In Joy and in Sorrow brings together some of the finest historians of the South in a sweeping exploration of the meaning of the family in this troubled region. In their vast canvas of the Victorian South, the authors explore the private lives of Senators, wealthy planters, and the belles of high society, along with the humblest slaves and sharecroppers, both white and black. Stretching from the height of the antebellum South's pride and power through the chaos of the Civil War and Reconstruction to the end of the century, these essays uncover hidden worlds of the Southern family, worlds of love and duty--and of incest, miscegenation, and insanity. Featuring an introduction by C. Vann Woodward, Pulitzer Prize-winning author of Mary Chesnut's Civil War, and a foreword by Anne Firor Scott, author of The Southern Lady, this work presents an outstanding array of historians: Eugene Genovese, Catherine Clinton, Elizabeth Fox-Genovese, Carol Bleser, Drew Faust, James Roark, Michael Johnson, Brenda Stevenson, Bertram Wyatt-Brown, Jacqueline Jones, Peter Bardaglio, and more. They probe the many facets of Southern domestic life, from the impact of the Civil War on a prominent Southern marriage to the struggles of postwar sharecropper families. One author turns the pages of nineteenth century cookbooks, exploring what they tell us about home life, housekeeping, and entertaining without slaves after the Civil War. Other essays portray the relationship between a Victorian father and his devoted son, as well as the private writings of a long-suffering Southern wife. In Joy and in Sorrow offers a fascinating look into the tangled reality of Southern life before, during, and after the Civil War. With this collection of essays, editor Carol Bleser provides a powerful new way of understanding this most self-consciously distinct region. In Joy and in Sorrow will appeal to everyone interested in marriage and the family, the problems of gender and slavery, as well as in the history of the South, old and new.
In this fiercely imaginative Filipino-inspired fantasy debut, a bisexual nun hiding a goddess-given gift is unwillingly transformed into a lightning rod for her people's struggle against colonization. Perfect for fans of lush fantasy full of morally ambiguous characters, including The Poppy War and The Jasmine Throne. María Lunurin has been living a double life for as long as she can remember. To the world, she is Sister María, dutiful nun and devoted servant of Aynila's Codicían colonizers. But behind closed doors, she is a stormcaller, chosen daughter of the Aynilan goddess Anitun Tabu. In hiding not only from the Codicíans and their witch hunts, but also from the vengeful eye of her slighted goddess, Lunurin does what she can to protect her fellow Aynilans and the small family she has created in the convent: her lover Catalina, and Cat's younger sister Inez. Lunurin is determined to keep her head down—until one day she makes a devastating discovery, which threatens to tear her family apart. In desperation, she turns for help to Alon Dakila, heir to Aynila's most powerful family, who has been ardently in love with her for years. But this choice sets in motion a chain of events beyond her control, awakening Anitun Tabu's rage and putting everyone Lunurin loves in terrible danger. Torn between the call of Alon’s magic and Catalina’s jealousy, her duty to her family and to her people, Lunurin can no longer keep Anitun Tabu’s fury at bay. The goddess of storms demands vengeance. And she will sweep aside anyone who stands in her way.
The Vedas are a collection of hymns and other ancient religious texts written in India between about 1500 and 1000 BCE. It includes elements such as liturgical material as well as mythological accounts, poems, prayers, and formulas considered to be sacred by the Vedic religion. According to tradition, Vyasa is the compiler of the Vedas, who arranged the four kinds of mantras into four Samhitas (Collections). There are four Vedas: the Rigveda, the Yajurveda, the Samaveda and the Atharvaveda. The basic Vedic texts are the Samhita “Collections” of the four Vedas: Rig-Veda “Knowledge of the Hymns of Praise”, for recitation. Sama-Veda “Knowledge of the Melodies”, for chanting. Yajur-Veda “Knowledge of the Sacrificial formulas”, for liturgy. Atharva-Veda “Knowledge of the Magic formulas”, named after a kind of group of priests.
A translation of the complete Rig Veda into English with a state-of-the-art search and discovery capability. This is the first Digital Book that aims to answer the question - "What is in the Rig Veda and where do I find it?" The Vedic heritage, and the Rig Veda in particular, is the foundation of Hinduism. Yoga, Dharma, Spirituality and so much of what defines Indian thought and culture today, derive from it. It was composed by famous Rishis who are household names, and yet, for many of us, its contents still remain a mystery. This book hopes to make the Rig Veda a little more accessible. Horace Hayman Wilson wrote the first translation of the Rig Veda into English. His work is notable because it consciously tries to be true to the ancient sources. It is an important work of scholarship that this ebook hopes to preserve and extend. This is the first Digital version of Wilson's work. It converts all the six volumes into a single, easy to carry ebook. It then embeds a state of the art search capability using AI and NLP. It extends this with Serendipity, to help us discover what maybe relevant even when we are not sure what to look for. This work aims to be your reference of choice when you are looking for something in the Rig Veda. It also includes an Introduction where you can find some important Suktas and references, Rishi families and their compositions, elements of Vedic tradition like Danastutis and Apri Suktas, and much more.
Most of these poems were written originally in Punjabi and published as Payar Rossa. The book mentions poems on reverence and pure love and intense sorrow. Reverence for parents, and Guru Nanak come first then poem about pure love for wife, family etc. Some poems are about reaction to conquest of moon, his feeling about aim in one s life, love and sacrifices. As he was moved the most by attack on Golden Temple and demolition of Babri Masjid. His poems are symbolic of heart-rendering sorrow.
Markets of Sorrow, Labors of Faith is an ethnographic account of long-term recovery in post-Katrina New Orleans. It is also a sobering exploration of the privatization of vital social services under market-driven governance. In the wake of Hurricane Katrina, public agencies subcontracted disaster relief to private companies that turned the humanitarian work of recovery into lucrative business. These enterprises profited from the very suffering that they failed to ameliorate, producing a second-order disaster that exacerbated inequalities based on race and class and leaving residents to rebuild almost entirely on their own. Filled with the often desperate voices of residents who returned to New Orleans, Markets of Sorrow, Labors of Faith describes the human toll of disaster capitalism and the affect economy it has produced. While for-profit companies delayed delivery of federal resources to returning residents, faith-based and nonprofit groups stepped in to rebuild, compelled by the moral pull of charity and the emotional rewards of volunteer labor. Adams traces the success of charity efforts, even while noting an irony of neoliberalism, which encourages the very same for-profit companies to exploit these charities as another market opportunity. In so doing, the companies profit not once but twice on disaster.
The Dutch, through the directors of the West India Company, purchased Manhattan Island in 1625. They had come to the New World as traders, not expecting to assume responsibility as the sovereign possessor of a conquered New Netherland. They did not intend to make war on the native peoples around Manhattan Island, but they did; they did not intend to help destroy native cultures, but they did; they intended to be overseas the tolerant, pluralistic, and antimilitaristic people they thought themselves to be—and in so many respects were—at home, but they were not. For the Dutch intruders, establishing a settled presence away from the homeland meant the destabilization of the adventurers' values and self-regard. They found that the initially peaceful encounters with the indigenous people soon took on the alarming overtones of an insurgency as the influx of the Dutch led to a complete upheaval and eventual disintegration of the social and political worlds of the natives. How are the Dutch to be judged? Donna Merwick, in The Shame and the Sorrow, asks this question. She points to a betrayal both of their own values and of the native peoples. She also directs us to the self-delusion of hegemonic control. Her work belongs alongside the best of today's postcolonial studies in the description of cross-cultural violence and subtle questioning of the nature of writing its history.