Cognitive archaeology is a relatively new interdisciplinary science that uses cognitive and psychological models to explain archeological artifacts like stone tools, figurines, and art. Squeezing Minds From Stones is a collection of essays from early pioneers in the field, like archaeologists Thomas Wynn and Iain Davidson, and evolutionary primatologist William McGrew, to 'up and coming' newcomers like Shelby Putt, Ceri Shipton, Mark Moore, James Cole, Natalie Uomini, and Lana Ruck. Their essays address a wide variety of cognitive archaeology topics, including the value of experimental archaeology, primate archaeology, the intent of ancient tool makers, and how they may have lived and thought.
Cognitive Archaeology is a relatively young though fast growing discipline. The intellectual heart of cognitive archaeology is archaeology, the discipline that investigates the only direct evidence of the actions and decisions of prehistoric people. Its theories and methods are an eclectic mix of psychological, neuroscientific, paleoneurological, philosophical, anthropological, ethnographic, comparative, aesthetic, and experimental theories, methods, and models, united only by their focus on cognition. The Oxford Handbook of Cognitive Archaeology is a landmark publication, showcasing the theories, methods, and accomplishments of archaeologists who investigate the human mind, including its evolutionary development, its ideation (thoughts and beliefs), and its very nature-through material forms. The volume encompasses the wide spectrum of the discipline, showcasing contributions from more than 50 established and emerging scholars from Europe, Africa, Asia, Australia, and the Americas. Prominent among these are contributions that discuss the epistemological frameworks of both the evolutionary and ideational approaches and the leading theories that ground interpretations. Significantly, the majority of chapters deliver substantive contributions that analyze specific examples of material culture, from the oldest known stone tools to ceramic and rock art traditions of the recent millennium. These examples include the gamut of methods and techniques, including typology, replication studies, cha?nes operatoires, neuroarchaeology, ethnographic comparison, and the direct historical approach. In addition, the book begins with retrospective essays by several of the pioneers of cognitive archaeology, presenting a broad range of state-of-the-art investigations into cognitive abilities, tackling thorny issues like the cognitive status of Neandertals, and concluding with speculative essays about the future of an archaeology of mind, and of the mind itself.
Psychology and Cognitive Archaeology demonstrates the potential of using cognitive archaeology framing to explore key issues in contemporary psychology and other behavioral sciences. This edited volume features psychologists exploring archaeological data concerning specific themes such as: the use of tools, our child-rearing practices, our expressions of gender and sexuality, our sleep patterns, the nature of warfare, cultural practices, and the origins of religion. Other chapters touch on cognitive archaeological methods, the history of evolutionary approaches in psychology, and relevant philosophical considerations to further illustrate the interdisciplinary potential between archaeology and psychology. As a complementary counterpoint, the book also includes an archaeologist’s perspective on these same topical matters, as well as robust introductory and concluding thoughts by the editors. This book will be an illuminating read for students and scholars of psychology (particularly theoretical, social, cognitive, and evolutionary psychology), as well as philosophy, archaeology, and anthropology.
This book explores important chapters of past and recent African history from a multidisciplinary perspective. It covers an extensive time range from the evolution of early humans to the complex cultural and genetic diversity of modern-day populations in Africa. Through a comprehensive list of chapters, the book focuses on different time-periods, geographic regions and cultural and biological aspects of human diversity across the continent. Each chapter summarises current knowledge with perspectives from a varied set of international researchers from diverse areas of expertise. The book provides a valuable resource for scholars interested in evolutionary history and human diversity in Africa. Contributors are Shaun Aron, Ananyo Choudhury, Bernard Clist, Cesar Fortes-Lima, Rosa Fregel, Jackson S. Kimambo, Faye Lander , Marlize Lombard, Fidelis T. Masao, Ezekia Mtetwa, Gilbert Pwiti, Michèle Ramsay, Thembi Russell, Carina Schlebusch, Dhriti Sengupta, Plan Shenjere-Nyabezi, Mário Vicente.
The Routledge International Handbook of Creative Cognition is an authoritative reference work that offers a well-balanced overview of current scholarship across the full breadth of the rapidly expanding field of creative cognition. It contains 43 chapters written by world-leading researchers, covering foundational issues and concepts as well as state-of-the-art research developments. The handbook draws extensively on contemporary work exploring the cognitive representations and processes associated with creativity, whether studied in the laboratory or as it arises in real-world practice in domains such as education, art, science, entrepreneurship, design, and technological innovation. Chapters also examine the sociocognitive and cultural aspects of creativity in teams and organisations, while additionally capturing the latest research on the cognitive neuroscience of creativity. Providing a compelling synopsis of emerging trends and debates in the field of creative cognition and positioning these in relation to established findings and theories, this text provides a clear sense of the way in which new research is challenging traditional viewpoints. It is an essential reading for researchers in the field of creative cognition as well as advanced students wishing to learn more about the latest developments in this important and rapidly growing area of enquiry.
The remains that archaeologists uncover reveal ancient minds at work as much as ancient hands, and for decades many have sought a better way of understanding those minds. This understanding is at the forefront of cognitive archaeology, a discipline that believes that a greater application of psychological theory to archaeology will further our understanding of the evolution of the human mind. Bringing together a diverse range of experts including archaeologists, psychologists, anthropologists, biologists, psychiatrists, neuroscientists, historians, and philosophers, in one comprehensive volume, this accessible and illuminating book is an important resource for students and researchers exploring how the application of cognitive archaeology can significantly and meaningfully deepen their knowledge of early and ancient humans. This seminal volume opens the field of cognitive archaeology to scholars across the behavioral sciences.
