Max Forrestal is going to fail biology if he doesn't complete a 20-page paper on extinction by 2pm on Tuesday, but his mother, Lily, is dying of cancer, and school is the last thing on his mind. His father, Ellery, a biologist obsessed with saving a rare Bolivian insect, is incapable of dealing with his wife's impending death, or his son's distress. Max's biology teacher, Khim Phan, tries to figure out why Max is failing the class. Helping Max, however, pushes Khim into a magical journey of his own, from the Cambodian fields of his youth into the undiscovered country beyond.
Why have island ecosystems always suffered such high rates of extinction? In our age, with all the world's landscapes, from Tasmania to the Amazon to Yellowstone, now being carved into island-like fragments by human activity, the implications of this question are more urgent than ever. Over the past eight years, David Quammen has followed the threads of island biogeography on a globe-encircling journey of discovery.
The sparrow, like the spotted owl of the Pacific Northwest, was the victim—the innocent bystander—of an intense human struggle between those who advocate growth and jobs at any cost and those who insist that each life form that is endangered be protected. This is the story of how the Endangered Species Act failed a small songbird, the dusky seaside sparrow. The sparrow's only habitat lay in the path of the Kennedy Space Center, not far from Disney World. Mark Walters' moving narrative describes how the social and political forces of an era forced irrevocable and profound changes in the environment of Brevard County, Florida, and brought about the extinction of a small bird. Walters begins his story in the late 1950s, before Cape Canaveral was renamed the Kennedy Space Center. Against the backdrop of Merritt Island and the marshlands along the Indian, Banana, and St. Johns rivers—the only places on the planet where the sparrow thrived—he chronicles the struggles of many different personalities, strong-minded individuals whose lives and personal fates become inextricably entwined with those of the dusky. The cast of characters includes the head of Brevard County Mosquito Control, bureaucrats and rangers with U.S. Fish & Wildlife, NASA administrators, real estate developers, ranchers, highway engineers, egg collectors, conservationists, and finally, Disney World itself, home of the last duskies and their hybrid offspring. The sparrow, like the spotted owl of the Pacific Northwest, was the victim—the innocent bystander—of an intense human struggle between those who advocate growth and jobs at any cost and those who insist that each life form that is endangered be protected at any cost, and few, if any, winners in the end.
At once joyous and somber, this thoughtful gathering of new and selected essays spans Kathleen Dean Moore's distinguished career as a tireless advocate for environmental activism in the face of climate change. In this meditation on the music of the natural world, Moore celebrates the call of loons, howl of wolves, bellow of whales, laughter of children, and shriek of frogs, even as she warns of the threats against them. Each group of essays moves, as Moore herself has been moved, from celebration to lamentation to bewilderment and finally to the determination to act in defense of wild songs and the creatures who sing them. Music is the shivering urgency and exuberance of life ongoing. In a time of terrible silencing, Moore asks, who will forgive us if we do not save nature's songs?
WINNER OF THE 2018 JOHN BURROUGHS MEDAL FOR OUTSTANDING NATURAL HISTORY WRITING “Both a love song to trees, an exploration of their biology, and a wonderfully philosophical analysis of their role they play in human history and in modern culture.” —Science Friday The author of Sounds Wild and Broken and the Pulitzer Prize finalist The Forest Unseen visits with nature’s most magnificent networkers — trees David Haskell has won acclaim for eloquent writing and deep engagement with the natural world. Now, he brings his powers of observation to the biological networks that surround all species, including humans. Haskell repeatedly visits a dozen trees, exploring connections with people, microbes, fungi, and other plants and animals. He takes us to trees in cities (from Manhattan to Jerusalem), forests (Amazonian, North American, and boreal) and areas on the front lines of environmental change (eroding coastlines, burned mountainsides, and war zones.) In each place he shows how human history, ecology, and well-being are intimately intertwined with the lives of trees. Scientific, lyrical, and contemplative, Haskell reveals the biological connections that underpin all life. In a world beset by barriers, he reminds us that life’s substance and beauty emerge from relationship and interdependence.
