The medieval songbook as emergent genre -- Paradigms: the Carmina Burana and the Libro de Buen Amor -- Producing opaque coherence: lyric presence and names in songbooks -- Shifting mediality: visualizing lyric texts in songbooks -- Cancioneros and the art of the songbook -- Conclusion: songbook medievalisms.
URL: https://www.areditions.com/rr/rrotm/otm009.html This publication is the first-ever facsimile edition of a "binder¿s volume," a personal collection of sheet music, in this case that of a nineteenth-century young woman, Emily Esperanza McKissick of Albany, New York, who must have actively used her volume with her friends and family and who became a long-lived music teacher.Essays by leading American-music specialists illuminate the general themes of this unique volume and also provide detailed information (with copious reference to period source materials) about the McKissick family, musical life in mid-century Albany, the publication history of the forty-six songs, and an analysis of the penciled annotations made by Emily on the music itself. The complete binder's volume of Emily¿s favorite songs¿some common, some rare¿is presented, cover to cover, as a photographic facsimile.
A guide to locating information on popular music and the people who create it, this volume is designed as a desk reference—to locate answers to specific questions and to direct library users to key resources. More than 400 comprehensive titles are carefully annotated, describing content, scope, and special features. The focus is on the musical styles that have developed measurable commercial success through recordings and live performance. Along with academic titles, many important titles from the popular press are included, as well as selected electronic resources. A necessary reference tool for any library, scholar, student, and popular music buff. The work covers bibliographies, indexes, discographies, dictionaries and encyclopedias, biographical resources, directories, almanacs, yearbooks, and guidebooks on styles that include jazz, swing, Tin Pan Alley, country, gospel, blues, rhythm and blues, soul, rockabilly, rock, heavy metal, musical theater, and film music. Its extensive appendices feature discographies and bibliographies of individual artists and ensembles. A detailed index combining authors, titles, and subjects makes cross-referencing easy. The entries are modeled after the immensely useful The Guide to Reference Books.
In 1905, representatives from dozens of radical labor groups came together in Chicago to form One Big Union—the Industrial Workers of the World (IWW), known as the Wobblies. The union was a big presence in the labor movement, leading strikes, walkouts, and rallies across the nation. And everywhere its members went, they sang. Their songs were sung in mining camps and textile mills, hobo jungles and flop houses, and anywhere workers might be recruited to the Wobblies’ cause. The songs were published in a pocketsize tome called the Little Red Songbook, which was so successful that it’s been published continuously since 1909. In The Big Red Songbook, the editors have gathered songs from over three dozen editions, plus additional songs, rare artwork, personal recollections, discographies, and more into one big all-embracing book. IWW poets/composers strove to nurture revolutionary consciousness. Each piece, whether topical, hortatory, elegiac, or comic served to educate, agitate, and emancipate workers. A handful of Wobbly numbers have become classics, still sung by labor groups and folk singers. They include Joe Hill’s sardonic “The Preacher and the Slave” (sometimes known by its famous phrase “Pie in the Sky”) and Ralph Chaplin’s “Solidarity Forever.” Songs lost or found, sacred or irreverent, touted or neglected, serious or zany, singable or not, are here. The Wobblies and their friends have been singing for a century. May this comprehensive gathering simultaneously celebrate past battles and chart future goals. In addition to the 250+ songs, writings are included from Archie Green, Franklin Rosemont, David Roediger, Salvatore Salerno, Judy Branfman, Richard Brazier, James Connell, Carlos Cortez, Bill Friedland, Virginia Martin, Harry McClintock, Fred Thompson, Adam Machado, and many more.
Seventy-seven songs--with words and sheet music--of solidarity, revolt, humor, and revolution. Compiled from several generations in America, and from around the world, they were originally written in English, Danish, French, German, Italian, Spanish, Russian, and Yiddish. From IWW anthems such as "The Preacher and the Slave" to Lenin's favorite 1905 revolutionary anthem "Whirlwinds of Danger," many works by the world's greatest radical songwriters are anthologized herein: Edith Berkowitz, Bertolt Brecht, Ralph Chaplin, James Connolly, Havelock Ellis, Emily Fine, Arturo Giovannitti, Joe Hill, Langston Hughes, William Morris, James Oppenheim, Teresina Rowell, Anna Garlin Spencer, Maurice Sugar--and dozens more. Old favorites and hidden gems, to once again energize and accompany picket lines, demonstrations, meetings, sit-ins, marches, and May Day parades.
For those teachers with little or no music background and seasoned professionals who just don't have time to gather lesson plans, the This Is Music! series is exactly what they need to teach music in a classroom setting! Incredibly easy to use; Eight lessons in each book; Reproducible pages make easy take-home assignments; No singing ability required---all music is on the CDs!
(Guitar Chord Songbook). 80 songs arranged with their lyrics and chords for easy strum-along fun: Agnus Dei * As the Deer * Firm Foundation * Give Thanks * God of Wonders * He Is Exalted * The Heart of Worship * I Could Sing of Your Love Forever * Jesus, Lover of My Soul * Lamb of God * Lord, I Lift Your Name on High * More Precious Than Silver * Open the Eyes of My Heart * The Potter's Hand * Shine, Jesus, Shine * We Bow Down * and more.