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"Speeches and Writings of Sarojini Naidu" is a 1925 work that includes a wide selection of Sarojini Naidu's speeches and other assorted writings. Contents include: "Nilambuja", "True Brotherhood", "Personal Element in Spiritual Life", "Education of Indian Women", "A Plea for Social Reform", "Hindu and Mussalmans", "Mrs. Ghandi", "In Memoriam: Gokhale", "The Children's Tribute to Gokhale", etc. Sarojini Naidu (1879-1949) was an Indian political activist and poet. She was a staunch proponent of women's emancipation, civil rights, and anti-imperialistic ideas, playing an important role in India's struggle for independence from colonial rule. Her work as a poet includes both children's poems and others with more mature themes including patriotism, romance, and tragedy, earning her the sobriquet "Nightingale of India". Her most famous work is "In the Bazaars of Hyderabad" (1912), which remains widely read to this day. Other notable works by this author include: "The Broken Wing - Songs of Love, Death & Destiny" (1917) and "Muhammad Jinnah: An Ambassador of Unity" (1919). This classic work is being republished now in a new edition complete with an introductory chapter from 'Studies of Contemporary Poets' by Mary C. Sturgeon.
To celebrate the sixtieth anniversary of the Indian Republic; the Words of Freedom series showcases the landmark speeches and writings of fourteen visionary leaders whose thought animated the Indian struggle for Independence and whose revolutionary ideas and actions forged the Republic of India as we know it today. View all books in the series here: http://www.penguinbooksindia.com/Words_of_freedom.asp
Asha Nadkarni contends that whenever feminists lay claim to citizenship based on women’s biological ability to “reproduce the nation” they are participating in a eugenic project—sanctioning reproduction by some and prohibiting it by others. Employing a wide range of sources from the United States and India, Nadkarni shows how the exclusionary impulse of eugenics is embedded within the terms of nationalist feminism. Nadkarni reveals connections between U.S. and Indian nationalist feminisms from the late nineteenth century through the 1970s, demonstrating that both call for feminist citizenship centered on the reproductive body as the origin of the nation. She juxtaposes U.S. and Indian feminists (and antifeminists) in provocative and productive ways: Charlotte Perkins Gilman’s utopian novels regard eugenic reproduction as a vital form of national production; Sarojini Naidu’s political speeches and poetry posit liberated Indian women as active agents of a nationalist and feminist modernity predating that of the West; and Katherine Mayo’s 1927 Mother India warns white U.S. women that Indian reproduction is a “world menace.” In addition, Nadkarni traces the refashioning of the icon Mother India, first in Mehboob Khan’s 1957 film Mother India and Kamala Markandaya’s 1954 novel Nectar in a Sieve, and later in Indira Gandhi’s self-fashioning as Mother India during the Emergency from 1975 to 1977. By uncovering an understudied history of feminist interactivity between the United States and India, Eugenic Feminism brings new depth both to our understanding of the complicated relationship between the two nations and to contemporary feminism.
When Gandhiji Launched The Salt Satyagraha In The Summer Of 1930, The Then Viceroy, Lord Irwin, Scoffed At His Crazy Scheme Of Upsetting The Government With A Pinch Of Salt. Yet This Was What Exactly The Dandi March Achieved!
