Legendary creatures are now the main population on Earth, with vampires, werewolves, mermaids, and others out in the open around the world. Humans, however, have become a thing of legend themselves. Spritus, or their ghosts, are the only remaining fragment of human life. A popular past time for young Monstrum is to go seeking such spirits. Sawyer (a vampire) and Munny (a werewolf) particularly love going spirit hunting. On one outing however, in an abandoned hospital, they come across the most mythical of beings- a human girl.
This study contextualizes the achievement of a strategically crucial figure in Byzantium's turbulent seventh century, the monk and theologian Maximus the Confessor (580-662). Building on newer biographical research and a growing international body of scholarship, as well as on fresh examination of his diverse literary corpus, Paul Blowers develops a profile integrating the two principal initiatives of Maximus's career: first, his reinterpretation of the christocentric economy of creation and salvation as a framework for expounding the spiritual and ascetical life of monastic and non-monastic Christians; and second, his intensifying public involvement in the last phase of the ancient christological debates, the monothelete controversy, wherein Maximus helped lead an East-West coalition against Byzantine imperial attempts doctrinally to limit Jesus Christ to a single (divine) activity and will devoid of properly human volition. Blowers identifies what he terms Maximus's "cosmo-politeian" worldview, a contemplative and ascetical vision of the participation of all created beings in the novel politeia, or reordered existence, inaugurated by Christ's "new theandric energy". Maximus ultimately insinuated his teaching on the christoformity and cruciformity of the human vocation with his rigorous explication of the precise constitution of Christ's own composite person. In outlining this cosmo-politeian theory, Blowers additionally sets forth a "theo-dramatic" reading of Maximus, inspired by Hans Urs von Balthasar, which depicts the motion of creation and history according to the christocentric "plot" or interplay of divine and creaturely freedoms. Blowers also amplifies how Maximus's cumulative achievement challenged imperial ideology in the seventh century--the repercussions of which cost him his life-and how it generated multiple recontextualizations in the later history of theology.
This book deals with Eriugena's view of man in the context of his thinking on universal nature. Although man is seen as possessing a sinful created state, this does not prevent him from entertaining a free and direct relationship with God and the surrounding universe. It is shown that, while man is governed by nature's unfolding, he can also exercise significant control over it.
Saxo was probably a canon of Lund Cathedral, at that period a Danish cathedral, and lived at the end of the twelfth century. He was in the service of Archbishop Absalon, who encouraged him to write a history of his own country from the beginnings up to his own time, with a strong Christian bias. Starting with the myths and heroic tales of primitive Scandinavia, he devoted the first nine of his sixteen books to legendary material before dealing with the first kings of the Viking age and finished in 1285, after relating the earlier exploits of King Cnut Valdemarsson. The activities of the Danish kings were intimately bound up with the monarchies of Norway and Sweden; Cnut the Great, one of Saxo's heroes, whose empire stretched as far as Britain and Iceland, was ruler of both these countries. In the last books Saxo took particular concern to describe the campaigns of Valdemar the Great and his warrior archbishop, Absalon, against the Wends of North Germany. The work is a prosimetrum, that is, in six of the first nine books he inserts poems, which are intended to parallel specimens of old Danish heroic poetry in Latin metres. Saxo's Latin prose style is often complex, based as it is on models like Valerius Maximus and Martianus Capella, but he is a lively and compelling story-teller, often displaying a rather sly sense of humour, and an interest in the supernatural. He is the first author to give a full account of Hamlet, whose adventures he relates at some length, the elements of which in a great many respects correspond surprisingly closely with the characters and incidents of Shakespeare's play. Volume II of Saxo Grammaticus contains books 11-16 of Saxo's work, mainly dealing with the history of the first Danish kings.
