Raw. Real. Ancient. And nearly forgotten. To practice Canaanite magic is to honor a spiritual ancestry that, until now, was beyond our understanding. Reawakening the beliefs of an ancient religion, The Horned Altar reveals how to transform the Canaanites' rich culture of myth and ritual into a modern magical practice. Explore Canaanite secrets that were recorded on cuneiform tablets over three thousand years ago. Discover how to forge relationships with deities and how to revitalize your passions. Learn the truth about a civilization unfairly portrayed as the blood-soaked villains of the Bible. Contemplate the deities of Canaan and the alphabets of the era; make a Babylonian demon protection bowl; and cast spells for healing, love, and protection. Feel the call of the ancient deities and connect to a spiritual ancestry that is older and deeper than anything you've ever experienced.
This unique reference article, excerpted from the larger work (Dictionary of Daily Life in Biblical and Post-Biblical Antiquity), provides background cultural and technical information on the world of the Hebrew Bible and New Testament from 2000 BC to approximately AD 600. Written and edited by a world-class historian and a highly respected biblical scholar, each article addresses cultural, technical, and/or sociological issues of interest to the study of the Scriptures. Contains a high level of scholarship.Information and concepts are explained in detail and are accompanied by bibliographic material for further exploration.Useful for scholars, pastors, teachers, and students—for biblical study, exegesis, or sermon preparation.Possible areas covered include details of domestic life, technology, culture, laws, or religious practices.Each article ranges from 5 to 20 pages in length. For the complete contents of Dictionary of Daily Life in Biblical and Post-Biblical Antiquity, see ISBN 9781619708617 (4-volume set) or ISBN 9781619701458 (complete in one volume).
An intriguing look at the centuries old folklore, legends, mythology, and history that inspired J. K. Rowling's Harry Potter series details the magical practices and rituals, creatures, personalities, and events that appear in the books, offering stories about the Basilisk, magic wands, love potions, and other objects from around the world. Original. 100,000 first printing.
Second Edition completely revised and edited version now available! Luciferian Witchcraft is a complete grimoire of Left Hand Path initiation. Many books have been written of the so-called left hand path, very few actually were written by initiates. Beginning with a lengthy exploration of the forms of the Adversary throughout history, a foundation of ideology is given by identification with the Adversary. The reader is then led through dark and twisting corridors with Four Chapters, a complete system of the History of the Adversary and the Witchcraft associated with the Left Hand Path. What is found within Luciferian Witchcraft is a Talismanic text which presents the medieval concepts of the Black Book being a conjuration itself of the Devil, a complete initiatory system detailing High Ceremonial Magick, The lore of the Adversary and ritualistic and forbidden sex magick. Approach with caution, you may open the gates of hell within'¦
Ugaritic literary and ritual studies have often neglected or even ignored the Akkadian material from the same archives, which can be used as a frame of reference for the Ugaritic texts. The aim of this work is to offer a comprehensive study of the consonantal (Ugaritic) as well as the syllabic (Akkadian) incantation and anti-witchcraft texts from Ras Shamra as a unified corpus. These texts, dealing with impending dangers (mainly snakebites) and witchcraft attacks, are placed in the context of Ancient Near Eastern magic literature. A discussion of general topics, including magic and religion, the Ugaritic gods of magic, and the definition of incantation, is followed by a new collation and translation of the Akkadian texts, as well as new photographic material for both series. The main focus of this book is the close reading of the consonantal texts in the context of the much larger and better analyzed corpus of Akkadian magic literature.
The Bundahisn, meaning primal or foundational creation, is the central Zoroastrian account of creation, cosmology, and eschatology. Compiled sometime in the ninth century CE, it is one of the most important surviving testaments to Zoroastrian literature in the Middle Persian language and to pre-Islamic Iranian culture. Despite having been composed some two millennia after the Prophet Zoroaster's revelation, it is nonetheless a concise compendium of ancient Zoroastrian knowledge that draws on and reshapes earlier layers of the tradition. Well known in the field of Iranian Studies as an essential primary source for scholars of ancient Iran's history, religions, literatures, and languages, the Bundahisn is also a great work of literature in and of itself, ranking alongside the creation myths of other ancient traditions. The book's thirty-six diverse chapters, which touch on astronomy, eschatology, zoology, medicine, and more, are composed in a variety of styles, registers, and genres, from spare lists and concise commentaries to philosophical discourses and poetic eschatological visions. This new translation, the first in English in nearly a century, highlights the aesthetic quality, literary style, and complexity and raises the profile of pre-Islamic Zoroastrian literature.
This volume, edited by Tzvi Zbusch and Karel van der Toorn, contains the papers delivered at the first international conference on Mesopotamian magic held under the auspices of the Netherlands Institute for Advanced Studies (NIAS) in June 1995. It is the first collective volume dedicated to the study of this topic. It aims at serving as a bench-mark and provides analytic and innovative but also sythetic and programmatic essays. Magical texts, forms, and traditions from the Mesopotamian cultural worlds of the third millennium BCE through the first millennium CE, in the Sumerian, Akkadian and Aramaic languages as well as in art, are examined.