Space and Subjectivity in Contemporary Brazilian Cinema
Space and Subjectivity in Contemporary Brazilian Cinema

Author: Antônio Márcio da Silva

Publisher: Springer

Published: 2017-08-12

Total Pages: 243

ISBN-13: 331948267X

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This collection explores the emergence of new spatialities and subjectivities in Brazilian films produced from the 1990s onwards, a period that became known as the retomada, but especially in the cinema of the new millennium. The chapters take spatiality as a powerful tool that can reveal aesthetic, political, social, and historical meanings of the cinematographic image instead of considering space as just a formal element of a film. From the rich cross-fertilization of different theories and disciplines, this edited collection engages with the connection between space and subjectivity in Brazilian cinema while raising new questions concerning spatiality and subjectivity in cinema and providing new models and tools for film analysis.

Human Rights, Social Movements and Activism in Contemporary Latin American Cinema
Human Rights, Social Movements and Activism in Contemporary Latin American Cinema

Author: Mariana Cunha

Publisher: Springer

Published: 2018-09-11

Total Pages: 265

ISBN-13: 3319962086

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This edited collection explores how contemporary Latin American cinema has dealt with and represented issues of human rights, moving beyond many of the recurring topics for Latin American films. Through diverse interdisciplinary theoretical and methodological approaches, and analyses of different audiovisual media from fictional and documentary films to digitally-distributed activist films, the contributions discuss the theme of human rights in cinema in connection to various topics and concepts. Chapters in the volume explore the prison system, state violence, the Mexican dirty war, the Chilean dictatorship, debt, transnational finance, indigenous rights, social movement, urban occupation, the right to housing, intersectionality, LGBTT and women’s rights in the context of a number of Latin American countries. By so doing, it assesses the long overdue relation between cinema and human rights in the region, thus opening new avenues to aid the understanding of cinema’s role in social transformation.

Brazilian Cinema and the Aesthetics of Ruins
Brazilian Cinema and the Aesthetics of Ruins

Author: Guilherme Carréra

Publisher: Bloomsbury Publishing

Published: 2021-12-16

Total Pages: 347

ISBN-13: 1350203033

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Winner of the British Association of Film, Television and Screen Studies (BAFTSS) 2023 Award for Best First Monograph. Winner of the Association of Moving Image Researchers (AIM) 2022 Award for Best Monograph. Guilherme Carréra's compelling book examines imagery of ruins in contemporary Brazilian cinema and considers these representations in the context of Brazilian society. Carréra analyses three groups of unconventional documentaries focused on distinct geographies: Brasília - The Age of Stone (2013) and White Out, Black In (2014); Rio de Janeiro - ExPerimetral (2016), The Harbour (2013), Tropical Curse (2016) and HU Enigma (2011); and indigenous territories - Corumbiara: They Shoot Indians, Don't They? (2009), Tava, The House of Stone (2012), Two Villages, One Path (2008) and Guarani Exile (2011). In portraying ruinscapes in different ways, these powerful films articulate critiques of the notions of progress and (under) development in the Brazilian nation. Carréra invites the reader to walk amid the debris and reflect upon the strategies of spatial representation employed by the filmmakers. He addresses this body of films in relation to the legacies of Cinema Novo, Tropicália and Cinema Marginal, asking how these presentday films dialogue with or depart from previous traditions. Through this dialogue, he argues, the selected films challenge not only documentary-making conventions but also the country's official narrative.

Living (Il)legalities in Brazil
Living (Il)legalities in Brazil

Author: Sara Brandellero

Publisher: Routledge

Published: 2020-04-15

Total Pages: 268

ISBN-13: 1000057682

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Reflecting on some of Brazil’s foremost challenges, this book considers the porous relationship between legality and illegality in a country that presages political and societal changes in hitherto unprecedented dimensions. It brings together work by established scholars from Brazil, Europe and the United States to think through how (il)legalities are produced and represented at the level of institutions, (daily) practice and culture. Through a transdisciplinary approach, the chapters cover issues including informal work practices (e.g. street vendors), urban squatter movements and migration. Alongside social practices, the volume features close analyses of cultural practices and cultural production, including migrant literature, punk music and indigenous art. The question of (il)legalities resonates beyond Brazil’s borders, as concepts such as "lawfare" have crept into vocabularies, and countries the world over grapple with issues like state interference, fake news and the definition of "illegal" migration. This is valuable reading for scholars in Brazilian and Latin American Studies, as well as those working in literary and cultural studies, anthropology, sociology, geography and political science.

Contemporary Marathi Cinema
Contemporary Marathi Cinema

Author: Hrishikesh Sudhakar Ingle

Publisher: Taylor & Francis

Published: 2024-12-10

Total Pages: 174

ISBN-13: 1040223249

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Post-millennial Marathi cinema is a dynamic and expanding practice that is celebrated as a “new-wave” but has not received much critical engagement. This book presents the first comprehensive inquiry of contemporary films and examines their textual, industrial, and cultural intersections to understand what constitutes the “new-ness” of Marathi cinema. Establishing the vernacular particularity of Marathi cinema, the book argues that newage films are actively engaged in a reflexive intellectual and social critique as a mark of new filmmaking in India. In the diversity of genres and topics handled by Marathi filmmakers since 2004 this study identifies four broad affective topographies for analysis – an imagery of nostalgia underpinning the narrative strategies of Marathi films, the articulation of social aspiration as a theme as well as a societal dialectic, an experiential reflexivity in the representation of Dalit and marginal narratives, and a mediatic network of border-crossings through transnational influences on films. Contemporary Marathi Cinema: Space, Marginality, and Aspiration offers a critical dialogue on broad issues of film policy, multiplex economics, genre forms, queer politics, and neoliberal contexts. It will be indispensable to students and researchers of Indian cinemas, regional filmmaking, media, cultural studies, popular culture and performance, literature, and South Asian studies, and will also be of interest to filmmakers and cinephiles.

