Songs of Myself: Quartet is deeply rooted in the indigenous African poetic tradition. The great udje poets first composed songs paying tribute to the god of songs, followed by songs of self-exhortation,and then songs mocking themselves before satirizing others. This collection incorporates some of these aspects of the oral poetic genre in its four-part structure. It deals with self-examination and the minstrel’s alter-ego as a way of attempting to know himself. So, there is self-mockery that justifies mocking others. The four parts of the collection are: “Pulling the Thread of the Loom,” “Songs of Myself,” “Songs of the Homeland Warrior,” and “Secret Love and Other Poems.”
An extraordinary novel inspired by true events. 1943. Tasa Rosinski and five relatives, all Jewish, escape their rural village in eastern Poland—avoiding certain death—and find refuge in a bunker beneath a barn built by their longtime employee. A decade earlier, ten-year-old Tasa dreams of someday playing her violin like Paganini. To continue her schooling, she leaves her family for a nearby town, joining older cousin Danik at a private Catholic academy where her musical talent flourishes despite escalating political tension. But when the war breaks out and the eastern swath of Poland falls under Soviet control, Tasa’s relatives become Communist targets, her tender new relationship is imperiled, and the family’s secure world unravels. From a peaceful village in eastern Poland to a partitioned post-war Vienna, from a promising childhood to a year living underground, Tasa’s Song celebrates the bonds of love, the power of memory, the solace of music, and the enduring strength of the human spirit. 2016 Independent Publisher Book Awards (IPPY): Bronze Medal, Historical Fiction 2016 Foreword INDIES Book Awards: Finalist - Historical Fiction
Oral Forms of Nigerian Autobiography and Life Stories discusses the oral life stories and poems that Africans, particularly the Yoruba people, have told about the self and community over hundreds of years. Disproving the Eurocentric argument that Africans didn’t produce stories about themselves, the author showcases a vibrant literary tradition of oral autobiographies in Africa and the diaspora. The oral auto/biographies studied in this book show that stories and poems about individuals and their communities have always existed in various African societies and they were used to record, teach, and document history, culture, tradition, identity, and resistance. Genres covered in the book include the panegyric, witches’ and wizards’ narratives, the epithalamium tradition, the hunter’s chant, and Udje of the Urhobo. Providing an important showcase for oral narrative traditions this book will be of interest to students, scholars, and researchers in African and Africana studies, literature and auto/biographical studies.
This book is a philosophical tour through the experience of beauty: what it is, and how the composer, performer, and listener all contribute. It explores -- with insight, patience, and humor -- profound issues at the essence of our experience. A student performance of Beethoven's String Quartet No. 10 in E-Flat Major, known as the "Harp," serves as a point of departure and a recurring theme. For the layperson the core of the book is five dialogues between Icarus, an inquiring student intensely concerned with fulfilling his highest potential as a musician, and Daedalus, a curmudgeonly, iconoclastic teacher who guides Icarus's search. Three technical articles, geared to the music professional and academic, treat the issues in greater depth. Supplementary online audio files and musical examples. Markand Thakar is Music Director of the Baltimore Chamber Orchestra, and a member of the graduate conducting faculty at the Peabody Conservatory of the Johns Hopkins University.
The author tells of his own development as a student, "of how he and his intrepid colleagues were converted to chamber music ... [and of how] four individualists master and then overcome the confining demands of ensemble playing."--Jacket.
Pulitzer Prize–winning poet C. K. Williams's personal reflection on the art of Walt Whitman In this book, Pulitzer Prize–winning poet C. K. Williams sets aside the mass of biography and literary criticism that has accumulated around Walt Whitman and attempts to go back to Leaves of Grass as he first encountered it—to explore why Whitman's epic "continues to inspire and sometimes daunt" him. The result is a personal reassessment and appreciation of one master poet by another, as well as an unconventional and brilliant introduction to Whitman. Beautifully written and rich with insight, this is a book that refreshes our ability to see Whitman in all his power.
“Robert Oppenheimer was a complex human being. No biography yet written comes even close to this elegant skein of poems in capturing his life and character.”—Richard Rhodes, author of the Pulitzer Prize–winning The Making of the Atomic Bomb Quartet for J. Robert Oppenheimer records in poetry the life and times of one of America’s best-known scientists, the father of the atomic bomb who later lobbied for containment of nuclear weaponry. In brief, elegant stanzas, Kelly Cherry examines Oppenheimer’s inspirations, dreams, and values, visiting the events, places, and people that inspired him or led him to despair. She finds his place among scientists of his own time, such as Alan Turing and Albert Einstein, as well as his connections with historical and mythological figures from John Donne to Persephone. “Of course he had blood on his hands. Who did not?” says Cherry, in “The Nature of War.” Again and again in the course of this remarkable poem, Cherry’s narration of Oppenheimer’s life compels her readers to contemplate the vagaries of science, guilt, and our responsibilities to each other. “Quartet for J. Robert Oppenheimer is a book length poem in which the architect of the atom bomb comes to embody America and the West’s Faustian control of nature and the paradoxical helplessness and guilt which that control entailed. Oppenheim is marvelous, complicated, flawed and admirable character, and these poems read like chapters in a novel without in any way abandoning the intensities of feeling and image or delight in language we associate with lyric poetry. A terrific achievement and a compelling read.”—Alan Shapiro, author of Life Pig and Reel to Reel
The last major verse written by Nobel laureate T. S. Eliot, considered by Eliot himself to be his finest work Four Quartets is a rich composition that expands the spiritual vision introduced in “The Waste Land.” Here, in four linked poems (“Burnt Norton,” “East Coker,” “The Dry Salvages,” and “Little Gidding”), spiritual, philosophical, and personal themes emerge through symbolic allusions and literary and religious references from both Eastern and Western thought. It is the culminating achievement by a man considered the greatest poet of the twentieth century and one of the seminal figures in the evolution of modernism.
Engaging and interrogating the idea of a ‘Global Africa’, this book examines how African literary and cultural productions have changed over the years due to the social and political influences brought about by increased globalisation. Tanure Ojaide takes a variety of European theoretical concepts and applies these to African literature, oral traditions, culture, sexuality, political leadership, environmentalism, and advocacy, demonstrating the universality of the African experience. Challenging African literary artists and scholars to think creatively about the future of the culture and literature, this new collection of literary and cultural criticism from scholar-writer Tanure Ojaide is an essential read for students and scholars of African literature and culture.
