Pictorial Illusionism

Pictorial Illusionism

Author: J. A. Sokalski

Publisher: McGill-Queen's Press - MQUP

Published: 2007-04-16

Total Pages: 332

ISBN-13: 0773560297

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Steele MacKaye (1842-1894) was a major North American theatre artist - a director, actor, inventor, painter, theorist, and writer - best known for advancing a unified vision of pictorial illusionism, the central aesthetic of late nineteenth-century drama, by transforming grand theatres into jewel-boxes for gilded society. Pictorial Illusionism is the first full-length critical study of MacKaye's life's work.


Moving Pictures

Moving Pictures

Author: Anne Hollander

Publisher: Anne Hollander

Published: 1989

Total Pages: 538

ISBN-13: 9780394574004

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Hollander explores the premise that paintings, prints, and movies move us similarly by virtue of their narrative element, which evokes our memories and feelings. She argues that we respond to the depiction of glimpses of human life, to the realization that we cannot see everything at once, and how the rendering of light and spatial composition translates them and keeps them moving into our awareness. Thus there is a continuum from the paintings and graphic arts of 15th century northern Europe to the "proto-cinematic arts" of the present. ISBN 0-394-57400-1: $29.95.


Theatre to Cinema

Theatre to Cinema

Author: Ben Brewster

Publisher: Oxford University Press, USA

Published: 1997

Total Pages: 256

ISBN-13: 9780198182672

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On the relationship between early cinema and 19th century theatre.


Stage and Picture in the English Renaissance

Stage and Picture in the English Renaissance

Author: John H. Astington

Publisher: Cambridge University Press

Published: 2017-05-18

Total Pages: 295

ISBN-13: 1108652891

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This book presents a new approach to the relationship between traditional pictorial arts and the theatre in Renaissance England. Demonstrating the range of visual culture in evidence from the mid-sixteenth to mid-seventeenth century, from the grandeur of court murals to the cheap amusement of woodcut prints, John H. Astington shows how English drama drew heavily on this imagery to stimulate the imagination of the audience. He analyses the intersection of the theatrical and the visual through such topics as Shakespeare's Roman plays and the contemporary interest in Roman architecture and sculpture; the central myth of Troy and its widely recognised iconography; scriptural drama and biblical illustration; and the emblem of the theatre itself. The book demonstrates how the art that surrounded Shakespeare and his contemporaries had a profound influence on the ways in which theatre was produced and received.