Through snapshots of each community, Ellice Weaver captures both the qualities that make different communities unique, but also what binds them together to make up the modern, multicultural cities that we exist in today. Beautifully composed pages introduce us to each group before we're taken on a short journey inside each of their worlds. Stunning artwork and wry, odd and moving stories come together to produce a book that is unique, vibrant and universal.
Prompted by the widespread curiosity aroused by the proceedings of the Parker Bank Rate Tribunal, the author has written a non-technical account of daily life in a City office and Boardroom. The author describes the ways in which money is put to work, and explains why the Sterling Area is so important to Britain’s prosperity. He also discusses political developments affecting the City and its future. The book includes references to America and Wall Street.
American metropolitan areas today are divided into neighborhoods of privilege and poverty, often along lines of ethnicity and race. City residents traveling through these neighborhoods move from feeling at home to feeling like tourists to feeling so out of place they fear for their security. As Gerald Frug shows, this divided and inhospitable urban landscape is not simply the result of individual choices about where to live or start a business. It is the product of government policies--and, in particular, the policies embedded in legal rules. A Harvard law professor and leading expert on urban affairs, Frug presents the first-ever analysis of how legal rules shape modern cities and outlines a set of alternatives to bring down the walls that now keep city dwellers apart. Frug begins by describing how American law treats cities as subdivisions of states and shows how this arrangement has encouraged the separation of metropolitan residents into different, sometimes hostile groups. He explains in clear, accessible language the divisive impact of rules about zoning, redevelopment, land use, and the organization of such city services as education and policing. He pays special attention to the underlying role of anxiety about strangers, the widespread desire for good schools, and the pervasive fear of crime. Ultimately, Frug calls for replacing the current legal definition of cities with an alternative based on what he calls "community building"--an alternative that gives cities within the same metropolitan region incentives to forge closer links with each other. An incisive study of the legal roots of today's urban problems, City Making is also an optimistic and compelling blueprint for enabling American cities once again to embrace their historic role of helping people reach an accommodation with those who live in the same geographic area, no matter how dissimilar they are.
A brief description of the history and goals of two improvizational comedy groups, the Compass and Second City, accompanies interviews with past members from Mike Nichols to Gilda Radner
“We could have been called a lot of things: brazen vandals, scared kids, threats to social order, self-obsessed egomaniacs, marginalized youth, outsider artists, trend setters, and thrill seekers. But, to me, we were just regular kids growing up hard in America and making the city our own. Being ‘writers’ gave us something to live for and ‘going all city’ gave us something to strive for; and for some of my friends it was something to die for.” In the age of commissioned wall murals and trendy street art, it’s easy to forget graffiti’s complicated and often violent past in the United States. Though graffiti has become one of the most influential art forms of the twenty-first century, cities across the United States waged a war against it from the late 1970s to the early 2000s, complete with brutal police task forces. Who were the vilified taggers they targeted? Teenagers, usually, from low-income neighborhoods with little to their names except a few spray cans and a desperate need to be seen—to mark their presence on city walls and buildings even as their cities turned a blind eye to them. Going All City is the mesmerizing and painful story of these young graffiti writers, told by one of their own. Prolific LA writer Stefano Bloch came of age in the late 1990s amid constant violence, poverty, and vulnerability. He recounts vicious interactions with police; debating whether to take friends with gunshot wounds to the hospital; coping with his mother’s heroin addiction; instability and homelessness; and his dread that his stepfather would get out of jail and tip his unstable life into full-blown chaos. But he also recalls moments of peace and exhilaration: marking a fresh tag; the thrill of running with his crew at night; exploring the secret landscape of LA; the dream and success of going all city. Bloch holds nothing back in this fierce, poignant memoir. Going All City is an unflinching portrait of a deeply maligned subculture and an unforgettable account of what writing on city walls means to the most vulnerable people living within them.
