Spectacular Logic in Hegel and Debord
Spectacular Logic in Hegel and Debord

Author: Eric-John Russell

Publisher: Bloomsbury Publishing

Published: 2021-03-11

Total Pages: 273

ISBN-13: 1350157643

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Revisiting Guy Debord's seminal work, The Society of the Spectacle (1967), Eric-John Russell breathes new life into a text which directly preceded and informed the revolutionary fervour of May 1968. Deepening the analysis between Debord and Marx by revealing the centrality of Hegel's speculative logic to both, he traces Debord's intellectual debt to Hegel in a way that treads new ground for critical theory. Drawing extensively from The Phenomenology of Spirit (1807) and Science of Logic (1812), this book illustrates the lasting impact of Debord's critical theory of 20th-century capitalism and reveals new possibilities for the critique of capitalism.

Spectacular Logic in Hegel and Debord
Spectacular Logic in Hegel and Debord

Author: Eric-John Russell

Publisher: Bloomsbury Publishing

Published: 2021-03-11

Total Pages: 273

ISBN-13: 1350157651

DOWNLOAD EBOOK

Revisiting Guy Debord's seminal work, The Society of the Spectacle (1967), Eric-John Russell breathes new life into a text which directly preceded and informed the revolutionary fervour of May 1968. Deepening the analysis between Debord and Marx by revealing the centrality of Hegel's speculative logic to both, he traces Debord's intellectual debt to Hegel in a way that treads new ground for critical theory. Drawing extensively from The Phenomenology of Spirit (1807) and Science of Logic (1812), this book illustrates the lasting impact of Debord's critical theory of 20th-century capitalism and reveals new possibilities for the critique of capitalism.

Situationist International Anthology
Situationist International Anthology

Author:

Publisher: PM Press

Published: 2024-10-08

Total Pages: 545

ISBN-13:

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The Situationist International Anthology is the most comprehensive and accurately translated collection of situationist writings in English. In 1957 a few European avant-garde groups came together to form the Situationist International. Picking up where the dadaists and surrealists had left off, the situationists challenged people’s passive conditioning with carefully calculated scandals and the playful tactic of détournement (“rerouting, hijacking”). Seeking a more extreme social revolution than was dreamed of by most leftists, they developed an incisive critique of the global spectacle-commodity system and of its “Communist” pseudo-opposition, and their new methods of agitation helped trigger the May 1968 revolt in France. Since then situationist theories and tactics have continued to inspire radical currents all over the world. This volume presents a rich variety of articles, leaflets, graffiti, and internal documents, ranging from experiments in “psychogeography” to lucid analyses of the Watts riot, the Vietnam War, the Prague Spring, the Chinese Cultural Revolution, and other crises and upheavals of the sixties. For this new edition all the translations have been fine-tuned and the bibliography has been updated to include comments on dozens of newer books by and about the situationists.

Society Of The Spectacle
Society Of The Spectacle

Author: Guy Debord

Publisher: Bread and Circuses Publishing

Published: 2012-10-01

Total Pages: 154

ISBN-13: 1617508306

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The Das Kapital of the 20th century,Society of the Spectacle is an essential text, and the main theoretical work of the Situationists. Few works of political and cultural theory have been as enduringly provocative. From its publication amid the social upheavals of the 1960's, in particular the May 1968 uprisings in France, up to the present day, with global capitalism seemingly staggering around in it’s Zombie end-phase, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism, and everyday life in the late 20th century. This ‘Red and Black’ translation from 1977 is Introduced by Notting Hill armchair insurrectionary Tom Vague with a galloping time line and pop-situ verve, and given a more analytical over view by young upstart thinker Sam Cooper.

Hegel's Grammatical Ontology
Hegel's Grammatical Ontology

Author: Jeffrey Reid

Publisher: Bloomsbury Publishing

Published: 2021-06-17

Total Pages: 249

ISBN-13: 1350213616

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Reading The Phenomenology of Spirit through a linguistic lens, Jeffrey Reid provides an original commentary on Hegel's most famous work. Beginning with a close analysis of the preface, where Hegel himself addresses the book's difficulty and explains his tortured language in terms of what he calls the “speculative proposition”, Reid demonstrates how every form of consciousness discussed in The Phenomenology involves and reveals itself as a form of language. Elucidating Hegel's speculative proposition, which consists of the reversal of the roles of the subject and predicate in such a way that the copula of the proposition becomes the lively arena of dialogical ambiguity and hermeneutical openness, this book offers new onto-grammatical readings of every chapter of The Phenomenology. Not only does this bring a new understanding to Hegel's foundational text, but the linguistic approach further allows Reid to unpack its complexity by relating it to contemporary contexts that share the same language structures that we discover in Hegel. Amongst many others, this includes Hegel's account of sense-certainty and the critique of the immediacy of consumer culture today.