“Compulsively readable—a masterpiece, maybe the masterpiece of science journalism.” —Bill McKibben, Audubon A brilliant, stirring work, breathtaking in its scope and far-reaching in its message, The Song of the Dodo is a crucial book in precarious times. Through personal observation, scientific theory, and history, David Quammen examines the mysteries of evolution and extinction and radically alters our understanding of the natural world and our place within it. In this landmark of science writing, we learn how the isolation of islands makes them natural laboratories of evolutionary extravagance, as seen in the dragons of Komodo, the elephant birds of Madagascar, the giant tortoises of the Galapagos. But the dark message of island studies is that isolated ecosystems, whether natural or human-made, are also hotbeds of extinction. And as the world’s landscapes, from Tasmania to the Amazon to Yellowstone, are carved into pieces by human activity, the implications of this knowledge are more urgent than ever. An unforgettable scientific adventure, a fascinating account of an eight-year journey of discovery, and a wake-up call for our time, David Quammen’s The Song of the Dodo is an exquisitely written book that takes the reader on a globe-circling tour of wild places and extraordinary ideas.
From the late Thomas Bernhard, arguably Austria's most influential novelist of the postwar period, and one of the greatest artists in all twentieth-century literature in the German language, his magnum opus. Extinction, Bernhard's last work of fiction, takes the form of the autobiographical testimony of Franz-Josef Murau, the intellectual black sheep of a powerful Austrian land-owning family. Murau lives in Rome in self-imposed exile from his family, surrounded by a coterie of artistic and intellectual friends. On returning from his sister's wedding to the "wine-cork manufacturer" on the family estate of Wolfsegg, having resolved never to go home again, Murau receives a telegram informing him of the death of his parents and brother in a car crash. Not only must he now go back, he must do so as the master of Wolfsegg. And he must decide its fate. Divided into two halves, Extinction explores Murau's rush of memories of Wolfsegg as he stands at his Roman window considering the fateful telegram, in counterpoint to his return to Wolfsegg and the preparations for the funeral itself. Written in the seamless style for which Bernhard became famous, Extinction is the ultimate proof of his extraordinary literary genius. It is his summing-up against Austria's treacherous past and -- in unprecedented fashion -- a revelation of his own incredibly complex personality, of his relationship with the world in which he lived, and the one he left behind. A literary event of the first magnitude.
Named a Most Anticipated book by Newsweek * USA Today * CNN * Parade * Buzzfeed * Medium * GoodReads * PopSugar * Frolic Media * Betches * The Nerd Daily * SheReads and more "Smart and searingly passionate...an illuminating snapshot of nature, betrayal, and sacrifices set in the evocative New Hampshire wilderness."--Kim Michele Richardson, bestselling author of The Book Woman of Troublesome Creek A startling and timely debut, Julie Carrick Dalton's Waiting for the Night Song is a moving, brilliant novel about friendships forged in childhood magic and ruptured by the high price of secrets that leave you forever changed. Cadie Kessler has spent decades trying to cover up one truth. One moment. But deep down, didn’t she always know her secret would surface? An urgent message from her long-estranged best friend Daniela Garcia brings Cadie, now a forestry researcher, back to her childhood home. There, Cadie and Daniela are forced to face a dark secret that ended both their idyllic childhood bond and the magical summer that takes up more space in Cadie’s memory then all her other years combined. Now grown up, bound by long-held oaths, and faced with truths she does not wish to see, Cadie must decide what she is willing to sacrifice to protect the people and the forest she loves, as drought, foreclosures, and wildfire spark tensions between displaced migrant farm workers and locals. Waiting for the Night Song is a love song to the natural beauty around us, a call to fight for what we believe in, and a reminder that the truth will always rise. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Finalist for the 2023 Pulitzer Prize in General Nonfiction and the 2023 PEN/E.O. Wilson Literary Science Writing Award Winner of the Acoustical Society of America's 2023 Science Communication Award “[A] glorious guide to the miracle of life’s sound.” —The New York Times Book Review A lyrical exploration of the diverse sounds of our planet, the creative processes that produced these marvels, and the perils that sonic diversity now faces We live on a planet alive with song, music, and speech. David Haskell explores how these wonders came to be. In rain forests shimmering with insect sound and swamps pulsing with frog calls we learn about evolution’s creative powers. From birds in the Rocky Mountains and on the streets of Paris, we discover how animals learn their songs and adapt to new environments. Below the waves, we hear our kinship to beings as different as snapping shrimp, toadfish, and whales. In the startlingly divergent sonic vibes of the animals of different continents, we experience the legacies of plate tectonics, the deep history of animal groups and their movements around the world, and the quirks of aesthetic evolution. Starting with the origins of animal song and traversing the whole arc of Earth history, Haskell illuminates and celebrates the emergence of the varied sounds of our world. In mammoth ivory flutes from Paleolithic caves, violins in modern concert halls, and electronic music in earbuds, we learn that human music and language belong within this story of ecology and evolution. Yet we are also destroyers, now silencing or smothering many of the sounds of the living Earth. Haskell takes us to threatened forests, noise-filled oceans, and loud city streets, and shows that sonic crises are not mere losses of sensory ornament. Sound is a generative force, and so the erasure of sonic diversity makes the world less creative, just, and beautiful. The appreciation of the beauty and brokenness of sound is therefore an important guide in today’s convulsions and crises of change and inequity. Sounds Wild and Broken is an invitation to listen, wonder, belong, and act.
