Standards in the Museum Care of Musical Instruments 1995
Author: Great Britain. Museums and Galleries Commission
Publisher:
Published: 1995
Total Pages: 76
ISBN-13:
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The Manual of Musical Instrument Conservation
Author: Stewart Pollens
Publisher: Cambridge University Press
Published: 2015-07-09
Total Pages: 829
ISBN-13: 1316299708
DOWNLOAD EBOOKThis is the first book to combine museum-based conservation techniques with practical instructions on the maintenance, repair, adjustment, and tuning of virtually every type of historical musical instrument. As one of the world's leading conservators of musical instruments, Stewart Pollens gives practical advice on the handling, storage, display and use of historic musical instruments in museums and other settings, and provides technical information on such wide-ranging subjects as acoustics, cleaning, climate control, corrosion, disinfestation, conservation ethics, historic stringing practice, measurement and historic metrology, retouching, tuning historic temperaments, varnish and writing reports. There are informative essays on the conservation of each of the major musical instrument groups, the treatment of paper, textiles, wood and metal, as well as historic techniques of wood and metalworking as they apply to musical instrument making and repair. This is a practical guide that includes equations, formulas, tables and step-by-step instructions.
Museum Basics
Author: Timothy Ambrose
Publisher: Routledge
Published: 2006-04-18
Total Pages: 429
ISBN-13: 1134213042
DOWNLOAD EBOOKFully updated and extended to include the many changes that have occurred in the last decade and including glossary, sources of information and bibliography, this books draws on a wide range of practical experience to provide an invaluable guide to all aspects of museum work and staff experience for museums worldwide.
Museum Basics
Author: Tim Ambrose
Publisher: Routledge
Published: 2012
Total Pages: 498
ISBN-13: 0415619343
DOWNLOAD EBOOKFully updated to include the many changes that have occurred in the last decade, this second edition provides a basic guide to all aspects of museum work and staff experience from museum organization, through collections management and conservation, to audience development and education.
The Manual of Museum Planning
Author: Gail Dexter Lord
Publisher: Rowman & Littlefield
Published: 1999
Total Pages: 486
ISBN-13: 9780742504066
DOWNLOAD EBOOKAn essential resource for all museum professionals as well as trustees, architects, designers, and government agencies involved with the dynamic world of museums and galleries.
Early English Viols: Instruments, Makers and Music
Author: Michael Fleming
Publisher: Taylor & Francis
Published: 2016-11-18
Total Pages: 422
ISBN-13: 1317147162
DOWNLOAD EBOOKWinner of the Nicholas Bessaraboff Prize Musical repertory of great importance and quality was performed on viols in sixteenth- and early seventeenth-century England. This is reported by Thomas Mace (1676) who says that ’Your Best Provision’ for playing such music is a chest of old English viols, and he names five early English viol makers than which ’there are no Better in the World’. Enlightened scholars and performers (both professional and amateur) who aim to understand and play this music require reliable historical information and need suitable viols, but so little is known about the instruments and their makers that we cannot specify appropriate instruments with much precision. Our ignorance cannot be remedied exclusively by the scrutiny or use of surviving antique viols because they are extremely rare, they are not accessible to performers and the information they embody is crucially compromised by degradation and alteration. Drawing on a wide variety of evidence including the surviving instruments, music composed for those instruments, and the documentary evidence surrounding the trade of instrument making, Fleming and Bryan draw significant conclusions about the changing nature and varieties of viol in early modern England.
Diagnostic and Imaging on Musical Instruments
Author: Emanuele Marconi
Publisher: Nardini Editore
Published: 2017-06-04
Total Pages: 237
ISBN-13:
DOWNLOAD EBOOKA musical instrument is a witness of the many human visual and aural sensibilities, beliefs and dreams. It is not just a technical object, but one with its own aesthetic properties, an object that makes a variety of characteristic sounds without necessarily the existence of a connection between its visual and sound aesthetic. Preserving an instrument means therefore preserving our culture, our history, our dreams. The conference, open to all museum professionals, was intended to present and critically discuss the latestresearch about diagnostic techniques applied to musical instruments as well as advanced conservation practices, use of materials, collections management, through the presentation of case studies. Its main objective was to be a forum for the exchange of information, seeking to promote the transfer of knowledge regarding the daily activities of preservation and to facilitate the exchange of scientific information and opportunities for collaboration among researchers from different backgrounds. The proceedings contain a selection of the papers presented in 2010 and 2011. Table of contentsForewordEmanuele Marconi, editor 1. TransformationsRobert L. Barclay – Restoration Consultant, Canada 2. DocumentationRobert L. Barclay – Restoration Consultant, Canada 3. On the field – universal measurementPatricia Lopez Bastos – ANIMUSIC – Associação Nacionalde Instrumentos Musicais 4. Investigating and Preventing the Deteriorationof Historic Brass Instruments in EUCHMIPanagiotis Poulopoulos – Deutsches Museum, Munich,Arnold Myers – The University of