This volume focuses on the role and means of archaeological experimentation in understanding the processes involved in the manufacture and use of past artifacts. When asking for contributions, we suggested the five stages of an experimental approach as main-themes: 1. Selection and acquisition of raw material, identical to those present in the archaeological assemblages. 2. Production of replicas following the technological transformation schemes identified by the direct study of archaeological items. 3. Experimental use as indicated by the publications/ethnographic comparisons or as suggested by the morphology/use-wear evolution of the archaeological items. 4. Microscopical analysis of use-wear patterns. 5. Comparison of experimental data with archaeological data in order to validate the existing hypotheses on the way they were manufactured and used by the human communities. A second aim was that the invited authors to have various archaeological backgrounds and cover a broad spatial and temporal interval. As a result, this volume comprises 17 studies organized in three sections, dictated by the various aspects of experimental archaeology they represent: from the more traditional experimental replication, understanding and interpretation of artefact functionality, and relatively recent (and less trodden) directions in experimental archaeology. It also comes to show that experimental archaeology is as well suited for Palaeolithic studies, as it is for the Neo-Eneolithic and the Bronze Age. Although most papers refer geographically to Europe, interesting contributions take us to Argentina and Australia. *** Acest volum se concentrează pe rolul și mijloacele experimentelor arheologice în înțelegerea proceselor implicate în fabricarea și utilizarea artefactelor din trecut. Am invitat o serie de specialiștii să contribuie cu studii care să testeze ipotezele teoretice existente, dar și altele care să aducă abordări inovatoare. Când am solicitat contribuții, am sugerat ca teme principale cele cinci etape ale demersului experimental: 1. Selectarea și achiziționarea de materii prime, identice cu cele prezente în ansamblurile arheologice. 2. Realizarea de replici urmând schemele de transformare tehnologică identificate prin studiul direct al ansamblurilor arheologice. 3. Utilizarea experimentală după cum este indicată de publicații/comparații etnografice sau sugerată de evoluția uzurii pe artefactele arheologice. 4. Analiza microscopică a modelelor de de uzură. 5. Compararea datelor experimentale cu datele arheologice în vederea validării ipotezelor existente privind fabricarea și utilizarea lor de către comunitățile umane. Un al doilea scop al volumului a fost ca autorii invitați să provină din diferite medii arheologice și să acopere un interval spațial și temporal larg. A rezultat un volum cuprinzând 17 studii organizate în trei secțiuni, dictate de diversele aspecte ale arheologiei experimentale: replicarea experimentală la nivel tehnologic, înțelegerea și interpretarea funcționalității artefactelor și direcțiile relativ recente (interdisciplinare) în cadrul experimentului arheologie. De asemenea, volumul ne-a arătat că arheologia experimentală este la fel de potrivită pentru studiile paleolitice, ca și pentru neo-eneolitic și epoca bronzului. Deși majoritatea lucrărilor se referă geografic la Europa, contribuții interesante vin din Argentina sau Australia.
In a wide arc from the Paleolithic to the present day, this book explores the changing structure of human experience and its impact on the dynamics of cultures, civilizations, and political ideas. The main thesis is a paradigm shift: the structure of human experience is not a universal constant but changes over time. Looking at the entire range of human history, there are a total of nine transformations, beginning with conscious perception and imagination in the Paleolithic and ending, for the time being, in modern times with the discovery of the unconscious. In between, this book explores six more transformations that took place in different regions and at different times, which include a sense of order, self-reflection, the eye of reason, spiritual experience, as well as the experience of creativity and of consciousness. As such, The History of Experience presents both a cross-cultural and comparative theory of experience and cultural dynamics, and an exploration of rich materials from East and West. This book is of great use to upper-level undergraduates, postgraduates, and scholars interested in the relationship between history, human experience, culture, and political order.
This is a book about numbers – what they are as concepts and how and why they originate – as viewed through the material devices used to represent and manipulate them. Fingers, tallies, tokens, and written notations, invented in both ancestral and contemporary societies, explain what numbers are, why they are the way they are, and how we get them. Overmann is the first to explore how material devices contribute to numerical thinking, initially by helping us to visualize and manipulate the perceptual experience of quantity that we share with other species. She explores how and why numbers are conceptualized and then elaborated, as well as the central role that material objects play in both processes. Overmann's volume thus offers a view of numerical cognition that is based on an alternative set of assumptions about numbers, their material component, and the nature of the human mind and thinking.
Free Imagination argues that the brain's capacity to imagine is the fundamental basis of human Free Will. Laws of physics need not apply in our internal simulations, so virtually anything is possible there. And since some of our actions can follow from that which we imagine, especially from processes of deliberation that involve imagining possible scenarios and outcomes, our actions inherit the freedom of our imaginings. The creative power of the human imagination may have evolved as a consequence of the demodularization of neural circuitry associated with volitional attentional operations over operands downloadable into a mental workspace where, virtually, anything could be combined with anything else. This new cognitive architecture gave rise to the danger of psychosis. Our schizotypal form of imagination, arising from the promiscuous, generative and iterative combination of disencapsulated operators and operands in a mental workspace, may have evolved only in humans by exapting from existing motoric and other operations involved in volitional hand dexterity to a domain of premotoric simulation. What we imagine into existence can be used for good or evil. Imagination is therefore our greatest tool and weapon. When applied to ourselves, it allows us the possibility of reimagining and then transforming ourselves in light of second-order desires. This gives us the ability to choose to become a new kind of chooser in the future. Other animals lack this second-order Free Will; although they can do otherwise, they cannot want to become otherwise than they are, making them amoral. This book explores the idea that because humans, in contrast, have second-order Free Will, they can be moral or immoral.
