Excerpt from Southland Writers, Vol. 2 of 2: Biographical and Critical Sketches of the Living Female Writers of the South, With Extracts From Their Writings T is the home of the beautiful, the home of the true, Where the jewels of thought that hallow the view, Are linked with flowers that bloom in the soul, Down deep where the waves of genius roll! About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Excerpt from Southland Writers, Vol. 1: Biographical and Critical Sketches of the Living Female Writers of the South Many of the ladies whose brief biographies are contained in this volume enjoy an enduring reputation, not confined to the country's limits; others are making a record which shall not be less endur ing; while others still, hardly beyond the Rubicon of literature, give a brilliant promise of their future capabilities. Many whose names should have been included in this galaxy have, alas! Been called from among the living. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
In Joy and in Sorrow brings together some of the finest historians of the South in a sweeping exploration of the meaning of the family in this troubled region. In their vast canvas of the Victorian South, the authors explore the private lives of Senators, wealthy planters, and the belles of high society, along with the humblest slaves and sharecroppers, both white and black. Stretching from the height of the antebellum South's pride and power through the chaos of the Civil War and Reconstruction to the end of the century, these essays uncover hidden worlds of the Southern family, worlds of love and duty--and of incest, miscegenation, and insanity. Featuring an introduction by C. Vann Woodward, Pulitzer Prize-winning author of Mary Chesnut's Civil War, and a foreword by Anne Firor Scott, author of The Southern Lady, this work presents an outstanding array of historians: Eugene Genovese, Catherine Clinton, Elizabeth Fox-Genovese, Carol Bleser, Drew Faust, James Roark, Michael Johnson, Brenda Stevenson, Bertram Wyatt-Brown, Jacqueline Jones, Peter Bardaglio, and more. They probe the many facets of Southern domestic life, from the impact of the Civil War on a prominent Southern marriage to the struggles of postwar sharecropper families. One author turns the pages of nineteenth century cookbooks, exploring what they tell us about home life, housekeeping, and entertaining without slaves after the Civil War. Other essays portray the relationship between a Victorian father and his devoted son, as well as the private writings of a long-suffering Southern wife. In Joy and in Sorrow offers a fascinating look into the tangled reality of Southern life before, during, and after the Civil War. With this collection of essays, editor Carol Bleser provides a powerful new way of understanding this most self-consciously distinct region. In Joy and in Sorrow will appeal to everyone interested in marriage and the family, the problems of gender and slavery, as well as in the history of the South, old and new.
Nestled at the bottom of an old leather trunk for well over a century lay a forgotten manuscript—a long-lost story the author's great-great-grandson has now brought to life. At the heart of A Whaler at Twilight is the true account of an American whaler who embarked on a harrowing adventure in the South Pacific during the mid-nineteenth century in search of absolution and redemption. After the deaths of his parents, young Robert Armstrong lived with a successful uncle—a well-respected Methodist shopkeeper in bustling 1840s Baltimore—and attended the nation’s first dental school. But Armstrong threw his future away, drinking himself into oblivion. Devoured by guilt and shame, in December 1849 he sold his dental instruments, his watch, and all other possessions and signed on for a whaling voyage departing from New Bedford. Decades later, Armstrong wrote an autobiographical account based on his travel logs, chronicling his thrilling, gritty experiences during his ten years overseas. His memoirs describe his encounters with other whalers, beachcombers, Peruvian villagers, Pacific Islanders, Maori warriors in New Zealand, cannibals on Fiji, and the impacts of American expansionism. He also recounted his struggles with drink, his quest for God, and his own redemption. Armstrong’s gripping personal account is bookended by thoroughly researched contextual background compiled by Alexander Brash, a noted professional conservationist. Brash fills out Armstrong’s intimate and timeless tale by shedding further light on whaling and its impacts, his ancestor’s religious milieu, and the importance of marine conservation today. A Whaler at Twilight is a fascinating dive into both human morality and American history.