Language is Music focuses on making learning foreign languages fun, easy and affordable for anyone with a desire to communicate effectively with people around the world. By applying over 100 simple tips to things you already do, such as listening to music or surfing the Web, you can experience the joy of "fluency" in any language without having to study abroad or spend money on private tutors. In Language is Music, Susanna Zaraysky masterfully shares her listening methods so that anyone can have fun learning any language. With over 100 tips and 100 free or low-cost Internet resources, you will learn how to use daily activities, such as watching T.V. or listening to music; conversation partners; and attendance at cultural events to become a masterful speaker of any tongue. "Learning foreign languages is like learning to sing a song or play music," says self-made linguist Susanna Zaraysky and author of Language is Music. Zaraysky has what you might call "an ear" for languages, having used music to successfully learn English, Russian, French, Spanish, Italian, Portuguese, and Serbo-Croatian-all with excellent accents. Advance Praise for Language is Music "I love it! I think it will help people who want to learn, and those who are curious about additional language learning. Many people want to learn a language but are frightened, or disappointed by the courses they have taken. Reading Language is Music will encourage them to try again, on their own and with friendly supporters." -Dr. Elba Maldonado-Colon, Professor Department of Elementary Education Bilingual Program, San Jose State University LET IT JUST ROLL OFF YOUR TONGUE. With lyrical insight and solid experience, Susanna Zaraysky, author of Language is Music, provides easy steps for learning a language. Gone are the boring, disconnected strategies that most of us remember from school. You've never learned a language this quickly and easily. Zaraysky's methods embody fun, connection, rhythm, and above all...music. -Suzanne Lettrick, M.Ed Educator and Founder of The Global Education and Action Network "Forget dictionaries and phrase books . . . Susanna Zaraysky's easy-to-use guide to language learning is indispensable for any serious language learner wanting to become fluent--not just conversationally proficient--in another language. Language is Music will teach you how to make language acquisition a part of your daily life, and to recreate the kind of total-immersion environment necessary for fluency. Highly recommended reading for aspiring polyglots. Pick up this book and you too will be all ears!" -Justin Liang, Japanese, Mandarin, Cantonese, Marshallese, intermediate Spanish Back in France, I spent many years learning "academic" English in school. But I progressed much faster when I forced myself to listen to the BBC or not look at the subtitles when watching an American movie. I wish I had Susanna's book with me then. It's full of creative ideas and practical tips that are indispensable complements to the traditional methods of learning foreign languages -- and it's coming from someone you can trust, she speaks so many of them! -Philippe Levy, French native speaker This book is great. It showed me another aspect and a new approach of learning a language. I will put the book to good use. As a foreign English speaker, I spent many years at school learning English and did not make much progress. A lot of the tips that I read in this book, I learned them with time. However if I had read this book earlier, it would have made my life much easier and I would have saved so much time. I am going to apply the tips in Language is Music into learning a third language: Spanish. This time, I am sure I will make huge progress much faster. Not only is Language is Music useful in acquiring a foreign language, but the resources and websites in the book are valuable for someone who wants to travel abroad. -Fabien Hsu, French native speaker