Edinburgh 5. Surface cleaning of musical instruments –towards a more conscious approachClaudio Canevari – Civica Scuola di Liuteria di Milano 6. Dendrochronology: Tool of Truth or DeceptionStewart Pollens – Violin Advisor LLC, New York 7. Piano’s forgery revealed by dendrochronologyDavid Houbrechts, Pascale Vandervellen – MusicalIntruments Museum, Bruxelles8. Structural, chemical and mechanical imaging appliedto the conservation of musical instrumentsJean-Philippe Echard, Sandie Le Conte, Stéphane Vaiedelich– Musée de la Musique, Paris9. Digital X-Radiography of Musical InstrumentsAna Sofia Silva – Conservator of Musical Instruments,Portugal10. Synchrotron radiation microtomography: a tool fornon-invasive analysis of historical musical instrumentsFranco Zanini – Sincrotrone Trieste11. Synchrotron radiation microtomography of bowedstringed instruments: the 1753 violinby G.B. GuadagniniNicola Sodini – Sincrotrone Trieste12. Stereomicroscope and SEM microanalysis study ofmusical instruments from Correr museum in VeniceStefania Bruni, Giuseppe Maino et alii, Enea Bologna13. X-ray and neutron imaging as complementarynon-destructive methods for investigations of historicalbrasswind instrumentsDavid Mannes, Adrian. von Steiger, Eberhard Lehmann,Rainer Egger – Neutron Imaging and Activation Group,Spallation neutron source SINQ, Paul Scherrer Institute (PSI),Villigen14. Looking over the Instrument Maker’s shoulders.Methods of material analysis of production technologyfor brasswind instrumentsAdrian von Steiger – Bern University of the Arts15. The emulation of non-linearity of musical instrumentsby means of Volterra seriesLamberto Tronchin – Università di Bologna Authors’ Biographies
Conservation Skills
Author: Chris Caple
Publisher: Routledge
Published: 2012-11-12
Total Pages: 250
ISBN-13: 1134659431
DOWNLOAD EBOOKConservation Skills provides an overview of the issues facing conservators of historic and artistic works. It not only describes the nature of conservation but also provides an ethical framework to which the conservation of objects can be related. Drawing on case studies of well-known objects such as the body of Lindow Man and the Statue of Liberty it addresses the following issues: * perception, judgement and learning * reasons for preserving the past * the nature and history of conservation * conservation ethics * recording, investigating, cleaning objects * stabilisation and restoration * preventive conservation * decision making and responsibilities.
Sound Heritage
Author: Jeanice Brooks
Publisher: Routledge
Published: 2021-12-31
Total Pages: 384
ISBN-13: 1000473562
DOWNLOAD EBOOKSound Heritage is the first study of music in the historic house museum, featuring contributions from both music and heritage scholars and professionals in a richly interdisciplinary approach to central issues. It examines how music materials can be used to create narratives about past inhabitants and their surroundings - including aspects of social and cultural life beyond the activity of music making itself - and explores how music as sound, material, and practice can be more consistently and engagingly integrated into the curation and interpretation of historic houses. The volume is structured around a selection of thematic chapters and a series of shorter case studies, each focusing on a specific house, object or project. Key themes include: Different types of historic house, including the case of the composer or musician house; what can be learned from museums and galleries about the use of sound and music and what may not transfer to the historic house setting Musical instruments as part of a wider collection; questions of restoration and public use; and the demands of particular collection types such as sheet music Musical objects and pieces of music as storytelling components, and the use of music to affectively colour narratives or experiences. This is a pioneering study that will appeal to all those interested in the intersection between Music and Museum and Heritage Studies. It will also be of interest to scholars and researchers of Music History, Popular Music, Performance Studies and Material Culture.
Handbook of Materials for Wind Musical Instruments
Author: Voichita Bucur
Publisher: Springer Nature
Published: 2019-09-06
Total Pages: 827
ISBN-13: 3030191753
DOWNLOAD EBOOKThis book addresses key questions about the materials used for the wind instruments of classical symphony orchestra such as flutes, clarinets, saxophones, oboes, bassoons and pipe organs. The content of this book is structured into four parts. Part 1- Description of materials for wind instruments deals with wood species and materials for reeds used for making clarinet, oboe and bassoon- and, with metallic materials and alloys for - horn, trumpet, trombone, etc. Auxiliary materials associated with the manufacturing of wind instruments are felt, cork, leather and parchment. Part 2- Basic acoustics of wind instruments, in which are presented succinctly, some pertinent aspects related to the physics of the resonant air column. An important aspect discussed is related to the effect of wall material on the vibration modes of the walls of wind instruments. The methods for measuring the acoustical properties of wind instruments are presented. Part 3- Manufacturing of wind instruments, describes the technology used in manufacturing metallic tubes and pipes made of wood. Part 4 - The durability and degradation of materials addresses data about methods for cleaning wind instruments, studies factors producing degradation of organ pipes, describes methods of conservation and restoration of brass instruments and of historical pipe organs. Finally, the properties of marble are described, being the only one nondegradable and sustainable material used for pipes for organs.
