Spanish Queer Cinema
Spanish Queer Cinema

Author: Chris Perriam

Publisher: Edinburgh University Press

Published: 2013-01-03

Total Pages: 192

ISBN-13: 0748665870

DOWNLOAD EBOOK

Since the Catalan government passed the first of Spain's regional governmental laws on same-sex partnership in 1998, lesbian, gay, bisexual, transsexual and queer culture in Spain has thrived. Spanish Queer Cinema assesses the impact of this significant cultural expression on Spanish Cinema and evaluates the role LGBTQ film has had in creating and shaping identity and experience. Focusing on films from 1998 to the present day, Chris Perriam skilfully analyses the development of LGBTQ filmmaking and filmwatching in Spain and places this within the wider cultural context. Covering lesbian cinema, gay and queer documentaries and short films, as well as mainstream features, the book investigates how LGBTQ films are distributed and how audiences react to them. It includes discussions of film festivals, cultural centres and social networking sites and it places the filmwatching experience within the context of other cultural activities such as television viewing, reading, surfing, downloading and festival-going. It assesses the importance and impact of Spanish queer cinema on the construction of LGBTQ identities and experiences. An informative and thought-provoking book, Spanish Queer Cinema is an essential read for students and scholars working in the fields of Film Studies, Spanish Studies and Cultural Studies.

Despite All Adversities
Despite All Adversities

Author: Andrés Lema-Hincapié

Publisher: State University of New York Press

Published: 2015-10-26

Total Pages: 322

ISBN-13: 1438459122

DOWNLOAD EBOOK

2016 CHOICE Outstanding Academic Title Despite All Adversities examines a representative selection of notable queer films by Spanish America's most important directors since the 1950s. Each chapter focuses on a single film and offers rich and thoughtful new interpretations by a prominent scholar. The book explores films from across the region, including Tomás Gutiérrez Alea's and Juan Carlos Tabío's Fresa y chocolate (Strawberry and Chocolate, 1993), Marcelo Piñeyro's Plata quemada (Burnt Money, 2000), Barbet Schroeder's La Virgen de los Sicarios (Our Lady of the Assassins, 2000), Lucía Puenzo's XXY (XXY, 2007), Francisco J. Lombardi's No se lo digas a nadie (Don't Tell Anyone, 1998), Arturo Ripstein's El lugar sin límites (Hell Without Limits, 1978), among others. A survey of recent lesbian-themed Mexican films is also included.

Lesbian Cinema after Queer Theory
Lesbian Cinema after Queer Theory

Author: Bradbury-Rance Clara Bradbury-Rance

Publisher: Edinburgh University Press

Published: 2019-01-30

Total Pages: 316

ISBN-13: 1474435386

DOWNLOAD EBOOK

The unprecedented increase in lesbian representation over the past two decades has, paradoxically, coincided with queer theory's radical transformation of the study of sexuality. In Lesbian Cinema after Queer Theory, Clara Bradbury-Rance argues that this contradictory context has yielded new kinds of cinematic language through which to give desire visual form. By offering close readings of key contemporary films such as Blue Is the Warmest Colour, Water Lilies and Carol alongside a broader filmography encompassing over 300 other films released between 1927 and 2018, the book provokes new ways of understanding a changing field of representation. Bradbury-Rance resists charting a narrative of representational progress or shoring up the lesbian's categorisation in the newly available terms of the visible. Instead, she argues for a feminist framework that can understand lesbianism's queerness. Drawing on a provocative theoretical and visual corpus, Lesbian Cinema after Queer Theory reveals the conditions of lesbian legibility in the twenty-first century.

French and Spanish Queer Film
French and Spanish Queer Film

Author: Chris Perriam

Publisher: Edinburgh University Press

Published: 2016-06-02

Total Pages: 216

ISBN-13: 0748699201

DOWNLOAD EBOOK

Advancing the current state of film audience research and of our knowledge of sexuality in transnational contexts, French and Spanish Queer Film analyses how French LGBTQ films are seen in Spain and Spanish ones in France.

Contemporary Spanish Cinema
Contemporary Spanish Cinema

Author: Barry Jordan

Publisher: Manchester University Press

Published: 1998-07-15

Total Pages: 228

ISBN-13: 9780719044137

DOWNLOAD EBOOK

Contemporary Spanish Cinema offers an essential analysis of the main trends and issues in Spanish film since the death of Franco in 1975. While taking account of cinema during the Franco dictatorship, the book focuses principally on developments in the last two decades. Acknowledging the sheer breadth and diversity of Spanish film production since the ending of the regime and the transition to democracy, this study includes chapters on Spanish film’s obsessive concern with the past on popular genre film (including the comedy and the thriller), on representations of gender and sexuality and the work of women film professionals, both behind and in front of the camera, as well as on film produced in Spain’s autonomous communities, particularly in Catalonia and the Basque Country. This book offers a unique and up-to-date focus on a wide range of materials, including work on such established directors as Carlos Saura, Víctor Erice, Pedro Almodóvar, Pilar Miró, Bigas Lina and Josefina Molina as well as exciting new talents such as Julio Medem, Juanma Bajo Ulloa, Alex de la Iglesia, Icíar Bollan, Isabel Coixet and Marta Balletbò-Coll.

