In this dramatic journey through religious and artistic history, R. A. Scotti traces the defining event of a glorious epoch: the building of St. Peter's Basilica. Begun by the ferociously ambitious Pope Julius II in 1506, the endeavor would span two tumultuous centuries, challenge the greatest Renaissance masters—Michelangelo, Raphael, and Bramante—and enrage Martin Luther. By the time it was completed, Shakespeare had written all of his plays, the Mayflower had reached Plymouth—and Rome had risen with its astounding basilica to become Europe's holy metropolis. A dazzling portrait of human achievement and excess, Basilica is a triumph of historical writing.
"As he entered his seventies, the great Italian Renaissance artist Michelangelo despaired that his productive years were past. Anguished by the death of friends and discouraged by the loss of commissions to younger artists, this supreme painter and sculptor began carving his own tomb. It was at this unlikely moment that fate intervened to task Michelangelo with the most ambitious and daunting project of his long creative life. 'Michelangelo, God's Architect' is the first book to tell the full story of Michelangelo's final two decades, when the peerless artist refashioned himself into the master architect of St. Peter's Basilica and other major buildings. When the Pope handed Michelangelo control of the St. Peter's project in 1546, it was a study in architectural mismanagement, plagued by flawed design and faulty engineering. Assessing the situation with his uncompromising eye and razor-sharp intellect, Michelangelo overcame the furious resistance of Church officials to persuade the Pope that it was time to start over. In this richly illustrated book, leading Michelangelo expert William Wallace sheds new light on this least familiar part of Michelangelo's biography, revealing a creative genius who was also a skilled engineer and enterprising businessman. The challenge of building St. Peter's deepened Michelangelo's faith, Wallace shows. Fighting the intrigues of Church politics and his own declining health, Michelangelo became convinced that he was destined to build the largest and most magnificent church ever conceived. And he was determined to live long enough that no other architect could alter his design."--Provided by publisher.
The story of St Peter's begins in the 1st century CE with the Hippodrome of Nero, one of two places where the Apostle Peter may have been crucified. 250 years later Constantine the Great marked the supposed site of Peter's tomb in an ancient cemetery with a great basilica. That in turn was replaced over a hundred-year period by a series of competitive renaissance and baroque Popes using the greatest artists of their day, all seeking to leave their mark on St Peter's. Here Keith Miller offers a rewarding account of a world-famous building: who built it; what it looks like and why; and how it affects the tourist or pilgrim. An intricate history, telling biography and the study of great art and architecture all play their part in a book that is a brilliant debut.
Nancy J. Ricketts lives in the midst of her books overlooking her gardens on a quiet street in Sitka, Alaska. She walks to town, to the school and museum where she volunteers, to the two libraries and to church. She sings in the choir at St. Peter's and frequently performs with the Sitka Recorder Society. A long-time member of the Society of American Archivists, Nancy bears the title of Archivist Emeritus. Sheldon Jackson College Library from which she is retired, Kettleson Library and Isabel Miller Museum house collections she has brought into being. She has written a number of documented histories of institutions such as the Sitka Summer Music Festival, and the Sitka Conservation Society.
