Aspiring photographers are always looking for that edge, that fresh point of view to add drama to their images. Photographer Joey L. found his vision early, drawing critical acclaim as a brilliant commercial photographer with a distinctive technical expertise for lighting. In Photographing Shadow and Light, Joey lifts the curtain on his dramatic, creatively fearless approach to portraiture, sharing his personal philosophy and a behind-the-scenes look at 15 striking photo sessions—from personal projects shot in Africa, India, and Brooklyn to commercial shoots for 50 Cent, the Jonas Brothers, and Project Runway All Stars. Joey provides readers with a step-by-step description of how he visualized each shoot, formed meaningful connections with his subjects, and “built” his signature dramatic lighting effects—one light at a time. Featuring more than 85 stunning portraits, detailed lighting diagrams, and a foreword from industry icon David Hobby (aka Strobist), Photographing Shadow and Light shares the creative process behind one of today’s most exciting photography talents, providing serious amateurs and professionals a fresh perspective on creating compelling, professional quality portraits. “Joey Lawrence is . . . the future of photography. Get used to it.” —David Hobby (Strobist) Get inside the images of commercial and fine art portrait photographer Joey L. with this behind-the-lens guide to his fearless approach, creative vision, and signature lighting techniques. Also available as an ebook
This cutting-edge title explores how narrating the past both conflicts and creates an interesting relationship with drama's 'continuing present' that arcs towards an unpredictable future. Theatre both brings the past alive and also fixes it, but through the performance process, allowing the past to be molded for future (not-yet-existent) audiences.
Basics Photography 02- Lighting by David Pr kel is an essential guide to the creative use of light in capturing photographic images. The book explains the theory of how light 'works' for the photographer, encouraging the reader to explore and experiment. It argues for an understanding of lighting as a fundamental quality of good photography. Technical concepts and the use of different varieties of light source are explained with the aid of clear diagrams and inspiring images. Lighting offers an essential introduction to the subject and represents a comprehensive reference for students and aspiring photographers.
Television Field Production and Reporting provides an exciting introduction to the art of visual storytelling. Endorsed by the National Press Photographers Association, it focuses on the many techniques and tools available in television today. The new edition of Television Field Production and Reporting will be 4-color for the first time, an absolute must in this visually oriented, rapidly changing field..
Guest-edited by Agostino De Rosa, Alessio Bortot and Francesco Bergamo Penumbra, from the Latin paene (almost) and umbra (shadow), can be defined as an intermediate zone of transition between light and shadow. Penumbra is therefore that space, both physical and imaginary, where everything is possible: it is the place of the uncanny, where presence and/or absence can produce wonder or horror. This AD positions the presence of this archetype in the contemporary world of architecture, investigating the ways it permeates different expressive forms – from critical theory to architectural drawing, from design and planning to photography. The contributors illustrate and discuss how penumbra has shaped their creativity and modified their approach to the design process. As a physical phenomenon, penumbra has supra-historical and global connotations; nonetheless, different cultures elaborate its symbolism in different ways. Its wide semantic spectrum powerfully inspires creative forms that hover between fullness and emptiness, presence and absence, past and future. The critical perspectives in this issue offer a wide analysis of penumbra’s expressive potential and the key to an in-depth understanding of this elusive layer of reality. Contributors: Matthias Bärmann, Silvia Benedito, Filippo Bricolo, Edwin Carels, Javier Corvalán, Dris Kettani, Stephen Kite, Giancarlo Mazzanti, Akira Mizuta Lippit, Susanna Pisciella, Renato Rizzi, Paul O Robinson, and Antonella Soldaini. Featured architects and artists: Alexander Savvich Brodsky, Neri&Hu studio, Quay Brothers, Ursula Schulz-Dornburg, and Marco Tirelli.
The Fundamentals of Photography offers an illustrated introduction to the key elements of film and digital photography. Each subject matter, or 'fundamental', uses detailed diagrammatic explanation, associated theories, and historical references to explain the underlying principles of photographic practice. Accompanied by examples from contemporary photographers and practitioners, The Fundamentals of Photography offers a unique insight into the working methods and techniques of professional photographers. Beautifully illustrated throughout, with contributions from exemplars of contemporary practice, this book is a must-have manual for the photography student. There are six different sections to this book including: Equipment and Getting Started, Composition, Lighting, Genre, Processing and Printing and finally, Breaking the Rules. Between them these sections will cover everything that you need to know about photography from the initial idea through to developing the final print. Book jacket.
The twelve interviews in this book cover all aspects of cinematography from pre-production planning to post-production, special effects, aerial photography, and second unit. Each interview gives a behind-the-scenes look at how some of the most popular shots in movies and television shows were lit and captured. Technically and philosophically oriented, Contemporary Cinematographers on Their Art explores the tools, trends, personalities, and professional achievements of contemporary cinematographers, highlighting the behind-the-scenes struggles of the business of making motion pictures. Each chapter delves into the personal challenges, political properties, inter-departmental interactions, and artistic achievements of the artists who bring scripts to life through their choice of cameras, lights, lenses, filters, gels, and other supporting equipment. Covering a variety of film and television genres--from soaps to half-hour sitcoms, to cable and network productions and low- and big-budget features--each interview explores the tools cinematographers use to capture their shots, from traditional equipment to innovative camera and lighting "toys," as well as the integration of mechanical and computer graphic effects.