Comments on the Society of the Spectacle
Comments on the Society of the Spectacle

Author: Guy Debord

Publisher: Verso Books

Published: 2011-01-10

Total Pages: 105

ISBN-13: 1844676722

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First published in 1967, Guy Debord’s stinging revolutionary critique ofcontemporary society, The Society of the Spectacle has since acquired acult status. Credited by many as being the inspiration for the ideasgenerated by the events of May 1968 in France, Debord’s pitiless attackon commodity fetishism and its incrustation in the practices of everydaylife continues to burn brightly in today’s age of satellite televisionand the soundbite. In Comments on the Society of the Spectacle, publishedtwenty years later, Debord returned to the themes of his previousanalysis and demonstrated how they were all the more relevant in aperiod when the “integrated spectacle” was dominant. Resolutely refusingto be reconciled to the system, Debord trenchantly slices through thedoxa and mystification offered tip by journalists and pundits to showhow aspects of reality as diverse as terrorism and the environment, theMafia and the media, were caught up in the logic of the spectacularsociety. Pointing the finger clearly at those who benefit from the logicof domination, Debord’s Comments convey the revolutionary impulse atthe heart of situationism.

Spectacular Capitalism
Spectacular Capitalism

Author: Richard Gilman-Opalsky

Publisher:

Published: 2011

Total Pages: 0

ISBN-13: 9781570272288

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Literary Nonfiction. Philosophy & Critical Theory. Despite recent crises in the financial system, uprisings in Greece; France; Tunisia; and Bolivia, worldwide decline of faith in neoliberal trade policies, deepening ecological catastrophes, and global deficits of realized democracy, we still live in an era of "spectacular capitalism." But what is "spectacular capitalism?" Spectacular capitalism is the dominant mythology of capitalism that disguises its internal logic and denies the macroeconomic reality of the actually existing capitalist world. Taking on this elusive mythology, and those who too easily accept it, Richard Gilman-Opalsky exposes the manipulative and self-serving narrative of spectacular capitalism. Drawing on the work of Guy Debord, Gilman-Opalsky argues that the theory of practice and practice of theory are superseded by upheavals that do the work of philosophy.

The Spectacle of Disintegration
The Spectacle of Disintegration

Author: McKenzie Wark

Publisher: Verso Books

Published: 2013-03-12

Total Pages: 257

ISBN-13: 1844679578

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Following his acclaimed history of the Situationist International up until the late sixties, The Beach Beneath the Street, McKenzie Wark returns with a companion volume which puts the late work of the Situationists in a broader and deeper context, charting their contemporary relevance and their deep critique of modernity. Wark builds on their work to map the historical stages of the society of the spectacle, from the diffuse to the integrated to what he calls the disintegrating spectacle. The Spectacle of Disintegration takes the reader through the critique of political aesthetics of former Situationist T.J. Clark, the Fourierist utopia of Raoul Vaneigem, René Vienet’s earthy situationist cinema, Gianfranco Sangunetti’s pranking of the Italian ruling class, Alice-Becker Ho’s account of the anonymous language of the Romany, Guy Debord’s late films and his surprising work as a game designer. At once an extraordinary counter history of radical praxis and a call to arms in the age of financial crisis and the resurgence of the streets, The Spectacle of Disintegration recalls the hidden journeys taken in the attempt to leave the twentieth century, and plots an exit from the twenty first. The dustjacket unfolds to reveal a fold-out poster of the collaborative graphic essay combining text selected by McKenzie Wark with composition and drawings by Kevin C. Pyle.

Right-Wing Culture in Contemporary Capitalism
Right-Wing Culture in Contemporary Capitalism

Author: Mathias Nilges

Publisher: Bloomsbury Academic

Published: 2019-12-12

Total Pages: 217

ISBN-13: 1350074063

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Commentators across the political spectrum have argued that the future has been absorbed by an ever-expanding present to which we cannot imagine alternatives. The notion that we have lost the ability to imagine change-culturally, socially, and politically-has become one of the defining problems of our time. But what is the difference between the populist narratives of those who promise to solve this problem by returning us to a glorious past and those who promise to lead us into a glorious future? Often, this book argues, not very much at all. Revealing neo-authoritarianism and capitalist hyper-innovation as two sides of the same coin, Mathias Nilges shows that today's reactionaries and futurists both harness and profit from the same temporal crises of our present. Looking to design, popular culture, literature, and recent theoretical and political discussions, Nilges offers ways of understanding the re-emergence of familiar and disturbing forms of right-wing politics and culture (authoritarianism, paternalism, fascism) not as historical repetition but as dangerous consequences of the contradictions of capitalism today. Using critical theory, in particular the work of Ernst Bloch, this book recovers a politics and culture of hope, which it locates beyond a future that is colonized by capitalism and a past that becomes the mystical playground for the new Right:in that which was never allowed to be and thus demands realization.