Spanish Cinema 1973-2010
Spanish Cinema 1973-2010

Author: Maria M. Delgado

Publisher: Manchester University Press

Published: 2013-04-23

Total Pages: 272

ISBN-13: 9780719087110

DOWNLOAD EBOOK

This collection offers a new lens through which to examine Spain's cinema production following the isolation imposed by the Franco regime. The seventeen key films analyzed in the volume span a period of 35 years that have been crucial in the development of Spain, Spanish democracy and Spanish cinema. They encompass different genres (horror, thriller, melodrama, social realism, documentary), both popular (Los abrazos rotos/Broken Embraces, Vicky Cristina Barcelona) and more select art house fare (En la ciudad de Sylvia/In the City of Sylvia, El espíritu de la colmena/Spirit of the Beehive) and are made in English (as both first and second language), Basque, Castilian, Catalan and French. Offering an expanded understanding of "national" cinemas, the volume explores key works by Guillermo del Toro and Lucrecia Martel alongside an examination of the ways in which established auteurs (Almodóvar, José Garci, Carlos Saura) and younger generations of filmmakers (Cesc Gay, Amenábar, Bollaín) have harnessed cinematic language towards a commentary on the nation-state. The result is a bold new study of the ways in which film has created new prisms that have determined how Spain is positioned in the global marketplace.

New Maricón Cinema
New Maricón Cinema

Author: Vinodh Venkatesh

Publisher: University of Texas Press

Published: 2016-09-27

Total Pages: 253

ISBN-13: 1477310177

DOWNLOAD EBOOK

Recent critically and commercially acclaimed Latin American films such as XXY, Contracorriente, and Plan B create an affective and bodily connection with viewers that elicits in them an emotive and empathic relationship with queer identities. Referring to these films as New Maricón Cinema, Vinodh Venkatesh argues that they represent a distinct break from what he terms Maricón Cinema, or a cinema that deals with sex and gender difference through an ethically and visually disaffected position, exemplified in films such as Fresa y chocolate, No se lo digas a nadie, and El lugar sin límites. Covering feature films from Argentina, Chile, Cuba, Ecuador, Mexico, Peru, the United States, and Venezuela, New Maricón Cinema is the first study to contextualize and analyze recent homo-/trans-/intersexed-themed cinema in Latin America within a broader historical and aesthetic genealogy. Working with theories of affect, circulation, and orientations, Venkatesh examines key scenes in the work of auteurs such as Marco Berger, Javier Fuentes-León, and Julia Solomonoff and in films including Antes que anochezca and Y tu mamá también to show how their use of an affective poetics situates and regenerates viewers in an ethically productive cinematic space. He further demonstrates that New Maricón Cinema has encouraged the production of “gay friendly” commercial films for popular audiences, which reflects wider sociocultural changes regarding gender difference and civil rights that are occurring in Latin America.

Law of Desire
Law of Desire

Author: José Quiroga

Publisher: arsenal pulp press

Published: 2009-10-01

Total Pages: 116

ISBN-13: 1551523507

DOWNLOAD EBOOK

“This series will be a significant, valuable contribution to the history and literature of gay cinema. Each of these works will be valuable additions for academic and popular students of film and gay culture.”—Library Journal Law of Desire, one of three inaugural titles in Arsenal Pulp Press' new film book series Queer Film Classics, focuses on the 1987 homoerotic melodrama by Pedro Almodóvar, Spain's most successful contemporary film director. The film Law of Desire is a grand tale of love, lust, and amnesia featuring three main characters: a gay film director (played by Eusebio Poncela); his sister, an actress who was once his brother (Carmen Maura); and a repressed, obsessive stalker (a young Antonio Banderas). In the twenty-plus years since its first release, Law of Desire has been acknowledged as redefining the way in which cinema can portray the difficult affective relationships between homosexuality, gender, and sex. Taking his cue from the golden age of Latin American, American, and European melodrama, Almodóvar created a sentimental yet hard-edged film that believes in the utopian possibilities for new relationships that redeem people from their despair. Since its release, Almodóvar has become an Oscar-winning filmmaker who regularly delves into issues of sexuality, gender, and identity. This book examines the political and social context in which Almodóvar created Law of Desire, as well as its impact on LGBT cinema both in Europe and around the world.

French and Spanish Queer Film
French and Spanish Queer Film

Author: Chris Perriam

Publisher: Edinburgh University Press

Published: 2016-06-02

Total Pages: 328

ISBN-13: 1474413986

DOWNLOAD EBOOK

The book advances the current state of film audience research and of our knowledge of sexuality in transnational contexts by analysing how French LGBTQ films are seen in Spain and Spanish ones in France. It studies films (in various media and platforms) and their reception across four languages (Spanish, French, Catalan, English) and considers and engages with participants from across a range of digital and physical audience locations, with a particular focus on festivals. It examines films that chronicle the local (in portraying national and sub-national identities) and draws on the regional-global (translating and transferring foreign models of non-heterosexual experience). No comparative and crosscutting study with audience research at its heart has yet been undertaken.

Queer Cinema in the World
Queer Cinema in the World

Author: Karl Schoonover

Publisher: Duke University Press

Published: 2016-11-17

Total Pages: 254

ISBN-13: 082237367X

DOWNLOAD EBOOK

Proposing a radical vision of cinema's queer globalism, Karl Schoonover and Rosalind Galt explore how queer filmmaking intersects with international sexual cultures, geopolitics, and aesthetics to disrupt dominant modes of world making. Whether in its exploration of queer cinematic temporality, the paradox of the queer popular, or the deviant ecologies of the queer pastoral, Schoonover and Galt reimagine the scope of queer film studies. The authors move beyond the gay art cinema canon to consider a broad range of films from Chinese lesbian drama and Swedish genderqueer documentary to Bangladeshi melodrama and Bolivian activist video. Schoonover and Galt make a case for the centrality of queerness in cinema and trace how queer cinema circulates around the globe–institutionally via film festivals, online consumption, and human rights campaigns, but also affectively in the production of a queer sensorium. In this account, cinema creates a uniquely potent mode of queer worldliness, one that disrupts normative ways of being in the world and forges revised modes of belonging.