The story of a young pioneer girl who settled in Gonzales, Texas, just in time for the revolution. There is a spirit of vigor and courage in Texas. It inspired the early settlers, and it unified them during rough times. That spirit of determination rallied the men who defended the Alamo and fortified the volunteers who followed Sam Houston to San Jacinto. In 1831, Sydnie Gaston's family had that spirit. Like many other families, they left the comforts of their home in the United States to brave the wilds in what was then Mexico. They settled in a village on the Guadalupe River and were soon swept up in the hardships of pioneer life. They overcame Indians and nature, and they helped to fight in a war against a deceitful government. Sydnie was one of many authentic women who fought for a better life in what became the Republic of Texas. And it all started with the Spirit of Gonzales.
Patrocino Barela emerged in 1936 as one of America's most important artists when he was featured in a show of Federal Art Project artists in New York's Museum of Modern Art. He was the first Mexican-American artist to receive such a high degree of recognition. His carvings in native juniper wood depict deep psychological and mystical insights into the human condition. Barela's art is not easily classified although his carvings display parallels to Romanesque art in their narrative quality and to Modernism in their sophisticated definition of space. There is also the aspect of the primitive, or of Eros, as Barela is in touch with the life force, the deepest level of humanity shared by all peoples and all cultures. In this way his imagery suggests the tribal art of Polynesia, Africa, Mesoamerica, and the pre-Christian Middle East. The artist made his home in Canon, New Mexico, outside of Taos. He never learned much about writing and he spent much of his life working on the farms and ranches of the Rocky Mountain states. He lived and died in poverty. His tragic death by fire took place in the workshop where he had carved some of the most profound art of our time. Driven by the undeniable need to create, Barela's art transcends time and place. His work comes from the roots of the land and Hispano society of New Mexico. The imagery he made, from the erotic to the tragic to the religious, shows individuals bearing the struggles of life. Barela eludes many traps into which the works of lesser artists fall, and achieves penetrating insights into our deepest emotions.
Reading The Unbreakable Human Spirit will fuel the reader's mind, spirit, and heart with practical actions to assist them to break through from where they currently are to where they desire and deserve to be. For more than a decade, Randy Gonzales Jr. has focused on achievement. Randy will guide the reader to a life they have always dreamed of through the fulfillment of their greatest moment.
Nearly all scholars divide Genesis into primeval and patriarchal history, though they debate the precise point of division. One reason advanced to justify the division is a thematic shift. In primeval history, the narrator focuses on the origin and spread of sin, as well as God's consequent curse and judgment on humanity. In patriarchal history, however, the spread of sin theme falls off the radar of most scholars. But these analyses of the primeval and patriarchal narratives are simplistic and inaccurate. In fact, the theme of human sin and the divine curse not only serve as the main themes of the Fall narrative, but they also continue to function as major themes in both the primeval and patriarchal narratives that follow. More particularly, human sin appears to increase at both individual and societal levels. Moreover, just as the primordial sin threatened to derail the advance of God's kingdom and fulfillment of the creation mandate, so the spread of human sin in postlapsarian history threatens to thwart God's redemptive plan, which consists in the restoration of his original creational intentions for divine and human eschatological fullness. This proves true even in the patriarchal narratives where the sins of God's chosen often threaten the very promise intended for their ultimate good. These facts, which the author attempts to demonstrate in the monograph, not only have important ramifications for the unity of the Genesis corpus, but they also have important implications for the doctrines of sin, justification, and sanctification.
Patrisia Gonzales addresses "Red Medicine" as a system of healing that includes birthing practices, dreaming, and purification rites to re-establish personal and social equilibrium. The book explores Indigenous medicine across North America, with a special emphasis on how Indigenous knowledge has endured and persisted among peoples with a legacy to Mexico. Gonzales combines her lived experience in Red Medicine as an herbalist and traditional birth attendant with in-depth research into oral traditions, storytelling, and the meanings of symbols to uncover how Indigenous knowledge endures over time. And she shows how this knowledge is now being reclaimed by Chicanos, Mexican Americans and Mexican Indigenous peoples. For Gonzales, a central guiding force in Red Medicine is the principal of regeneration as it is manifested in Spiderwoman. Dating to Pre-Columbian times, the Mesoamerican Weaver/Spiderwoman—the guardian of birth, medicine, and purification rites such as the Nahua sweat bath—exemplifies the interconnected process of rebalancing that transpires throughout life in mental, spiritual and physical manifestations. Gonzales also explains how dreaming is a form of diagnosing in traditional Indigenous medicine and how Indigenous concepts of the body provide insight into healing various kinds of trauma. Gonzales links pre-Columbian thought to contemporary healing practices by examining ancient symbols and their relation to current curative knowledges among Indigenous peoples. Red Medicine suggests that Indigenous healing systems can usefully point contemporary people back to ancestral teachings and help them reconnect to the dynamics of the natural world.
