On May 27th, 1784, Wolfgang Amadeus Mozart met a flirtatious little starling in a Viennese shop who sang an improvised version of the theme from his Piano Concerto no. 17 in G major. Sensing a kindred spirit in the plucky young bird, Mozart bought him and took him home to be a family pet. For three years, the starling lived with Mozart, influencing his work and serving as his companion, distraction, consolation, and muse. Two centuries later, starlings are reviled by even the most compassionate conservationists. A nonnative, invasive species, they invade sensitive habitats, outcompete local birds for nest sites and food, and decimate crops. A seasoned birder and naturalist, Lyanda Lynn Haupt is well versed in the difficult and often strained relationships these birds have with other species and the environment. But after rescuing a baby starling of her own, Haupt found herself enchanted by the same intelligence and playful spirit that had so charmed her favorite composer. In Mozart's Starling, Haupt explores the unlikely and remarkable bond between one of history's most cherished composers and one of earth's most common birds. The intertwined stories of Mozart's beloved pet and Haupt's own starling provide an unexpected window into human-animal friendships, music, the secret world of starlings, and the nature of creative inspiration. A blend of natural history, biography, and memoir, Mozart's Starling is a tour de force that awakens a surprising new awareness of our place in the world.
The astonishing variety and richness of bird song is both an aesthetic and a scientific mystery. Biologists have never been able to understand why bird song displays are often so inventive and why so many species devote so many hours to singing. The standard explanations, which generally have to do with territoriality and sexual display, don't begin to account for the astonishing variety and energy that the commonest birds exhibit. Is it possible that birds sing because they like to? This seemingly naïve explanation is starting to look more and more like the truth.In the tradition of classic works by Bernd Heinrich, Edward Abbey, and Terry Tempest Williams, Why Birds Sing is a lyric exploration of bird song that blends the latest scientific research with a deep understanding of musical beauty and form. Based on conversations with neuroscientists, ecologists, and composers, it is the first book to investigate why birds sing and how, and what effect their music has on other animals—particularly humans. Whether playing the clarinet with the white-crested laughing thrush in Pittsburgh, or jamming in the Australian winter breeding grounds of the Albert's lyrebird, Rothenberg journeys to the heart and soul of bird song. Why Birds Sing offers an intimate look at the most lovely of natural phenomena—with surprising insights about the origin of music.
The voices of birds have always been a source of fascination. Nature's Music brings together some of the world's experts on birdsong, to review the advances that have taken place in our understanding of how and why birds sing, what their songs and calls mean, and how they have evolved. All contributors have strived to speak, not only to fellow experts, but also to the general reader. The result is a book of readable science, richly illustrated with recordings and pictures of the sounds of birds. Bird song is much more than just one behaviour of a single, particular group of organisms. It is a model for the study of a wide variety of animal behaviour systems, ecological, evolutionary and neurobiological. Bird song sits at the intersection of breeding, social and cognitive behaviour and ecology. As such interest in this book will extend far beyond the purely ornithological - to behavioural ecologists psychologists and neurobiologists of all kinds.* The scoop on local dialects in birdsong* How birdsongs are used for fighting and flirting* The writers are all international authorities on their subject
Over the past several years, many investigators interested in the effects of man-made sounds on animals have come to realize that there is much to gain from studying the broader literature on hearing sound and the effects of sound as well as data from the effects on humans. It has also become clear that knowledge of the effects of sound on one group of animals (e.g., birds or frogs) can guide studies on other groups (e.g., marine mammals or fishes) and that a review of all such studies together would be very useful to get a better understanding of the general principles and underlying cochlear and cognitive mechanisms that explain damage, disturbance, and deterrence across taxa. The purpose of this volume, then, is to provide a comprehensive review of the effects of man-made sounds on animals, with the goal of fulfilling two major needs. First, it was thought to be important to bring together data on sound and bioacoustics that have implications across all taxa (including humans) so that such information is generally available to the community of scholars interested in the effects of sound. This is done in Chaps. 2-5. Second, in Chaps. 6-10, the volume brings together what is known about the effects of sound on diverse vertebrate taxa so that investigators with interests in specific groups can learn from the data and experimental approaches from other species. Put another way, having an overview of the similarities and discrepancies among various animal groups and insight into the “how and why” will benefit the overall conceptual understanding, applications in society, and all future research.
