"Following a family tragedy, 18-year-old Gabe LoScuda suddenly finds himself thrust into the role of caregiver for his ailing grandfather. Between the shopping trips and the doctor visits with Grandpa, Gabe and his friend John try to salvage their senior year, meet girls, and make the varsity baseball team. It doesn't take long for Gabe to realize that going to school and looking after a grandfather with Alzheimer's is more work than he ever imagined. And when long-lost Uncle Nick appears on the scene, Gabe soon finds that living with Nick and Grandpa is like babysitting two grown men. Aside from John, the only person who truly understands Gabe is Sofia, a punk-rocking rebel he meets at the veteran's hospital. When these three unlikely friends are faced with a serious dilemma, will they do what it takes to save Grandpa? If there's a chance of preserving the final shreds of Grandpa's dignity, Gabe may have to make the most gut-wrenching decision of his life--and there's no way out."--Provided by publisher.
A young bunny has experienced the death of a loved one and shares their feelings of sadness and pain with family and friends. Gaining the love he needs from his community and the space he needs to express his honest feelings he discovers joy in the remembrance of his loved one.
The book explores the depths of human sorrow in its various shades and layers from a lonely woman’s perspective. Failure in relationships, human betrayal, death of loved ones, suffering from injustice and bitter loneliness of old age etc are beautifully depicted through haunting imagery in these poems. For the poet boundless joy is the default nature of human beings. Sadness is just a manifestation of one’s forgetfulness of one’s true eternal divine nature. Human beings forget their inner divinity due to attachment to the temporary external world. However physical and mental suffering prepares the human heart for ultimate God communion. Underneath the terrible frustration of mundane human existence there is an intense yearning for God realisation. Suffering ceases when the object of frustration is shifted from worldly failures to the pangs of separation from God. These poems with underlying spiritual messages provide a penetrating new interpretation of the universal truths contained in scriptures of all world religions – e.g. Veda, Bible, Gita and Quran. This book has been edited by the Indian poet and translator Dr Tapan Kumar Pradhan, who has also written its foreword and introduction. The book makes a startling revelation regarding Lalitha Iyer's true identity and her relationship with the German poet Antony Theodore and Kashmir poet Hemangi Sharma. Dr Tapan hints at a definite past life relationship with Lalitha Iyer as "Lolita".
An expert on mind considers how animals and smart machines measure up to human intelligence. Octopuses can open jars to get food, and chimpanzees can plan for the future. An IBM computer named Watson won on Jeopardy! and Alexa knows our favorite songs. But do animals and smart machines really have intelligence comparable to that of humans? In Bots and Beasts, Paul Thagard looks at how computers ("bots") and animals measure up to the minds of people, offering the first systematic comparison of intelligence across machines, animals, and humans. Thagard explains that human intelligence is more than IQ and encompasses such features as problem solving, decision making, and creativity. He uses a checklist of twenty characteristics of human intelligence to evaluate the smartest machines--including Watson, AlphaZero, virtual assistants, and self-driving cars--and the most intelligent animals--including octopuses, dogs, dolphins, bees, and chimpanzees. Neither a romantic enthusiast for nonhuman intelligence nor a skeptical killjoy, Thagard offers a clear assessment. He discusses hotly debated issues about animal intelligence concerning bacterial consciousness, fish pain, and dog jealousy. He evaluates the plausibility of achieving human-level artificial intelligence and considers ethical and policy issues. A full appreciation of human minds reveals that current bots and beasts fall far short of human capabilities.
In this book, perspectives in psychology, aesthetics, history and philosophy are drawn upon to survey the value given to sad music by human societies throughout history and today. Why do we love listening to music that makes us cry? This mystery has puzzled philosophers for centuries and tends to defy traditional models of emotions. Sandra Garrido presents empirical research that illuminates the psychological and contextual variables that influence our experience of sad music, its impact on our mood and mental health, and its usefulness in coping with heartbreak and grief. By means of real-life examples, this book uses applied music psychology to demonstrate the implications of recent research for the use of music in health-care and for wellbeing in everyday life.