Studies have indicated that 75% of what an audience learns and remembers is a result of what they see, while 13% comes from what they hear. Drama puts both together and prepares the audience with a vivid sermon illustration that kindles their anticipation of the pastor's sermon. The majority of these mini-dramas run 3-5 minutes in length. Each introduces the theme of the gospel lesson in the Cycle B lectionary. Written with wit, wisdom, and humor, they help to plant the scriptural message in an unforgettable, poignant, contemporary application. - Minimal preparation is required - Few props needed - 2-4 characters are involved in each sketch Your wonderful drama left us all hungering for more. I assure you that the Lord is truly working through you. Bill Broaddus Brunswick United Methodist Church Brunswick, Ohio Through your gifts of drama you achieved a perfect blend of humor, pathos, conviction, and joy to present the gospel in a living and powerful way. Richard B. Linder Jr., Rector St. Matthew's Episcopal Church Brecksville, Ohio Robert F. Crowley is an actor, director, playwright, theater critic, poet, and teacher. He is the co-founder (with his wife Suanne) of Fisherpeople Drama Ministry, a drama troupe that tours the Eastern half of the U.S. and Canada. Crowley is director of Christian Arts, Visual Arts, Dance, and Writers at St. Luke's Episcopal Church, Akron, Ohio. He is also playwright and advisor for L.I.O.N. Players and Joshua Force. Crowley received his M.A. degree in Theater from the University of Akron and his M.Div. degree in Biblical Studies from Ashland Theological Seminary.
The must-have guide for young progressives looking to run for local office, complete with contributions from elected officials and political operatives. You’ve been depressed since the night of November 8, 2016. You wore black to work the next morning. You berated yourself for your complacency during the Obama years. You ranted on Twitter. You deleted Twitter. You sent emails to your friends saying, “How can we get more involved?” You listened to Pod Save America. You knitted a pussyhat. You showed up to the Women’s March on Washington. You protested Donald Trump’s executive orders. You called your congressman. You called other people’s congressmen. You set up monthly donations to Planned Parenthood and the ACLU. You reactivated Twitter (begrudgingly). Here’s what you do next: Run for something. To be specific: Run for local office and become the change you want to see in the world. Forget about Congress. Forget about the Senate. Focus on the offices that get the real sh*t done: state legislatures, city councils, school boards, and mayors. It doesn’t matter if you’re not a white man over sixty with an Ivy League law degree. (In fact, it’s better if you’re not!) It doesn’t matter if you don’t understand the first thing about running for office, or never even imagined you would. That’s what this book is for. Amanda Litman, experienced in hard-fought state and national election campaigns, is here to give you guidance as well as wisdom and insight from elected officials and political operatives she interviewed for this book. There are half a million elected officials in the United States. Why can’t you be one of them?
Planners face a controversial task because their professional role requires them to be spokespersons for the public interest. In a welter of conflicting pictures and voices, how might the public interest be discovered? Once identified, how might it be expressed so that competing publics attend to it? There are no easy answers, but the experience of planners today suggests ways of working and innovations of promise.The focus on planning practice prompted the editors to analyze images that are now at work in our cities. For Vale and Warner, all city design and constructions offer material that people should include in images of their environment. The built and building city are part of the experience of all city dwellers; it is theirs to incorporate, interpret, or ignore. Essays included in this text trace the interplay between physical objects of planners and architects and the social experience and outlooks of image makers and their audiences.Imaging the City explores urban image making from civic boosterism of medieval cities to iconic imagery of Times Square. Vale and Warner bring together urban historians, geographers, city planners, architects, and cultural commentators to analyze the creation of urban imagery from the signature skyscrapers of Kuala Lumpur to the re-creation of the South Bronx and the use of city images in film, literature, television, and on the Internet. Urban dwellers, urban planners, architects, municipal officials, sociologists, urban historians - all will perceive their worlds with a heightened sense of awareness after reading this book.