Woman-Centered Brazilian Cinema
Woman-Centered Brazilian Cinema

Author: Jack A. Draper III

Publisher: State University of New York Press

Published: 2022-10-01

Total Pages: 306

ISBN-13: 1438490267

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Woman-Centered Brazilian Cinema highlights the bold, inspiring, and diverse work of female filmmakers—including directors, screenwriters, and producers—and female protagonists in the twenty-first-century Brazilian film industry. This volume examines the diverse production and distribution spaces these filmmakers are working in, including documentary, experimental, and short filmmaking, as well as commercial feature films. An intersectional approach runs throughout the chapters with complex considerations around gender, race, sexuality, and class. The book features a mix of research methods and genres, with macro-level political, economic, and industry-wide views of gender disparities appearing alongside in-depth conversations with contemporary filmmakers Maria Augusta Ramos, Petra Costa, Mari Corrêa, and Paula Sacchetta, focused on micro-level personal experiences. In bringing together original essays and interviews, the volume provides valuable information for students of Brazil in general and of Brazilian film in particular.

New Visions of Adolescence in Contemporary Latin American Cinema
New Visions of Adolescence in Contemporary Latin American Cinema

Author: Geoffrey Maguire

Publisher: Springer

Published: 2018-07-20

Total Pages: 229

ISBN-13: 3319893815

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This volume explores the recent ‘adolescent turn’ in contemporary Latin American cinema, challenging many of the underlying assumptions about the nature of youth and distinguishing adolescence as a distinct and vital area of study. Its contributors examine the narrative and political potential of teenage protagonists in a range of recent films from the region, acknowledging the distinct emotional registers that are at play throughout adolescence and releasing teenage subjectivities from restrictive critical and theoretical emphases on theories of childhood. As the first academic study to examine the figure of the adolescent in contemporary Latin American film, New Visions of Adolescence in Contemporary Latin American Cinema thus presents a timely and innovative analysis of issues of sexuality and gender, political and domestic violence and social class, and will be of significant interest to students and researchers in Latin American Studies, Cultural Studies, World Cinema and Childhood Studies.

Bodies of Water
Bodies of Water

Author: Geoffrey Maguire

Publisher: State University of New York Press

Published: 2024-09-01

Total Pages: 261

ISBN-13: 1438499191

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Rivers, swimming pools, lakes, and oceans: these watery spaces recur with remarkable frequency in recent queer Latin American cinema, urging us to question the intimacies between queerness and the aquatic. Unpredictable and uncontrollable, water reflects a natural fluidity in our sexual desires and orientations; it is both a space and a substance, one in which bodies surrender themselves to the natural forces of currents and flows. As the first book to investigate water's queer cinematic potential, Bodies of Water proposes that we think not only about water but also through it, illuminating new directions for the study of queer world cinema and its evolving aesthetic strategies. Bodies of Water engages critically with theories of cinematic embodiment and recent work in queer theory and the environmental humanities, foregrounding a region of the world historically overlooked in global discussions of queerness. By examining the radical queer epistemologies that emerge at the convergence of body, camera, and water, Bodies of Water ultimately poses a question of both critical and sociopolitical concern: what's so queer about cinematic waters?

New Approaches to Cinematic Space
New Approaches to Cinematic Space

Author: Filipa Rosário

Publisher: Routledge

Published: 2018-12-12

Total Pages: 399

ISBN-13: 042988785X

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New Approaches to Cinematic Space aims to discuss the process of creation of cinematic spaces through moving images and the subsequent interpretation of their purpose and meaning. Throughout seventeen chapters, this edited collection will attempt to identify and interpret the formal strategies used by different filmmakers to depict real or imaginary places and turn them into abstract, conceptual spaces. The contributors to this volume will specifically focus on a series of systems of representation that go beyond the mere visual reproduction of a given location to construct a network of meanings that ultimately shapes our spatial worldview.

Indigeneity and the Decolonizing Gaze
Indigeneity and the Decolonizing Gaze

Author: Robert Stam

Publisher: Bloomsbury Publishing

Published: 2023-01-26

Total Pages: 433

ISBN-13: 1350282375

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Against the long historical backdrop of 1492, Columbus, and the Conquest, Robert Stam's wide-ranging study traces a trajectory from the representation of indigenous peoples by others to self-representation by indigenous peoples, often as a form of resistance and rebellion to colonialist or neoliberal capitalism, across an eclectic range of forms of media, arts, and social philosophy. Spanning national and transnational media in countries including the US, Brazil, Canada, France, Germany, and Italy, Stam orchestrates a dialogue between the western mediated gaze on the 'Indian' and the indigenous gaze itself, especially as incarnated in the burgeoning movement of “indigenous media,” that is, the use of audio-visual-digital media for the social and cultural purposes of indigenous peoples themselves. Drawing on examples from cinema, literature, music, video, painting and stand-up comedy, Stam shows how indigenous artists, intellectuals and activists are responding to the multiple crises - climatological, economic, political, racial, and cultural - confronting the world. Significant attention is paid to the role of arts-based activism in supporting the struggle of indigenous artistic activism, of the Yanomami people specifically, to save the Amazon forest and the planet.