Craft in America

Craft in America

Author: Jo Lauria

Publisher: Potter Style

Published: 2007

Total Pages: 323

ISBN-13: 0307346471

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Illustrated with 200 stunning photographs and encompassing objects from furniture and ceramics to jewelry and metal, this definitive work from Jo Lauria and Steve Fenton showcases some of the greatest pieces of American crafts of the last two centuries. Potter Craft


Afro-American Folk Art and Crafts

Afro-American Folk Art and Crafts

Author: William R. Ferris

Publisher: Univ. Press of Mississippi

Published: 1986-10

Total Pages: 440

ISBN-13: 9781604733914

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This omnibus volume offers a unique look at a fascinating and evocative strain of art that originated chiefly in the rural American South and in the black cultural centers as blacks migrated across the continent. Pictorial quilts, sculpture and carvings, basketry, pottery, forged metal, musical instruments, and dwellings---these are among the forms that express this appealingly quaint yet powerful presence in American art and African folk heritage from which this wonderful art springs. Celebrating its African folk roots and the individual artists whose lives are so closely intertwined with their art, this illuminating introduction collects writings by sixteen notable scholars of this rich and varied treasury of folk culture. Contributors include Marie Jeanne Adams, Elizabeth Adler, Simon Bronner, John Burrison, Gerald L. Davis, Dena Epstein, David Evans, William R. Ferris, Roland L. Freeman, Christopher Lornell, Brenda McCallum, Clarence Mohr, John Scully, Ellen Slack, Robert F. Thompson, Mary Twining, John Vlach, and Maude Wahlman.


Ladies of Letterpress

Ladies of Letterpress

Author: Jessica C. White

Publisher:

Published: 2015-03-01

Total Pages: 192

ISBN-13: 9781782402299

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The revival of traditional printing methods has been afoot for the last decade, and the tactile charm of letterpress has ensured that its popularity is on the rise. Ladies of Letterpress is an organization that champions the craft, and in particular seeks to showcase and promote the work of women printers. A gallery of art by its members, the work in Ladies of Letterpress ranges from greetings cards to broadsides and posters, and is offered in a cornucopia of type and illustration styles. What comes through clearly, though, is the quality of the work: every one of these pieces is worthy of display on your wall, and with 80 detachable pages, you can create an instant and beautiful gallery of your own.


A Theory of Craft

A Theory of Craft

Author: Howard Risatti

Publisher: ReadHowYouWant.com

Published: 2009-12

Total Pages: 586

ISBN-13: 1458762009

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What is craft? How is it different from fine art or design? In A Theory of Craft, Howard Risatti examines these issues by comparing handmade ceramics, glass, metalwork, weaving, and furniture to painting, sculpture, photography, and machine-made design from Bauhaus to the Memphis Group. He describes craft's unique qualities as functionality combined with an ability to express human values that transcend temporal, spatial, and social boundaries. Modern design today has taken over from craft the making of functional objects of daily use by employing machines to do work once done by hand. Understanding the aesthetic and social implications of this transformation forces us to see craft as well as design and fine art in a new perspective, Risatti argues. Without a way of understanding and valuing craft on its own terms, the field languishes aesthetically, being judged by fine art criteria that automatically deny art status to craft objects. Craft must articulate a role for itself in contemporary society, says Risatti; otherwise it will be absorbed by fine art or design and its singular approach to understanding the world will be lost. A Theory of Craft is a signal contribution to establishing a craft theory that recognizes, defines, and celebrates the unique blend of function and human aesthetic values embodied in the craft object.


Makers

Makers

Author: Janet Koplos

Publisher: Univ of North Carolina Press

Published: 2010-07-31

Total Pages: 544

ISBN-13: 0807895830

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Here is the first comprehensive survey of modern craft in the United States. Makers follows the development of studio craft--objects in fiber, clay, glass, wood, and metal--from its roots in nineteenth-century reform movements to the rich diversity of expression at the end of the twentieth century. More than four hundred illustrations complement this chronological exploration of the American craft tradition. Keeping as their main focus the objects and the makers, Janet Koplos and Bruce Metcalf offer a detailed analysis of seminal works and discussions of education, institutional support, and the philosophical underpinnings of craft. In a vivid and accessible narrative, they highlight the value of physical skill, examine craft as a force for moral reform, and consider the role of craft as an aesthetic alternative. Exploring craft's relationship to fine arts and design, Koplos and Metcalf foster a critical understanding of the field and help explain craft's place in contemporary culture. Makers will be an indispensable volume for craftspeople, curators, collectors, critics, historians, students, and anyone who is interested in American craft.


