Brian De Palma's Split-Screen
Brian De Palma's Split-Screen

Author: Douglas Keesey

Publisher: Univ. Press of Mississippi

Published: 2015-05-20

Total Pages: 521

ISBN-13: 1628466987

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Over the last five decades, the films of director Brian De Palma (b. 1940) have been among the biggest successes (The Untouchables; Mission: Impossible) and the most high-profile failures (The Bonfire of the Vanities) in Hollywood history. De Palma helped launch the careers of such prominent actors as Robert De Niro, John Travolta, and Sissy Spacek (who was nominated for an Academy Award as Best Actress in Carrie). Indeed, Quentin Tarantino named Blow Out as one of his top three favorite films, praising De Palma as the best living American director. Picketed by feminists protesting its depictions of violence against women, Dressed to Kill helped to create the erotic thriller genre. Scarface, with its over-the-top performance by Al Pacino, remains a cult favorite. In the twenty-first century, De Palma has continued to experiment, incorporating elements from videogames (Femme Fatale), tabloid journalism (The Black Dahlia), YouTube, and Skype (Redacted and Passion) into his latest works. What makes De Palma such a maverick even when he is making Hollywood genre films? Why do his movies often feature megalomaniacs and failed heroes? Is he merely a misogynist and an imitator of Alfred Hitchcock? To answer these questions, author Douglas Keesey takes a biographical approach to De Palma's cinema, showing how De Palma reworks events from his own life into his films. Written in an accessible style and including a chapter on every one of his films to date, this book is for anyone who wants to know more about De Palma's controversial films or who wants to better understand the man who made them.

Split Screen
Split Screen

Author: David Ellis

Publisher: James Lorimer & Company

Published: 1992

Total Pages: 322

ISBN-13: 9780969566014

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Contents: Eye on the Split Screen: the fragmentary nature of the new television; the changing relationship between viewers and TV set; how broadcasting can and cannot be expected to promote national sovereignty. Back to the

Split Screen Korea
Split Screen Korea

Author: Steven Chung

Publisher: U of Minnesota Press

Published: 2014-03-01

Total Pages: 219

ISBN-13: 1452941513

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Shin Sang-ok (1926–2006) was arguably the most important Korean filmmaker of the postwar era. Over seven decades, he directed or produced nearly 200 films, including A Flower in Hell (1958) and Pulgasari (1985), and his career took him from late-colonial Korea to postwar South and North Korea to Hollywood. Notoriously crossing over to the North in 1978, Shin made a series of popular films under Kim Jong-il before seeking asylum in 1986 and resuming his career in South Korea and Hollywood. In Split Screen Korea, Steven Chung illuminates the story of postwar Korean film and popular culture through the first in-depth account in English of Shin’s remarkable career. Shin’s films were shaped by national division and Cold War politics, but Split Screen Korea finds surprising aesthetic and political continuities across not only distinct phases in modern South Korean history but also between South and North Korea. These are unveiled most dramatically in analysis of the films Shin made on opposite sides of the DMZ. Chung explains how a filmmaking sensibility rooted in the South Korean market and the global style of Hollywood could have been viable in the North. Combining close readings of a broad range of films with research on the industrial and political conditions of Korean film production, Split Screen Korea shows how cinematic styles, popular culture, and intellectual discourse bridged the divisions of postwar Korea, raising new questions about the implications of political partition.

Split Screen Nation
Split Screen Nation

Author: Susan Courtney

Publisher: Oxford University Press

Published: 2017

Total Pages: 337

ISBN-13: 0190459972

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Analyzing an eclectic history of film and related media, Split Screen Nation argues that popular visions of the American West and the American South must be thought in relation to one another if we are to fully understand the marks both have left on popular ways of imagining the U.S.

Split Screen
Split Screen

Author: Philip Mosley

Publisher: SUNY Press

Published: 2001-01-01

Total Pages: 298

ISBN-13: 9780791447482

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Explores the historical evolution of Belgian cinema as well as its contemporary situation within the evolving contexts of global media and European unity.

Film
Film

Author: William H. Phillips

Publisher: Macmillan

Published: 2009-01-02

Total Pages: 780

ISBN-13: 0312487258

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This clear, well illustrated text takes the reader through the basics of film analysis, drawing on a wide range of film for discussion. Questions of genre and the contexts and meanings of film are considered.