The aim of Advances in the Study of Behavior remains as it has been since the series began: to serve the increasing number of scientists who are engaged in the study of animal behavior by presenting their theoretical ideas and research to their colleagues and to those in neighboring fields. We hope that the series will continue its "contribution to the development of the field", as its intended role was phrased in the Preface to the first volume in 1965. Since that time, traditional areas of animal behavior have achieved new vigor by the links they have formed with related fields and by the closer relationship that now exists between those studying animal and human subjects.Advances in the Study of Behavior, Volume 31 continues to serve scientists across a wide spectrum of disciplines. Focusing on new theories and research developments with respect to behavioral ecology, evolutionary biology, and comparative psychology, these volumes foster cooperation and communications in these dense fields.
This volume focuses on the history of research on hearing from comparative approaches. Each chapters examines the most formative studies that led to current understanding of hearing across taxa and still influence hearing research in general. Much of the early work on hearing, which goes back to Aristotle, as well as the classic work of 16th to early 20th century scientists (e.g., Spellanzani, Retzius, Ramón y Cajal, and Helmholtz) is not well known to modern investigators. Similarly, work in the first 75 years of the 20th century is also unknown or, in some cases, dismissed because it is “old.” Much of the earlier work describes research approaches and results fundamental to our understanding of hearing as well as the beauty of observation and synthesis. The pioneering work on hearing contains ideas and questions that are still germane today. Thus, the goal of this volume is to introduce, review, and put into perspective, older but exemplary, extraordinary studies by investigators that form the basis of our knowledge as well as questions being asked today. Each chapter includes the first significant observations and approaches to hearing in the taxa and/or hearing type that is the focus of the chapter with some of the most important earlier papers discussed in some detail, including the theories, formative experiments, results, and conclusions. Each chapter provides briefer notations and citations of additional important papers that are outgrowths of the founding research – or correlate and even reverse the original works. This volume is a departure from the classic approach established for the SHAR books in which the focus has been on a single topic, and on the most recent and exciting discoveries. One difference in this volume from past SHAR volumes is that we have a more coordinated approach for the chapters to ensure that this volume is, indeed, a documentation of hearing research history, not a review of the latest status of the topic. A second difference is that the focus of the volume is on the historical value of studies. In that sense, the volume maintains the tutorial value for which SHAR books are famous, but it explores the ancestry of modern research in order to help new researchers to gain perspective on important questions and on fundamental information they may not fully appreciate – to their loss. Our interest in doing this volume comes from phenomena familiar to most senior investigators - that younger investigators often have little or no sense of the history of their discipline, and they often do not know that their “hot” new idea was not only pursued, and often solved, but further that it was solved in an elegant way. We believe it is important to bring the methodologies and discoveries on hearing done before the advent of the internet to light, for the benefit and growth of new research. In deciding on the chapter divisions for this book, we considered a number of different organizational schemes, and particularly using as a focus methodological approaches (e.g., psychoacoustics, low to high frequency types, physiology, anatomy). However, we came to the conclusion that most investigators tend to be more focused on working within a particular taxonomic group, settling on particular taxa, in many cases driven by the special hearing abilities. We also concluded that that this approach is more naturally related to the evolution not only of hearing, but also to the evolution of ideas, as much of hearing science was part of the “natural philosopher” approach that was a core element of historical discoveries.
Teaches about the habitat, behaviors, appearance, and songs of seventy-five Eastern and Central North American birds, and includes basic birdwatching guidelines and audio samples.