Simon had always expected love to feel different than this. Whether it was his Catholic upbringing or the poetry he'd read - Simon had thought that true love would be uplifting, fulfilling, that it would give a meaning to his loitering, and add joy to his leisure. But not this kind of love. This love was a flesh-eating monster, sharp-clawed and evil-eyed, ravishing his mind with medieval cruelty. Dr Simon Mráz is a respected specialist and lecturer at the Charles University in Prague. He is a serious man, responsible. His students call him The Cruel Doctor Frost not because he's unkind, but because of his unwavering, ice-cold composure. As a psychiatrist, he values sanity. And sanity can be found in work, restraint, and self-control. Not many know of that one time in the past when The Cruel Doctor Frost lost his cool. His ill-advised, secret affair with a student left Simon deeply wounded. Since that day, every minute of Simon's life has been a struggle to remain sane, functioning. He's managed so far - as long as he is needed, as long as his work makes a difference, Simon can scrape together enough strength to get up in the morning and run off the nightmares. But when his friends begin drifting away, his beloved protégé becomes independent, and the man who bereaved Simon of his precious sanity might return... Simon's mind and body stop responding to his impressive willpower.
Music's ability to express and arouse emotions is a mystery that has fascinated both experts and laymen at least since ancient Greece. The predecessor to this book 'Music and Emotion' (OUP, 2001) was critically and commercially successful and stimulated much further work in this area. In the years since publication of that book, empirical research in this area has blossomed, and the successor to 'Music and Emotion' reflects the considerable activity in this area. The Handbook of Music and Emotion offers an 'up-to-date' account of this vibrant domain. It provides comprehensive coverage of the many approaches that may be said to define the field of music and emotion, in all its breadth and depth. The first section offers multi-disciplinary perspectives on musical emotions from philosophy, musicology, psychology, neurobiology, anthropology, and sociology. The second section features methodologically-oriented chapters on the measurement of emotions via different channels (e.g., self report, psychophysiology, neuroimaging). Sections three and four address how emotion enters into different aspects of musical behavior, both the making of music and its consumption. Section five covers developmental, personality, and social factors. Section six describes the most important applications involving the relationship between music and emotion. In a final commentary, the editors comment on the history of the field, summarize the current state of affairs, as well as propose future directions for the field. The only book of its kind, The Handbook of Music and Emotion will fascinate music psychologists, musicologists, music educators, philosophers, and others with an interest in music and emotion (e.g., in marketing, health, engineering, film, and the game industry). It will be a valuable resource for established researchers in the field, a developmental aid for early-career researchers and postgraduate research students, and a compendium to assist students at various levels. In addition, as with its predecessor, it will also attract interest from practising musicians and lay readers fascinated by music and emotion.
Based on the wildly popular characters from Coolman Coffeedan, a colorful and charming collection of parables reminding us to face our fears, our anxieties, and our self-consciousness head-on. What do a naked cat, a sad turtle, an armless robot, and a sentient potato have in common? Quite a lot, actually! In this vibrant and heartfelt book, self-proclaimed bad animator Danny Casale delivers a much-needed jolt of positivity and humor to ease even the sourest of spirits. Fans of his Coolman Coffeedan accounts will recognize his simple and relatable illustrations, but the material is entirely new. Each chapter introduces a new friend and a new hardship, offering the perfect pick-me-up for whatever has you down. Tackling topics from loneliness and self-confidence to the perfect (ONLY) way to construct a bowl of cereal, this book will leave you feeling just fine. So don’t forget—no matter what you may be feeling on the inside, or what people may be saying on the outside, UR SPECIAL!
A girl, a potato, and a very sad flamingo star in this charming sequel to I’m Bored by New York Times bestselling author and comedian Michael Ian Black and celebrated illustrator Debbie Ridpath Ohi. Everyone feels sad sometimes—even flamingos. Sigh. When Flamingo announces he’s feeling down, the little girl and Potato try to cheer him up, but nothing seems to work. Not even dirt! (Which usually works for Potato.) Flamingo learns that he will not always feel this way. And his friends learn that sometimes being a friend means you don’t have to cheer someone up. You just have to stick by your pal no matter how they feel. Even if they’re a potato.
