This charming book is filled with sayings, legends and proverbs derived from the oral history of the countryside and unveils how they came about, what they mean, and how they came to be such a big part of the language we use today.
One kingdom. One crown. One family. “Maybe it’s time the great House of Rey came to an end. After all, what are we now? Just a house of rage and sorrow.” Esmae once wanted nothing more than to help her golden brother win the crown of Kali but that dream died with her best friend. Alexi broke her heart, and she vowed to destroy him for it. And with her sentient warship Titania beside her, how can she possibly fail? As gods, beasts, and kingdoms choose sides, Alexi seeks out a weapon more devastating than even Titania. Past lives threaten the present. Old enemies claim their due. And Esmae cannot outrun the ghosts and the questions that haunt her. What really happened to her father? What was the third boon her mother asked of Amba? For in the shadows, lurking in wait, are secrets that will swallow her whole. The House of Rey is at war. And the entire galaxy will bleed before the end.
On the verge of marriage and a fresh start, Charlie Lewis can't stop thinking about the past, and the events of one particular summer. At sixteen he was failing his classes, and looking after his depressed father. If he thought about the future at all, it was with dread. Then Fran Fisher burst into his life. In order to spend time with Fran, Charlie became a different person: he joined the Company. The price of hope, it seems, is Shakespeare, Romeo and Juliet learned and performed in a theater troupe over the course of a summer. Now Charlie can't go the altar without coming to terms with his relationship with Fran, his friends, and his former self. -- adapted from jacket
A lyrical novel, spanning four decades in New York City, about a couple torn apart and the lengths to which they will go to be reunited. Vince Passaro’s first novel, 2002’s Violence, Nudity, Adult Content, was a provocative book that explored the darkest human emotions and the traumas of mental illness, sexual assault, and murder. Now, nearly twenty years later, Passaro is back with his follow-up, Crazy Sorrow, a novel that is equally explosive and more grand in scope. The story opens in the shadow of the new World Trade Center, on July 4, 1976, when students George and Anna meet on the weed- and wine-fueled night of the nation’s Bicentennial celebration. George, haunted by his upbringing, instantly falls for the sensual, magnetic Anna. Soon, they couple up, dropping acid, swapping music, exploring the city and each other. Yet their romance is short-lived, and they go their own ways. Passaro chronicles the next four decades, following George and Anna through their various relationships, their sex lives both youthful and mature, their failed marriages, and the travails of parenthood and their careers. Yet as the years go by one thing remains constant: the former lovers wonder what happened to each other. Finally, miraculously, they reconnect as the new century is beginning, only to discover that history itself will have a say in whether they can stay together. Crazy Sorrow is an ambitious examination of the forces that draw people together and drive them apart—yet it also expands beyond the points of view of its characters to capture the movement of time and to reveal a living, breathing New York that is both constantly changing and always familiar. Crazy Sorrow stands as Passaro’s powerful love letter to his characters and to the city that has shaped them.
An intimate narrative history of World War I told through the stories of twenty men and women from around the globe--a powerful, illuminating, heart-rending picture of what the war was really like. In this masterful book, renowned historian Peter Englund describes this epoch-defining event by weaving together accounts of the average man or woman who experienced it. Drawing on the diaries, journals, and letters of twenty individuals from Belgium, Denmark, France, Great Britain, Germany, Austria, Hungary, Italy, Australia, New Zealand, Russia, Venezuela, and the United States, Englund’s collection of these varied perspectives describes not a course of events but "a world of feeling." Composed in short chapters that move between the home front and the front lines, The Beauty and Sorrow brings to life these twenty particular people and lets them speak for all who were shaped in some way by the War, but whose voices have remained unheard.
Working on Ovid’s extraordinary but often much-neglected exile poetry with an old second-hand Latin dictionary one stormy spring morning, Josephine Balmer noticed a school-boy’s faded name inked on its fly-leaf and a date, January 1st 1900. The Word for Sorrow explores the story of this dictionary and its owner, who, as a subsequent Google search uncovered, later fought with the British yeomanry in the ill-fated Gallipoli campaign of World War I, near Ovid’s own Black Sea exile. Alongside versions and interpretations of Ovid’s Tristia – the text the dictionary translates – soldiers’ original diaries and letters from Gallipoli provide another rich vein of source material for the original poems of the volume, which also follows Balmer’s own journey as she excavates these entwined narratives, underscoring how the emotional charge of the past still resonates down through the centuries. Like Chasing Catullus, Balmer’s acclaimed first collection, The Word for Sorrow explores an interplay between translation and original, text and translator, past and present, giving new resonance to ancient grief. An engaging detective story in verse, the work traces the invisible lines that connect us to often surprising points in history, finding common ground in unexpected places, forging often unexpected links between past and present. From Ovid’s Rome to the blood-soaked trenches of Gallipoli, its powerful and engaging poems give voice to the universal suffering of exile, war and grief, celebrating the enduring common humanity that binds us across countries and over centuries, whether we live at the beginning of the first, the twentieth or the twenty-first century.
