What should a man do when the army sends him to help kill his wife's family? His grandson and Northern Cheyenne tribe member, Gerry Robinson, reaches back through time to unravel the emotional and complex story. Bill Rowland married into the Northern Cheyenne Tribe in 1850, eventually becoming the primary interpreter in their negotiations with the U.S. government. On November 25, 1876--five months to the day after Custer died at the Little Bighorn--Bill found himself obligated to ride into the tribe's main winter camp with over a thousand U.S. troops bent on destroying it. The Cheyenne Sweet Medicine Chief, Little Wolf, had been to the white man's cities. He knew how many waited there to follow the path cleared by soldiers who were out seeking revenge for their great loss. He also knew that the hot-blooded Kit Fox leader, Last Bull, emboldened by their recent victory and convinced he could defeat them all, posed a dangerous threat from within. Tradition and the protestations of the boisterous young leader prevented Little Wolf's warnings from being taken seriously. This is the balanced and compelling story of the ensuing battle"€"its origins and the devastating results"€"told beautifully from the perspective of both Little Wolf and his brother-in-law, the government interpreter, Bill Rowland. Pulled from the dark historical shadow of Custer, Crazy Horse, and the Lakota, The Cheyenne Story vividly brings to life the little known events that led to the end of the Plains Indian War and the beginning of the Cheyenne's exile from the only home and lifestyle they had ever known. In a commendable effort to preserve the Cheyenne language in written word, Gerry Robinson worked closely with tribal elders and Cheyenne cultural leaders to accurately and seamlessly incorporate the language into his text. Robinson's characters use the Cheyenne language in their dialogue, and the reader comes to know and understand its meanings contextually and by employing the accompanying glossary of Cheyenne words and phrases found at the back of the book.
Every season in the Northwoods is a wonder of plants and animals. This book features detailed and fascinating descriptions of the natural cycles during fall and winter. Youíll know whatís blooming, crawling, singing or migrating in any month.
Summer has finally arrived, and a lonely little beach ball is ready to play! Join the little ball as it bounces, twirls, and spins its way across the sand landing in all sorts of fun and goofy places! The author's colorful illustrations and lively, action-filled rhymes are sure to delight young readers! In addition to the picture book story, the hardback also includes the author's real picture search game! After reading the story, go back through the pages and see if you can find three real pictures hidden within the illustrations!
In this intriguing literary experiment, Ian Marshall presents a collection of nearly three hundred haiku that he extracted from Henry David Thoreau’s Walden and documents the underlying similarities between Thoreau's prose and the art of haiku. Although Thoreau would never have encountered the Japanese haiku tradition, the way in which the most important ideas in Walden find expression in the most haikulike language suggests that Thoreau at Walden Pond and the haiku master Basho at his "old pond" might have drunk at the same well. Walden and the tradition of haiku share an aesthetic that embodies ideas in natural images, dissolves boundaries between self and world, emphasizes simplicity, and honors both solitude and humble, familiar objects. Marshall examines each of these aesthetic principles and offers a relevant collection of "found" haiku. In the second part of the book, he explains his process of finding the haiku in the text, breaking down each chapter of Walden to highlight the imagery and poetic language embedded in the most powerful passages. Marshall's exploration not only provides a fresh perspective on haiku, but also sheds new light on Thoreau's much-studied text and lays the foundation for a clearer understanding of the aesthetics of American nature writing.
As we grow older, we all wander back in time. The time of our youth, where the peak of our powers knew no limits. We could see beyond the horizon. Mountains to climb presented no obstacles. We could outstrip the majesty of an eagle in flight. Is there a better way to celebrate the joy of your life than by reliving our memories, dreaming our dreams? Knowing that by sharing, you can love your way through anything.
Making environmental history accessible to scholars of the Middle East and the history of the region accessible to environmental historians, Water on Sand opens up new fields of scholarly inquiry.
This volume unfolds the complex relationship between literature and climate by uniquely illuminating historical complexity, diverse viewpoints, and emerging issues.