In this long awaited follow-up to the best-selling An Altar in the World, Barbara Brown Taylor explores ‘the treasures of darkness’ that the Bible speaks about. What can we learn about the ways of God when we cannot see the way ahead, are lost, alone, frightened, not in control or when the world around us seems to have descended into darkness?
Throughout its long history, Japan had no concept of what we call “religion.” There was no corresponding Japanese word, nor anything close to its meaning. But when American warships appeared off the coast of Japan in 1853 and forced the Japanese government to sign treaties demanding, among other things, freedom of religion, the country had to contend with this Western idea. In this book, Jason Ananda Josephson reveals how Japanese officials invented religion in Japan and traces the sweeping intellectual, legal, and cultural changes that followed. More than a tale of oppression or hegemony, Josephson’s account demonstrates that the process of articulating religion offered the Japanese state a valuable opportunity. In addition to carving out space for belief in Christianity and certain forms of Buddhism, Japanese officials excluded Shinto from the category. Instead, they enshrined it as a national ideology while relegating the popular practices of indigenous shamans and female mediums to the category of “superstitions”—and thus beyond the sphere of tolerance. Josephson argues that the invention of religion in Japan was a politically charged, boundary-drawing exercise that not only extensively reclassified the inherited materials of Buddhism, Confucianism, and Shinto to lasting effect, but also reshaped, in subtle but significant ways, our own formulation of the concept of religion today. This ambitious and wide-ranging book contributes an important perspective to broader debates on the nature of religion, the secular, science, and superstition.
The symbolism of the Book of Revelation from the Bible is made clear. This helps to get an accurate view of the "big-picture" before jumping to mis-founded conclusions, or incorrect interpretations. Very well researched using the Bible, and the root meanings of the Greek & Hebrew words from which the English words were translated. The book is well written, and both fun & gripping to read.
According to the Ancient Egyptian Myth the hieroglyphic script was invented by the God Thoth. We all remember 1,000 distinct characters of formal writing system used by pharaohs. Now, cursive hieroglyphs were used for religious literature on papyrus and wood, this is what researchers now call “the Proto-Canaanite alphabet”, the term used for inscriptions older than around 1050 BC that later evolved into the Phoenician alphabet. Again, lots of countries, governments, scientists, religion leaders wish to claim the invention of the alphabet. What about Vinča's Neolithic (Serbian Danube) pottery scripts also found in China? Vinča's sophisticated carved statues signs, 100s of Canaan letters, Phoenicians Arabic, Ionic, Cyrillic, Aramaic, Chinese, Hebrew.
The early Christian Gnosis did not spring up in isolation, but drew upon earlier sources. In this book, many of these sources are revealed for the first time. Special emphasis is placed on the Hellenistic doctrine of the "Solar Logos" and the early Christian symbolism which depicted Christ as the Spiritual Sun, the illumination source of order, harmony, and spiritual insight. Based on 15 years of research, this is a unique book which throws a penetrating light on the secret traditions of early Christianity. It clearly demonstrates that number is at the heart of being. Jesus Christ, Sun of God, illustrates how the Christian symbolism of the Spiritual Sun is derived from numerical symbolism of the "ancient divinities."
In New York City the authors teach a unique and easy technique for making stunning sugar-paste flowers and ornaments. Their craft has drawn raves from Tiffany, Cartier, Caroline Kennedy, and Martha Stewart among others. Now they have assembled their 15 years' expertise into a complete step-by-step how-to and idea book. 200 full-color photos. 100 b&w illus.
This pioneering study of Christian sun symbolism describes how biblical light motifs were taken up with energy in the early Church. Kevin Duffy argues that, living in a world of 24/7 illumination, we need to reconnect with the sun and its light to appreciate the meaning of light in the Bible and Christian tradition. With such a retrieval we can appreciate Pope Francis's insistence that, like the moon, the Church does not shine with its own light, and assess the claim that the Eucharist is to be celebrated 'Ad Orientem', that is towards the rising sun in the East. Liturgy, architecture, poetry and the writings of saints and theologians such as Augustine, Hildegard of Bingen, Francis of Assisi, and Thomas Traherne offer abundant resources for a much needed ressourcement. While Christ was preached as the True Sun among sun-worshipping Aztecs, and the consecrated host was placed in a solar monstrance on Baroque altars, in the modern era solar themes have been neglected. In this accessible work, the author suggests that we rebalance a spiritual symbolism that has over-emphasised darkness and cloud at the expense of light and sun. He proposes a creative retrieval of the traditional title of Christ as the Sun of Justice. This title blends the personal, the social and the cosmic/ecological, and speaks powerfully to a secularising era that contemporaries Friedrich Nietzsche and Thérèse of Lisieux both described as one where the sun does not shine.
This seminal work surveys the historical rise and fall of religious orders and congregations and reveals an unfolding pattern that gives hope for the present and future.
The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.
