisations, and the ‘new normal’ of digital pedagogy. This is a key resource for students and scholars of European Theatre, acting theory, and actor training, as well as for those more broadly interested in the socio-political impact of theatre.


Active Analysis

Active Analysis

Author: Maria Knebel

Publisher: Routledge

Published: 2021-12-30

Total Pages: 265

ISBN-13: 1136448926

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Active Analysis combines two of Maria Knebel’s most important books, On Active Analysis of the Play and the Role and The Word in the Actor’s Creative Work, in a single edition conceived and edited by one of Knebel's most famous students, the renowned theatre and film director, Anatoli Vassiliev. This is the first English translation of an important and authoritative fragment of the great Stanislavski jigsaw. A landmark publication. This book is an indispensable resource for professional directors, student directors, actors and researchers interested in Stanislavski, directing, rehearsal methods and theatre studies more generally.


Theatre Histories

Theatre Histories

Author: Phillip B. Zarrilli

Publisher: Taylor & Francis

Published: 2010

Total Pages: 656

ISBN-13: 0415462231

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Providing a clear journey through centuries of European, North and South American, African and Asian forms of theatre and performance, this introduction helps the reader think critically about this exciting field through fascinating yet plain-speaking essays and case studies.


Twentieth Century Actor Training

Twentieth Century Actor Training

Author: Alison Hodge

Publisher: Psychology Press

Published: 2000

Total Pages: 271

ISBN-13: 0415194512

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THE SECOND EDITION OF THIS TITLE, ENTITLED ACTOR TRAINING, IS NOW AVAILABLE. Actor training is arguably the central phenomenon of twentieth century theatre making. Here for the first time, the theories, training exercises and productions of fourteen directors are analysed in a single volume, each one written by a leading expert. The practitioners included are: * Stella Adler * Bertolt Brecht * Joseph Chaikin * Jacques Copeau * Joan Littlewood * Vsevelod Meyerhold * Konstantin Stanislavsky * Eugenio Barba * Peter Brook * Michael Chekhov * Jerzy Grotowski * Sanford Meisner * Wlodimierz Staniewski * Lee Strasbourg Each chapter provides a unique account of specific training exercises and an analysis of their relationship to the practitioners theoretical and aesthetic concerns. The collection examines the relationship between actor training and production and considers how directly the actor training relates to performance. With detailed accounts of the principles, exercises and their application to many of the landmark productions of the past hundred years, this book will be invaluable to students, teachers, practitioners, and academics alike.