Describes the events of the 1914 Shackleton Antarctic expedition when, after being trapped in a frozen sea for nine months, the Endurance was crushed, creating the need to travel across the ocean to safety.
Travel around Australia without leaving home! From much-loved children's author Alison Lester comes this gift set containing the classic picture book, a 200-piece jigsaw puzzle and a pack of specially designed playing cards. The Book The year I turned eight, Mum and Dad took us on a trip around Australia. Luke, Billy and I missed school for the whole winter term. Join Grace and her family on their adventurous and sometimes funny expedition. A warm, heartfelt story based on an actual journey undertaken by the much-loved, award-winning author and illustrator, Alison Lester.
William Kentridge's multi-channel projection installation of eight film fragments, entitled I am not me, the horse is not mine, was first presented to international acclaim at the Sydney Biennale in June 2008. The work is based on the absurdist short story, The Nose (1837), by Nikolai Gogol, in which the pompous government official, Kovalyov, wakes up one day to find that his nose has taken on a life of its own and gone for a walk around the city of St Petersburg. In a sequence of comical scenes, the main character attempts - with increasingly ridiculous efforts - to chase after his nose, recapture it and stick it back on his face. I am not me, the horse is not mine stems from the artist's ongoing interest in the roots and development of modernism: a mixture of the absurd, the self-reflective (and the 'self-divided') and its many forms of fragmentation. It also deals particularly with Russia's response to modernism in the 1930s and the histories and terrors of oppression. This exhibition was made possible by the Goodman Gallery.
Praised by The New York Times; O, The Oprah Magazine; Bitch Magazine; Slate; Publishers Weekly; and more, this is “a bracing corrective to a national mythology” (New York Times) around the civil rights movement. The civil rights movement has become national legend, lauded by presidents from Reagan to Obama to Trump, as proof of the power of American democracy. This fable, featuring dreamy heroes and accidental heroines, has shuttered the movement firmly in the past, whitewashed the forces that stood in its way, and diminished its scope. And it is used perniciously in our own times to chastise present-day movements and obscure contemporary injustice. In A More Beautiful and Terrible History award-winning historian Jeanne Theoharis dissects this national myth-making, teasing apart the accepted stories to show them in a strikingly different light. We see Rosa Parks not simply as a bus lady but a lifelong criminal justice activist and radical; Martin Luther King, Jr. as not only challenging Southern sheriffs but Northern liberals, too; and Coretta Scott King not only as a “helpmate” but a lifelong economic justice and peace activist who pushed her husband’s activism in these directions. Moving from “the histories we get” to “the histories we need,” Theoharis challenges nine key aspects of the fable to reveal the diversity of people, especially women and young people, who led the movement; the work and disruption it took; the role of the media and “polite racism” in maintaining injustice; and the immense barriers and repression activists faced. Theoharis makes us reckon with the fact that far from being acceptable, passive or unified, the civil rights movement was unpopular, disruptive, and courageously persevering. Activists embraced an expansive vision of justice—which a majority of Americans opposed and which the federal government feared. By showing us the complex reality of the movement, the power of its organizing, and the beauty and scope of the vision, Theoharis proves that there was nothing natural or inevitable about the progress that occurred. A More Beautiful and Terrible History will change our historical frame, revealing the richness of our civil rights legacy, the uncomfortable mirror it holds to the nation, and the crucial work that remains to be done. Winner of the 2018 Brooklyn Public Library Literary Prize in Nonfiction
A sweet addition to the family is coming! Written by National Book Award-winning author Jacqueline Woodson. Illustrated by Caldecott Award-winning illustrator Sophie Blackall. All anyone wants to talk about with Mama is the new “ding-dang baby” that’s on the way, and Gia is getting sick of it! If her new sibling is already such a big deal, what’s going to happen to Gia’s nice, cozy life with Mama once the baby is born? “[An] honest story about jealousy, anger, displacement, and love [that] will touch kids dealing with sibling rivalry and spark their talk about change.”—Booklist “Fresh and wise.”—Kirkus Reviews
"This high-spirited, richly imagined, and brave novel is a delight to read... Smart and hilarious." — Kirkus Reviews Joyous, fast and funny, Scott Johnston’s Campusland is a satiric howl at today’s elite educational institutions—from safe spaces to tribal infighting to the sheer sanctimony. A wickedly delightful novel that may remind you of Tom Wolfe and David Lodge. Her room sucks. Her closet isn’t big enough for two weeks’-worth of outfits, much less her new Rag & Bone for fall. And there’s nothing worth posting. Cruel. To Lulu Harris—It Girl-in-the-Making—her first year at the ultra-competitive Ivy-like Devon University is a dreary impediment. If she’s fabulous and no one sees it, what’s the point? To Eph Russell, who looks and sounds like an avatar of privilege (shh!–he’s anything but) Devon is heaven. All day to think and read and linger over a Welsh rarebit at The Faculty Club, not to mention teach English 240 where he gets to discuss all his 19th Century favorites, like Mark Twain. If Eph could just get tenure, he could stay forever, but there are landmines everywhere. In his seventh year at Devon, Red Wheeler is the alpha dog on top of Devon’s progressive hierarchy, the most woke guy on campus. But when his position is challenged, Red is forced to take measures. Before first term is halfway finished, Lulu bungles her social cache with her clubbable upperclass peers, and is forced to reinvent herself. Shedding her designer clothes, she puts on flannel and a brand-new persona: campus victim. For Lulu to claw her way back to the top, she’ll build a pyre and roast anyone in her way. Presiding over this ferment is Milton Strauss, Devon’s feckless president, who spends his days managing perpetually aggrieved students, scheming administrators, jealous professors, billionaire donors, and bumptious frat boys. He just can’t say yes fast enough. And what to do with Martika Malik-Adams? Isn’t her giant salary as vice-president of Diversity & Inclusion enough? All paths converge as privileged, marginalized, and radical students form identity alliances, sacrifice education for outrage, and push varied agendas of political correctness that drags every free thought of higher learning into the lower depths of an entitled underclass. Campusland is a riotous, subversive and fresh read.
It's crunch time in Bungawitta. The land's as dry as a dead galah, there's no rain in sight, and only twelve people left in town. Little Glory-Alice blames it all on the TV weatherman. Jay knows better. Nobody can make it rain. But a shower of money would help keep Bungawitta alive. And a festival would attract city tourists with money to spend, Jay's sure of it. But can twelve people, two dogs and a Shetland pony put on a proper festival? Only time, and the ABC, will tell.
May you, my baby, sleep softly at night, and when dawn lights the world, may you wake up to birdsong. Part poem, part lullaby, this gentle story celebrates a baby's wonder at our beautiful world. From Australia's favorite picture-book creator, Alison Lester, comes a timeless book to share and to treasure.