From the French fiddlers of the fur trading days to the rock and hip hop icons of the present millennium, St. Louis has been a town rich in musical history. Though it has rarely been cited as a center of any scene, any area that has been home to Chuck Berry, Miles Davis, Ike & Tina Turner, Grant Green, Pavlov's Dog, Uncle Tupelo, Nelly, and Pokey LaFarge has clearly deserved more attention. This book tells the story of music in St. Louis, from the symphonic to the singer/songwriter, from the radio stations that propelled it to the fanzines that documented it, from the musicians who left here for greater fame to those who stayed and made this town more vibrant. This is the first time that all the tributaries of the great St. Louis river of song have been covered in one place; classical, jazz, blues, r&b, rock'n'roll, country, hip hop, and more.
A searing portrait of the racial dynamics that lie inescapably at the heart of our nation, told through the turbulent history of the city of St. Louis. From Lewis and Clark's 1804 expedition to the 2014 uprising in Ferguson, American history has been made in St. Louis. And as Walter Johnson shows in this searing book, the city exemplifies how imperialism, racism, and capitalism have persistently entwined to corrupt the nation's past. St. Louis was a staging post for Indian removal and imperial expansion, and its wealth grew on the backs of its poor black residents, from slavery through redlining and urban renewal. But it was once also America's most radical city, home to anti-capitalist immigrants, the Civil War's first general emancipation, and the nation's first general strike—a legacy of resistance that endures. A blistering history of a city's rise and decline, The Broken Heart of America will forever change how we think about the United States.
The first ever comprehensive history of this troubled city, the book includes more than 250 photographs amd images of the people and events that shaped East St. Louis. Andrew Theising, a professor of political science at Southern Illinois University at Edwardsville, examines the city's past from the prominent role it played in the growth of 19th century industrial America to its presently depleted state. For Theising, East St. Louis is more than just a river city suburb; it is an example of industry creating and then abandoning a city, and it is also one of the most misunderstood cities in America.
When I finished the first edition of this book, the Blues had gone 50 seasons without capturing the NHL's ultimate prize. Then came their 51st season, unprecedented and improbable. Nineteen inconsistent games into the 2018-19 schedule, the Blues made a coaching change. Thirty-seven games in, they possessed the fewest points in the 31-team league. Playoffs were a pipe dream, and the Stanley Cup seemed more distant than ever. But steadied by an interim coach, lifted by a rookie goaltender, and sparked by a record winning streak, a storybook unfolded. And with it came a mandate to revisit this volume, to account for the most remarkable episode of all"€"the rags-to-riches tale of a Stanley Cup championship.
As we all know, St. Louis is the best baseball town in America, but the city's major league history is not confined to the Cardinals. For several decades, until the middle of the twentieth century, St. Louis fielded a second professional team. True, it was mostly a losing team, but it once featured a first baseman who hit .400, a legendary Negro League star, and a pitcher who would go on to throw a perfect game in the World Series. They were the St. Louis Browns--the forerunners of the current Baltimore Orioles and a part of St. Louis's rich baseball history.
In 1939 Frank Luther Mott received a Pulitzer Prize for Volumes II and III of his History of American Magazines. In 1958 he was awarded the Bancroft Prize for Volume IV. He was at work on Volume V of the projected six-volume history when he died in October 1964. He had, at that time, written the sketches of the twenty-one magazines that appear in this volume. These magazines flourished during the period 1905-1930, but their "biographies" are continued throughout their entire lifespan--in the case of the ten still published, to recent years. Mott's daughter, Mildred Mott Wedel, has prepared this volume for publication and provided notes on changes since her father's death. No one has attempted to write the general historical chapters the author provided in the earlier volumes but which were not yet written for this last volume. A delightful autobiographical essay by the author has been included, and there is a detailed cumulative index to the entire set of this monumental work. The period 1905-1930 witnessed the most flamboyant and fruitful literary activity that had yet occurred in America. In his sketches, Mott traces the editorial partnership of H. L. Mencken and George Jean Nathan, first on The Smart Set and then in the pages of The American Mercury. He treats The New Republic, the liberal magazine founded in 1914 by Herbert Croly and Willard Straight; the conservative Freeman; and Better Homes and Gardens, the first magazine to achieve a circulation of one million "without the aid of fiction or fashions." Other giants of magazine history are here: we see "serious, shaggy...solid, pragmatic, self-contained" Henry Luce propel a national magazine called Time toward its remarkable prosperity. In addition to those already mentioned, the reader will find accounts of The Midland, The South Atlantic Quarterly, The Little Review, Poetry, The Fugitive, Everybody's, Appleton's Booklovers Magazine, Current History, Editor & Publisher, The Golden Book Magazine, Good Housekeeping, Hampton's Broadway Magazine, House Beautiful, Success, and The Yale Review.
