A poignant and beautiful bedtime book, Cricket Song connects two children on different continents through the evocation of sound and smell. Readers will love identifying various creatures portrayed in the book and watching what they are doing as the two children begin to fall to sleep in their beds on seemingly opposite sides of the world. While differences between cultures may be obvious, ultimately, this lovely story of sleep is a tale about interconnection.
An Ice Age is dawning on Mica's homeland. The climate is getting colder, there are fewer mammoths to hunt, and the future of her people looks uncertain . . . Mica's mind is bursting with new ideas to help them survive the long winter, but the others refuse to listen, determined to cling to the old ways no matter what. Shunned and frustrated, Mica feels as if no one will ever understand her. Not even Bear, her childhood friend. One night, Mica wakes to hear mysterious voices calling. Their cries fill her with a deep longing that she can't explain. But who do they belong to? And then she makes a discovery so incredible, so extraordinary, it will challenge everything she thought she knew about her world . . .
In this moving memoir told to anthropologist Serge Bouchard, Innu hunter Mathieu Mestokosho reveals a world that existed between 1890 and 1960, a culture of native trapper-hunters in a vast, hostile environment. He recalls his childhood, describes the long, difficult journeys he undertook as he and other hunters traveled the taiga in search of caribou, and explains how they were able to conserve their physical strength and keep moving "to the rhythm of the heart and drum."
A huge collection of 76 titles, in lead-line format with guitar chords. Including: Bertha * Black Peter * Casey Jones * Cats Under the Stars * China Cat Sunflower * Cumberland Blues * Dire Wolf * Eyes of the World * Friend of the Devil * Mississippi Half-Step . . . * New Speedway Boogie * Run for the Roses * Saint Stephen * Sugaree * Tennessee Jed * Touch of Grey * Uncle John's Band and many, many more.
Hunter provides a glimpse inside North Korean society, detailing the everyday life of people living in perhaps the most isolated, secretive society of the 20th century. In this declassified CIA study, she describes the world's most extreme cult society under the charismatic totalitarian leader, Kim Il-song, who ruled his people for 45 years—longer than any other leader of the 20th century. Kim Il-song's totalitarian cult society comes closest to George Orwell's 1984 than any society yet contrived. Hunter brings to life what it is like to live in a thoroughly thought-controlled society—which also is the world's most class-conscious society. Based on all the sources available to the CIA at the time, this book is the most comprehensive look at North Korean life ever published. It is essential reading for foreign policy officials, Asian Studies scholars, and the general public interested in world affairs.
Anne Home Hunter (1741-1821) was one of the most successful song writers of the second half of the eighteenth century, most famously as the poet who wrote the lyrics of many of Haydn’s songs. However her work, which included many more serious, lyrical and romantic poems has been largely forgotten. This book contains over 200 poems, some published in her life-time under her married name ‘Mrs John Hunter’, some attributed only to ‘a Lady’, and most importantly many transcribed from her manuscripts, housed in various archives and in a private collection, which are now collected for the first time. Hitherto Anne Hunter has been known almost entirely through her ‘Poems’ published in 1802, in her Introduction Isobel Armstrong argues that she saw this book as a definitive representation of her poetry. Besides her consummately skilful lyrics and songs it contains serious political odes and reflective poems. The unpublished material amplifies and extends the work of 1802. The introduction is followed by a long biographical essay by Caroline Grigson. The daughter of Robert Home, an impoverished Scottish Army surgeon, Anne Hunter spent her adult life in London where she married the famous anatomist John Hunter, with whom she lived in great style, latterly as a bluestocking hostess, until his death in 1793. The book includes many new details of her long life, her friendship with Angelica Kaufman (who painted her portrait - see cover) and the bluestocking, Elizabeth Carter. The account of Anne’s life as a widow describes her relationships with her family, her niece the playwright Joanna Baillie, and her friends, especially those of the famous Minto family, as well as the Scottish impresario George Thomson. Of especial interest is the discovery of a previously unrecorded visit that Haydn made to her during his second London visit when she was living in Blackheath. Expertly researched which Grigson’s book sets Anne Hunter’s oeuvre in the political and social context of the time and will be required reading to scholars of literature and music alike.
The history of Haiti throughout the twentieth century has been marked by oppression at the hands of colonial and dictatorial overlords. But set against this "day for the hunter" has been a "day for the prey," a history of resistance, and sometimes of triumph. With keen cultural and historical awareness, Gage Averill shows that Haiti's vibrant and expressive music has been one of the most highly charged instruments in this struggle—one in which power, politics, and resistance are inextricably fused. Averill explores such diverse genres as Haitian jazz, troubadour traditions, Vodou-jazz, konpa, mini-djaz, new generation, and roots music. He examines the complex interaction of music with power in contexts such as honorific rituals, sponsored street celebrations, Carnival, and social movements that span the political spectrum. With firsthand accounts by musicians, photos, song texts, and ethnographic descriptions, this book explores the profound manifestations of power and song in the day-to-day efforts of ordinary Haitians to rise above political repression.