"In 1923, the Southern Historical Society (SHS) published 'Proceedings of the Confederate Congress' in its journal, Southern Historical Society Papers. It was the first of nine issues containing congressional minutes from the public sessions of the Confederate Congress that met in Richmond, Virginia from February 1862 to March 1865. Unlike the summary notations of the official US congressional journals, the 'Proceedings' were drawn primarily from the archives of two newspapers from Richmond, Virginia-the Examiner and the Dispatch-which served the Confederacy's capital city. These journalists['] reports preserved nearly verbatim transcripts of speeches, debates, and bills considered by the Confederate legislature, including details seldom available from other sources, and have proven to be invaluable sources for Confederate political history. 'Proceedings of the Confederate Congress' is not without problems, however, chief among them its lack of completeness. Owing to budgetary constraints and lack of resources, SHS president Douglas Southall Freeman was forced to focus exclusively on the sessions of the Regular Confederate Congress beginning in 1862. None of the proceedings of the Montgomery and Richmond Provisional Congresses of 1861 and 1862 were included in the series. With 'Congress of States,' David Carlson fills this void by compiling and editing the minutes of these early legislative sessions from daily press reports published in newspapers in Richmond, Virginia; Montgomery, Alabama; Charleston, South Carolina; New Orleans, Louisiana; and Savannah and Augusta, Georgia, in the process assembling a complete set of transcriptions documenting the creation of the Confederate government. When delegations from South Carolina, Mississippi, Florida, Alabama, Georgia, Louisiana, and, later, Texas met in Montgomery, Alabama in February 1861 to discuss the creation of a southern national government, none had been authorized to do so by the conventions that sent them. Within weeks, however, they launched a de facto constitutional convention, formed a government, and selected Jefferson Davis and Alexander Stephens to serve as president and vice president of the new nation. This transpired at a critical juncture prior to Abraham Lincoln's first inauguration when eight other slave states had yet to act. The delegates understood their place on the public stage and newspapers' usefulness in espousing and galvanizing their cause. From its initial formation through the expansion of the Confederacy and the new government's official establishment in the capital city of Richmond, Virginia, the Provisional Congress provided a vehicle around which the new nation coalesced as members negotiated with states and foreign governments, mobilized a military, consulted with constituents, and forged a national culture. As the conflict deepened, sensitive business increasingly took place behind closed doors away from the public, reporters, and the risk of espionage (as would also be true in the Regular Confederate Congress), but even the public functions that remained and were reported on in open chambers provide valuable insights into the workings and mindset of the Confederate government. Intended as a primary source and reference for libraries, historians, and political scientists of the nineteenth century, 'Congress of States' provides an introduction explaining the Provisional Confederate Congress and the background and purpose of the book relative to the SHS and its 'Proceedings of the Confederate Congress'; a chronology outlining the major events surrounding the secession crisis which informed and influenced the Provisional Congress; annotated minutes for each of Provisional Confederate Congress's five sessions; and appendices featuring the leadership and committees of the Provisional Congress, primary source documents referenced but not included in the proceedings, and examples of the proposed emblem and flags debated as symbols of the Confederacy"--
Until now, scholars have portrayed America's antiwar literature as an outgrowth of World War I, manifested in the works of writers such as Ernest Hemingway and John Dos Passos. But in War No More, Cynthia Wachtell corrects the record by tracing the steady and inexorable rise of antiwar writing in American literature from the Civil War to the eve of World War I. Beginning with an examination of three very different renderings of the chaotic Battle of Chickamauga -- a diary entry by a northern infantry officer, a poem romanticizing war authored by a young southerner a few months later, and a gruesome story penned by the veteran Ambrose Bierce -- Wachtell traces the gradual shift in the late nineteenth century away from highly idealized depictions of the Civil War. Even as the war was under way, she shows, certain writers -- including Herman Melville, Walt Whitman, John William De Forest, and Nathaniel Hawthorne -- quietly questioned the meaning and morality of the conflict. As Wachtell demonstrates, antiwar writing made steady gains in public acceptance and popularity in the final years of the nineteenth century and the opening years of the twentieth, especially during the Spanish-American War and the war in the Philippines. While much of the era's war writing continued the long tradition of glorifying battle, works by Bierce, Stephen Crane, Mark Twain, William Dean Howells, William James, and others increasingly presented war as immoral and the modernization and mechanization of combat as something to be deeply feared. Wachtell also explores, through the works of Theodore Roosevelt and others, the resistance that the antiwar impulse met. Drawing upon a wide range of published and unpublished sources, including letters, diaries, essays, poems, short stories, novels, memoirs, speeches, magazine and newspaper articles, and religious tracts, Wachtell makes strikingly clear that pacifism had never been more popular than in the years preceding World War I. War No More concludes by charting the development of antiwar literature from World War I to the present, thus offering the first comprehensive overview of one hundred and fifty years of American antiwar writing.
An educated, aristocratic slave, Abd Rahman Ibrahima was overseer of the large cotton and tobacco plantation of his master. After more than twenty-five years, when he was finally freed, sixty-six-year-old Ibrahima sailed for Africa with his wife, two sons, and several grandchildren, and died there of fever just five months after his arrival. Prince Among Slaves is the first full account of Ibrahima's life, pieced together from first-person accounts and historical documents. It is not only a remarkable story, but the story of a remarkable man, who endured the humiliation of slavery without ever losing his dignity or his hope for freedom.
