This collection on women’s narratives includes articles exploring the works of women authors who were either born in South Asia or identified as being from that region. It discusses themes of gender, identity politics, diaspora, trauma, and the new ‘self’ of women. The volume addresses a great range of creative output by South Asian women authors and examines how their writings critically engage with the social, cultural, and political issues of their times, while also simultaneously exploring the themes of social discrimination, empowerment, and economic exploitation.
The South Asian women’s diaspora engages in spatio-temporal interactions and power differentials in a variety of narratives, articulating agency, multiplicities of belonging and culturally integrative practices, highlighting homing paradigms. The sense of alienness in a new homeland, rather in worldwide home places, triggers rethinking of diasporic conceptions and epistemes of individual and group histories, personal and collective experiences. Some of the questions that this anthology seeks to consider are: How do women from the South Asian diaspora represent cultural negotiations and alienness of the adopted homeland in various narratives? What are the themes/issues they select to portray their perceptions of foreignness? How do culture, history and politics intervene in their portrayal of lived experiences? How do they locate themselves in the matrix of foreignness and diaspora? The contributors to this anthology examine narratives depicting South Asian women, their complexly positioned voices, gesturing at the proliferating challenges and reflecting the grim realities of a globalized world.
This book conducts a post-colonial, gendered investigation of women-centred South Asian films. In these films, the narrative becomes an act of political engagement and a site of feminist struggle: a map that weaves together multiple strands of subjectivity—gender, caste, race, class, religion, and colonialism. The book explores the cinematic construction of an oppositional narrative of feminist dissent with a view to elaborate a historical understanding and theorisation of the ‘materiality and politics’ of the everyday struggle of Indian women. The book analyzes the ways that ‘cultural workers’ have tended to use subversive narratives as a tool of resistance. Narratives that are political, ideological, classed, raced and gendered offer the focus of this exploration. Through strategies of disclosure and documentation of memory, personal experiences, and imaginary events shaped by the larger historical, political, and cultural contexts, these discursive texts engage in the processes of struggle against a plethora of oppression: caste, class, religion, patriarchal, sexual, and (neo)colonial. The study looks at the manner in which, through their creative and aesthetic interventions, South Asian film makers enable the articulation of an alternative gendered subjectivity as well as constitute the ground for personal and collective empowerment. Films discussed include Shyam Benegal’s Nishaant, Nandita Das’ Firaaq, Beate Arnestad’s My Daughter the Terrorist, and Sarah Gavron’s Brick Lane.
This collection on women's narratives includes articles exploring the works of women authors who were either born in South Asia or identified as being from that region. It discusses themes of gender, identity politics, diaspora, trauma, and the new 'self' of women. The volume addresses a great range of creative output by South Asian women authors and examines how their writings critically engage with the social, cultural, and political issues of their times, while also simultaneously exploring the themes of social discrimination, empowerment, and economic exploitation.
This book is the first comparative analysis of a new generation of diasporic Anglophone South Asian women novelists including Kiran Desai, Tahmima Anam, Monica Ali, Kamila Shamsie and Jhumpa Lahiri from a feminist perspective. It charts the significant changes these writers have produced in postcolonial and contemporary women’s fiction since the late 1990s. Paying careful attention to the authors’ distinct subcontinental backgrounds of Pakistan, Bangladesh and Sri Lanka – as well as India - this study destabilises the central place given to fiction focused on India. It broadens the customary focus on diasporic writers’ metropolitan contexts, illuminates how these transnational, female-authored literary texts challenge national assumptions and considers the ways in which this new configuration of transnational, feminist writers produces a postcolonial feminist discourse, which differs from Anglo-American feminism.
Discover 50 inspirational stories of South Asian women and their INCREDIBLE achievements. Featuring stories of success from award-winning entertainers Jameela Jamil and Mindy Kaling, as well as pioneering business leaders Indra Nooyi, Anjali Sud and Ruchi Sanghvi. South Asian Supergirls also features equally remarkable yet less well known figures, such as the British Muslim spy, Noor Inayat Khan. Perfect for fans of Goodnight Stories for Rebel Girls, this heartwarming read is the ideal gift for young readers. Each profile has been paired with a delightful illustration from one of ten South Asian artists, this is a book for all ages - treasured by parents and children alike. Praise for South Asian Supergirls: One of the most beautiful and visually stimulating books I've seen for a long time - The Morning Star This call to courage celebrates warrior queens of Bangladeshi, Indian, Nepalese and Pakistani heritage - The Guardian Heartwarmingly full of the power, resilience and ingenuity of South Asian women - Book Trust
This book discusses the experiences of women negotiating conflict and post-conflict situations to deliver transformative peace. Inspired by the vision and values of women of the South Asian Peace Network, this volume fills a critical gap in the global Women, Peace and Security (WPS) discourse. The chapters focus on the region's multifaceted experiences and feminist expertise on women negotiating post-war/post-conflict situations structured around interlinked themes - women, participation and peacebuilding; militarization and violent peace; and justice, impunity, and accountability. This volume looks at the efforts of women trying to deliver a transformative peace that questions gendered power relations while confronting the socio-cultural barriers that prevent them from participating in rebuilding conflict-affected societies to bring about just peace.
This anthology of essays, deliberates chiefly on the notion of locating home through the lens of the mythical idea of Trishanku, implying in-between space and homing, in diaspora women’s narratives, associated with the South Asian region. The idea of in-between space has been used differently in various cultures but gesture prominently on the connotation of ‘hanging’ between worlds. Historically, imperialism and the indentured/ ‘grimit’ system, triggered dispersal of labourers to the various colonies of the British. Of course, this was not the only cause of international migratory processes. The partition of India and Pakistan led to large scale migration. There was Punjabi migration to Canada. Several Indians, particularly the Gujaratis travelled to Africa for business reasons. South Indians travelled to the Gulf for employment. There were migrations to East Asian countries under the kangani system. Again, these were not the only reasons. The process of demographic movement from South Asia, has been complex due to innumerable push-pull factors. The subsequent generations of migrants included the twice, thrice (and likewise) displaced members of the diaspora. Racial denigration and Orientalist perceptions plagued their lives. They belonged to various ethnicities and races, inhabited marginalized spaces and strived to acculturate in the host society. Complete cultural assimilation was not possible, creating layered and hyphenated identities. These intricate social processes resulted in amalgamation and cross-pollination of cultures, inter-racial relationships and hybridization in all terrains of culture—language, music, fashion, cuisine and so on. Situated in this matrix was the notion of Home—a special personal space which an individual could feel as belonging to, very strongly. Nostalgia, loss of home, culture shock and interracial encounters problematized this discernment of belongingness and home. These multifarious themes have been captured by women writers from the South Asian region and this book looks at the various aspects related to negotiating home in their narratives.
This study analyses the exceptional narratives of five South Asian women writers who uncover hidden manifestations of male violence against women. Their vehement struggle for the attention on gender-based violence is transferred into literary representations that give the impression of an avalanche of feelings impatiently waiting to be transformed into words after a long-endured silence. In analysing the possibilities and consequences of disrupting the silence on male violence, this study discusses the costs and the chances of success of such a non-conformist endeavour.