“Well-written and fascinating . . . this is the kind of book you want everyone to read.”—Cleveland Plain Dealer “Curiosity, awareness, attention,” Laurence Gonzales writes. “Those are the tools of our everyday survival. . . . We all must be scientists at heart or be victims of forces that we don’t understand.” In this fascinating account, Gonzales turns his talent for gripping narrative, knowledge of the way our minds and bodies work, and bottomless curiosity about the world to the topic of how we can best use the blessings of evolution to overcome the hazards of everyday life. Everyday Survival will teach you to make the right choices for our complex, dangerous, and quickly changing world—whether you are climbing a mountain or the corporate ladder.
In Nahuatl yolqui is the idea of a warrior brought back from the dead. For author and activist Roberto Cintli Rodríquez, it describes his own experience one night in March 1979 after a brutal beating at the hands of L.A. sheriffs. Framed by Rodríguez’s personal testimony of police violence, this book offers a historia profunda of the culture of extralegal violence against Red-Black-Brown communities in the United States. In addition to Rodríguez’s story, this book includes several short essays from victims and survivors that bring together personal accounts of police brutality and state-sponsored violence. This wide-ranging work touches on historical and current events, including the Watts rebellion, the Zoot Suit Riots, Operation Streamline, Standing Rock, and much more. From the eyewitness accounts of Bartolomé de las Casas to the protestors and allies at Standing Rock, this book makes evident the links between colonial violence against Red-Black-Brown bodies to police violence in our communities today. Grounded in the stories of the lives of victims and survivors of police violence, Yolqui, a Warrior Summoned from the Spirit World illuminates the physical, spiritual, and epistemic depths and consequences of racialized dehumanization. Rodríguez offers us an urgent, poignant, and personal call to end violence and the philosophies that permit such violence to flourish. Like the Nahuatl yolqui, this book is intended as a means of healing, offering a footprint going back to the origins of violence, and, more important, a way forward. With contributions by Raúl Alcaraz-Ochoa, Citalli Álvarez, Tanya Alvarez, Rebekah Barber, Juvenal Caporale, David Cid, Arianna Martinez Reyna, Carlos Montes, Travis Morales, Simon Moya Smith, Cesar Noriega, Kimberly Phillips, Christian Ramirez, Michelle Rascon Canales, Carolyn Torres, Jerry Tello, Tara Trudell, and Laurie Valdez.
Almost every Christian will tell you that when you accept Jesus as your Savior, you receive eternal life; consequently, you get to go to Heaven. But what if eternal life wasn't so much about going somewhere and more about getting something into you? What if eternal life was not only to affect your spirit, but also to affect your body? In Possessors Of Life, Chad Gonzales reveals revolutionary truths about salvation that will manifest healing and miracles in your life. These truths will stop the frustrating cycle of working and waiting for healing and enable you to step into a life of grace and miracles flowing out of your union with Christ. Watch healing begin to manifest as you discover what you already possess in Christ.
Simon vs. the Homo Sapiens Agenda meets Clueless in this boy-meets-boy spin on Grease, from NATIONALLY and INTERNATIONALLY BESTSELLING author Sophie Gonzales A 2021 Rainbow Book List Selection A 2021 Southern Book Prize finalist A Goodreads Choice Awards 2020 finalist A Junior Library Guild Gold Standard Selection An Indie Next Pick “Only Mostly Devastated is the kind of book I wish existed when my kids were younger—a charming, funny, laugh-out-loud teen romance that reminds all readers love comes in a multitude of flavors, and they are ALL sweet.” —Jodi Picoult, New York Times–bestselling author of Small Great Things and A Spark of Light “A delightful, heartwarming, heartrending story about family, love, friendship, and living your most authentic life. I couldn't put it down.” —New York Times–bestselling author Sandhya Menon Will Tavares is the dream summer fling—he’s fun, affectionate, kind—but just when Ollie thinks he’s found his Happily Ever After, summer vacation ends and Will stops texting Ollie back. Now Ollie is one prince short of his fairytale ending, and to complicate the fairytale further, a family emergency sees Ollie uprooted and enrolled at a new school across the country. Which he minds a little less when he realizes it’s the same school Will goes to...except Ollie finds that the sweet, comfortably queer guy he knew from summer isn’t the same one attending Collinswood High. This Will is a class clown, closeted—and, to be honest, a bit of a jerk. Ollie has no intention of pining after a guy who clearly isn’t ready for a relationship, especially since this new, bro-y jock version of Will seems to go from hot to cold every other week. But then Will starts “coincidentally” popping up in every area of Ollie’s life, from music class to the lunch table, and Ollie finds his resolve weakening. The last time he gave Will his heart, Will handed it back to him trampled and battered. Ollie would have to be an idiot to trust him with it again. Right? Right.