Cinematography
Cinematography

Author: Patrick Keating

Publisher: Rutgers University Press

Published: 2014-07-18

Total Pages: 234

ISBN-13: 0813563518

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How does a film come to look the way it does? And what influence does the look of a film have on our reaction to it? The role of cinematography, as both a science and an art, is often forgotten in the chatter about acting, directing, and budgets. The successful cinematographer must have a keen creative eye, as well as expert knowledge about the constantly expanding array of new camera, film, and lighting technologies. Without these skills at a director’s disposal, most movies quickly fade from memory. Cinematography focuses on the highlights of this art and provides the first comprehensive overview of how the field has rapidly evolved, from the early silent film era to the digital imagery of today. The essays in this volume introduce us to the visual conventions of the Hollywood style, explaining how these first arose and how they have subsequently been challenged by alternative aesthetics. In order to frame this fascinating history, the contributors employ a series of questions about technology (how did new technology shape cinematography?), authorship (can a cinematographer develop styles and themes over the course of a career?), and classicism (how should cinematographers use new technology in light of past practice?). Taking us from the hand-cranked cameras of the silent era to the digital devices used today, the collection of original essays explores how the art of cinematography has been influenced not only by technological advances, but also by trends in the movie industry, from the rise of big-budget blockbusters to the spread of indie films. The book also reveals the people behind the camera, profiling numerous acclaimed cinematographers from James Wong Howe to Roger Deakins. Lavishly illustrated with over 50 indelible images from landmark films, Cinematography offers a provocative behind-the-scenes look at the profession and a stirring celebration of the art form. Anyone who reads this history will come away with a fresh eye for what appears on the screen because of what happens behind it.

Beginning R
Beginning R

Author: Mark Gardener

Publisher: John Wiley & Sons

Published: 2012-05-24

Total Pages: 504

ISBN-13: 1118239377

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Conquer the complexities of this open source statistical language R is fast becoming the de facto standard for statistical computing and analysis in science, business, engineering, and related fields. This book examines this complex language using simple statistical examples, showing how R operates in a user-friendly context. Both students and workers in fields that require extensive statistical analysis will find this book helpful as they learn to use R for simple summary statistics, hypothesis testing, creating graphs, regression, and much more. It covers formula notation, complex statistics, manipulating data and extracting components, and rudimentary programming. R, the open source statistical language increasingly used to handle statistics and produces publication-quality graphs, is notoriously complex This book makes R easier to understand through the use of simple statistical examples, teaching the necessary elements in the context in which R is actually used Covers getting started with R and using it for simple summary statistics, hypothesis testing, and graphs Shows how to use R for formula notation, complex statistics, manipulating data, extracting components, and regression Provides beginning programming instruction for those who want to write their own scripts Beginning R offers anyone who needs to perform statistical analysis the information necessary to use R with confidence.

Surveillance on Screen
Surveillance on Screen

Author: Sebastien Lefait

Publisher: Rowman & Littlefield

Published: 2013

Total Pages: 253

ISBN-13: 0810885905

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The theme of surveillance has become an increasingly common element in movies and television shows, perhaps as a response to the sense that the world is now virtually under watch. But the recent surge of this filmic device calls for an explanation that transcends the basic assumption that media illustrates the changes of society. The persistent and growing presence of surveillance in cinematic productions is not merely a reflection of the advent of surveillance societies, but rather an aesthetic adaptation to the evolution of watching patterns. In Surveillance on Screen: Monitoring Contemporary Films and Television Programs, S bastien Lefait examines this ever-increasing phenomenon. Drawing on the rapidly developing field of surveillance studies, Lefait offers an in-depth analysis of television shows and films, which complement current theoretical approaches to those subjects. This unique combination of surveillance theories with the latest concepts of film, television, and Internet studies is based on a large and diversified range of popular series and films, including the shows 24, Lost, and Survivor as well as such films as Minority Report, Paranormal Activity, The Truman Show, and the on-screen version of George Orwell's Nineteen Eighty-Four. Written from a perspective that does not limit itself to a "reflection-of-society" approach, this book explores both how cinema shapes our experience of surveillance and how surveillance influences our viewing of cinema. Lefait follows the various identifiable stages in cinema's experimental use of surveillance, studying the impact of technology on both the watcher and the watched. In addition to film and media studies, this book will be of interest to those engaged in information technology, sociology, and, of course, surveillance studies.