In this volume, Fein presents highly emotional Middle English lyrics to a new audience of students and teachers of the Middle Ages. These Middle English poems, drawn widely from two hundred years of literary tradition, lead readers in devotion to God by invoking an emotional response to God's love. In this meditative tradition, readers would be brought closer to intellectually understanding God through their affective responses. With its copious footnotes, introductions, and glosses, this volume is ideal for classes on medieval spirituality and English lyrical poetry alike.
English literature is the mother lode to English-language speakers and deservedly so. The English have a rich history of writing with lights so bright they bedazzle the student: Shakespeare, Byron, Keats, Bronte, Shelly, Dickens, Chaucer and on and on. Yet English literature also competed with French, Russian, Chinese and many other literatures on the world stage. How has the language effected the literature? Does the English speaker feel drawn to Shakespeare the same as a Russian does to Pushkin? Did England fully share in the literary movements of the day? Can a small country possess the literary firepower to keep up with the giants? Does it matter? This new book presents an overview of the entire field of English literature as well as a selective bibliography indexed by subject, author and title for easy access.
Each volume in the Macmillan Anthologies of English Literature series includes a representative and wide-ranging selection of drama, poetry and prose extracted from the literature of England, Scotland, Ireland and Wales. The items are arranged chronologically and supported by full notes and biographical details of the authors.
Includes, beginning Sept. 15, 1954 (and on the 15th of each month, Sept.-May) a special section: School library journal, ISSN 0000-0035, (called Junior libraries, 1954-May 1961). Also issued separately.
M. Lindsay Kaplan expands the study of the history of racism through an analysis of the medieval Christian concept of Jewish servitude. Developed through exegetical readings of Biblical figures in canon law, this discourse produces a racial status of hereditary inferiority that justifies the subordination not only of Jews, but of Muslims and Africans as well.
Using examples of manuscripts, medieval art, sculpture, wall-painting, metal work and stained glass, the author explores the use of Biblical imagery in art during the medieval period in England.