Songs with Theorbo (ca. 1650-1663)
Author: Gordon J. Callon
Publisher: A-R Editions, Inc.
Published: 2000-01-01
Total Pages: 162
ISBN-13: 0895794616
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Author: Gordon J. Callon
Publisher: A-R Editions, Inc.
Published: 2000-01-01
Total Pages: 162
ISBN-13: 0895794616
DOWNLOAD EBOOKAuthor: William Lawes
Publisher: A-R Editions, Inc.
Published: 2002-01-01
Total Pages: 130
ISBN-13: 0895795132
DOWNLOAD EBOOKxxxvi + 91 pp.
Author: Tim Carter
Publisher: Cambridge University Press
Published: 2005-12-22
Total Pages: 636
ISBN-13: 9780521792738
DOWNLOAD EBOOKFirst published in 2005, this title provides extensive knowledge on seventeenth-century music.
Author: Silvius Leopold Weiss
Publisher: A-R Editions, Inc.
Published: 2004-01-01
Total Pages: 138
ISBN-13: 0895795515
DOWNLOAD EBOOKxxii + 102 pp.Performance part (lute) available from publisher.
Author: Bellerofonte Castaldi
Publisher: A-R Editions, Inc.
Published: 2006-01-01
Total Pages: 210
ISBN-13: 0895795914
DOWNLOAD EBOOKPagination: xvi + 180 pp.
Author: William Lawes
Publisher: A-R Editions, Inc.
Published: 2002-01-01
Total Pages: 242
ISBN-13: 0895795140
DOWNLOAD EBOOKAuthor: William Lawes
Publisher: A-R Editions, Inc.
Published: 2002-01-01
Total Pages: 290
ISBN-13: 0895795183
DOWNLOAD EBOOKxxxiv + 240 pp.
Author: Santiago de Murcia
Publisher: A-R Editions, Inc.
Published: 2010-01-01
Total Pages: 156
ISBN-13: 9780895796783
DOWNLOAD EBOOKxlvi + 106 pp. URL: https://www.areditions.com/rr/rrb/b167.html
Author: Johann Schop
Publisher: A-R Editions, Inc.
Published: 2003-01-01
Total Pages: 210
ISBN-13: 089579523X
DOWNLOAD EBOOKPgination: xv + 179 pagesParts set: B125P at $60.00 per set.
Author: Barbara Ravelhofer
Publisher: Routledge
Published: 2016-10-04
Total Pages: 275
ISBN-13: 1317111516
DOWNLOAD EBOOKJames Shirley was the last great dramatist of the English Renaissance, shining out among other luminaries such as John Ford, Ben Jonson, or Richard Brome. This collection considers Shirley within the culture of his time, and highlights his contribution to seventeenth-century English literature as poet and playwright. Individual essays explore Shirley’s musical theatre and spoken verse, performance conditions, female agency and politics, and the presentation of his work in manuscript and print. Collectively, the essays assemble a larger picture of Caroline drama, showing it to be more than simply a nostalgic endgame, its poets daintily sipping hemlock on the eve of the Civil Wars. Shirley’s literary versatility and long life, spanning the last days of Queen Elizabeth I to the ascension of Charles II, make him an ideal writer through whom to examine the distinctive qualities of Caroline theatre.