The work of the mature person is to carry grief in one hand and gratitude in the other and be stretched large by them. As seen on All There Is with Anderson Cooper Noted psychotherapist Francis Weller provides an essential guide for navigating the deep waters of sorrow and loss in this lyrical yet practical handbook for mastering the art of grieving. Describing how Western patterns of amnesia and anesthesia affect our capacity to cope with personal and collective sorrows, Weller reveals the new vitality we may encounter when we welcome, rather than fear, the pain of loss. Through moving personal stories, poetry, and insightful reflections he leads us into the central energy of sorrow, and to the profound healing and heightened communion with each other and our planet that reside alongside it. The Wild Edge of Sorrow explains that grief has always been communal and illustrates how we need the healing touch of others, an atmosphere of compassion, and the comfort of ritual in order to fully metabolize our grief. Weller describes how we often hide our pain from the world, wrapping it in a secret mantle of shame. This causes sorrow to linger unexpressed in our bodies, weighing us down and pulling us into the territory of depression and death. We have come to fear grief and feel too alone to face an encounter with the powerful energies of sorrow. Those who work with people in grief, who have experienced the loss of a loved one, who mourn the ongoing destruction of our planet, or who suffer the accumulated traumas of a lifetime will appreciate the discussion of obstacles to successful grief work such as privatized pain, lack of communal rituals, a pervasive feeling of fear, and a culturally restrictive range of emotion. Weller highlights the intimate bond between grief and gratitude, sorrow and intimacy. In addition to showing us that the greatest gifts are often hidden in the things we avoid, he offers powerful tools and rituals and a list of resources to help us transform grief into a force that allows us to live and love more fully.
This is the moving story of Matt Chandler's battle with a potentially fatal brain tumor. But it's also the stories of those in his church family who taught him, and teach him, how to walk with joy in sorrow. Readers will find encouragement and strength to get through tough times, or to support others to do so.
Days of Sorrow and Pain, winner of the 1979 Pulitzer Prize in Biography, tells the story of Germany’s Jews under the Nazis and of one man’s valiant efforts to help them meet the horrors of the Hitler regime. Leonard Baker explores the disintegration of German society, the plight of German Jews and the philosophy of Leo Baeck which enabled him to guide his people in their struggle for survival. After Hitler came to power, German Jews formed the Reichsvertretung with Leo Baeck at its head. As Berlin’s leading Rabbi and one of the foremost Jewish theologians in the world, Baeck was the rallying point for all Jewish factions. He dealt secretly with emissaries from abroad to arrange for Jews to emigrate and saw to it that Jewish children received a religious education. Young men were trained for the rabbinate in Berlin as late as 1942. Leo Baeck chose to remain in Germany as long as there were still Jews there. He was arrested five times, once after writing a prayer to be read in all German synagogues reminding Jews that even “in this day of sorrow and pain,” they bowed only before God and never before man. After his last arrest in 1943 at the age of 69, Rabbi Baeck was sent to Theresienstadt where he hauled trash carts by day, and organized educational programs for his fellow inmates at night, consoling them, becoming one of their strengths. After the war, having survived the Holocaust, Baeck never sought revenge, but worked for reconciliation between Germans and Jews. He became a world leader of liberal Judaism and never doubted the ultimate triumph of good over evil nor underestimated the responsibility of the individual to bring about that triumph. “Only now, more than twenty years after Baeck’s death, has Leonard Baker, a writer on American political history, given us a full life story. Drawing on nearly a hundred interviews with persons who knew Baeck and supplementing these with a rich variety of printed and archival sources, he has succeeded in fashioning an intriguing portrait of the rabbi-scholar called upon to assume leadership in a time of crisis. The inherent drama of the subject together with Baker’s practiced writing skill has made for a book of broad popular interest. It has even been awarded the Pulitzer Prize for biography.” — Michael A. Meyer, American Jewish History “There are several outstanding reasons why this book was awarded the Pulitzer Prize in biography. The evidence of extensive research and scholarship exists in one of the most complete oral and written bibliographies that is presently available on contemporary German Jewry. Baker’s writing style, journalistic at times, is free from conventional pedantry, but is satisfying enough for even the most stodgy academe. Furthermore, the historical flow of the text leaves little doubt that this is one serious author... Rabbi Baeck is shown as both the German as a Jew and the Jew as a German. Writing with an obvious appreciation for the role of the Jews in modern German history, Baker explains Baeck in the context of Reform Judaism...” — Michael W. Rubinoff, German Studies Review “Baker has written a marvelous account of Baeck’s long and remarkable life.” — Lew’s Author Blog “Baker tells Baeck’s story in relation to the history of the German Jews down to his death as an expatriate in England in the 1950s... Baker’s narrative is scholarly and simple in tone, as it should be; and although chiefly a study in Jewish history, it is also a study in historical tragedy and moral will...” — Kirkus Reviews
"Brilliantly faceted and extremely funny. . . . While I was reading it, I was making a list of all the people I wanted to send it to, until I realized that I wanted to send it to everyone I know." — Ann Patchett “Improbably charming...will have you chortling and reading lines aloud.” — PEOPLE The internationally bestselling, compulsively readable novel—spiky, sharp, intriguingly dark, and tender—that combines the psychological insight of Sally Rooney with the sharp humor of Nina Stibbe and the emotional resonance of Eleanor Oliphant Is Completely Fine. Martha Friel just turned forty. Once, she worked at Vogue and planned to write a novel. Now, she creates internet content. She used to live in a pied-à-terre in Paris. Now she lives in a gated community in Oxford, the only person she knows without a PhD, a baby or both, in a house she hates but cannot bear to leave. But she must leave, now that her husband Patrick—the kind who cooks, throws her birthday parties, who loves her and has only ever wanted her to be happy—has just moved out. Because there’s something wrong with Martha, and has been for a long time. When she was seventeen, a little bomb went off in her brain and she was never the same. But countless doctors, endless therapy, every kind of drug later, she still doesn’t know what’s wrong, why she spends days unable to get out of bed or alienates both strangers and her loved ones with casually cruel remarks. And she has nowhere to go except her childhood home: a bohemian (dilapidated) townhouse in a romantic (rundown) part of London—to live with her mother, a minorly important sculptor (and major drinker) and her father, a famous poet (though unpublished) and try to survive without the devoted, potty-mouthed sister who made all the chaos bearable back then, and is now too busy or too fed up to deal with her. But maybe, by starting over, Martha will get to write a better ending for herself—and she’ll find out that she’s not quite finished after all.