Collage Workshop for Kids

Collage Workshop for Kids

Author: Shannon Merenstein

Publisher: Quarry Books

Published: 2018-10-30

Total Pages: 155

ISBN-13: 1631595202

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Be inspired and delighted by Collage Workshop for Kids, a colorful art instruction book on collage techniques for children—made in cooperation with The Eric Carle Museum of Picture Book Art. Collage Workshop for Kids pairs essays by educators from The Eric Carle Museum of Picture Book Art with instructions on collage technique. Chapters explore favorite art themes for kids and demonstrate how to work with colored tissue paper, newspaper, fabric and buttons, painted paper, torn paper, and more. In each chapter, Reggio-inspired author and teacher Shannon Merenstein explores each technique with original ideas. Members of the museum's education staff offer expert advice on creating art with children. Everything you need to know about collage is in this book, making it a great reference for teachers, librarians, and parents.


Art Matters

Art Matters

Author: Robert Paul Lamb

Publisher: LSU Press

Published: 2011-02-18

Total Pages: 0

ISBN-13: 0807140031

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In Art Matters, Robert Paul Lamb provides the definitive study of Ernest Hemingway's short story aesthetics. Lamb locates Hemingway's art in literary historical contexts and explains what he learned from earlier artists, including Edgar Allan Poe, Paul CĂ©zanne, Henry James, Guy de Maupassant, Anton Chekhov, Stephen Crane, Gertrude Stein, James Joyce, and Ezra Pound. Examining how Hemingway developed this inheritance, Lamb insightfully charts the evolution of the unique style and innovative techniques that would forever change the nature of short fiction. Art Matters opens with an analysis of the authorial effacement Hemingway learned from Maupassant and Chekhov, followed by fresh perspectives on the author's famous use of concision and omission. Redefining literary impressionism and expressionism as alternative modes for depicting modern consciousness, Lamb demonstrates how Hemingway and Willa Cather learned these techniques from Crane and made them the foundation of their respective aesthetics. After examining the development of Hemingway's art of focalization, he clarifies what Hemingway really learned from Stein and delineates their different uses of repetition. Turning from techniques to formal elements, Art Matters anatomizes Hemingway's story openings and endings, analyzes how he created an entirely unprecedented role for fictional dialogue, explores his methods of characterization, and categorizes his settings in the fifty-three stories that comprise his most important work in the genre. A major contribution to Hemingway scholarship and to the study of modernist fiction, Art Matters shows exactly how Hemingway's craft functions and argues persuasively for the importance of studies of articulated technique to any meaningful understanding of fiction and literary history. The book also develops vital new ways of understanding the short story genre as Lamb constructs a critical apparatus for analyzing the short story, introduces to a larger audience ideas taken from practicing storywriters, theorists, and critics, and coins new terms and concepts that enrich our understanding of the field.


The Arts & Crafts Movement

The Arts & Crafts Movement

Author: Rosalind P. Blakesley

Publisher: Phaidon Press

Published: 2009-03-07

Total Pages: 272

ISBN-13: 9780714849676

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A comprehensive survey of the popular Arts and Crafts Movement.


Hecho en Tejas

Hecho en Tejas

Author: Joe S. Graham

Publisher: University of North Texas Press

Published: 1997-04

Total Pages: 380

ISBN-13: 9781574410389

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When the early Spanish and Mexican colonists came to settle Texas, they brought with them a rich culture, the diversity of which is nowhere more evident than in the folk art and folk craft. This first book-length publication to focus on Texas-Mexican material culture shows the richness of Tejano folk arts and crafts traditions.


Hooked Rugs

Hooked Rugs

Author: Cynthia Fowler

Publisher: Routledge

Published: 2017-07-05

Total Pages: 226

ISBN-13: 135156353X

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Through a close look at the history of the modernist hooked rug, this book raises important questions about the broader history of American modernism in the first half of the twentieth century. Although hooked rugs are not generally associated with the avant-garde, this study demonstrates that they were a significant part of the artistic production of many artists engaged in modernist experimentation. Cynthia Fowler discusses the efforts of Ralph Pearson and of Zoltan and Rosa Hecht to establish modernist hooked rug industries in the 1920s, uncovering a previously undocumented history. The book includes a consideration of the rural workers used to create the modernist narrative of the hooked rug, as cottage industries were established throughout the rural Northeast and South to serve the ever increasing demand for hooked rugs by urban consumers. Fowler closely examines institutional enterprises that highlighted and engaged the modernist hooked rugs, such as key exhibitions at the Museum of Modern Art and the Metropolitan Museum of Art in the 1930s and '40s. This study reveals the fluidity of boundaries among art, craft and design, and the profound efforts of a devoted group of modernists to introduce the general public to the value of modern art.